Abstract

Ecofeminism is a term coined by Françoise D’Eubonne in her book Feminism or Death to show the affinities between ecology and feminism. Both women and nature are perceived as passive elements and like women who complain about patriarchal constraints, ecologists shed light on the impacts of human exploitation over nature which is affected by pollution. Some dimensions of ecofeminism are present in Leslie Marmon Silko’s The Yellow Woman. The postmodern novel contains a female character who forges a link with the natural surroundings and is in a direct contact with some natural elements like plants and animals. What is specific about the heroine is that she escapes her matriarchal society and goes back to nature in order to reconstruct her identity. At the end of the narrative, the female narrator leaves the natural setting and goes back to her family to replay social roles. The present article sets out to study the importance of Mother Nature for the female narrator and to examine the affinities between Earth Mother and the female protagonist. The first part will offer a theoretical background about the basic principles of ecofeminism. Then, my analysis will touch upon the aspects of ecofeminism in the novel. However, the last part will focus on the way the narrator goes beyond her matriarchal culture and reshapes female identity.