Abstract

One of the predominant iterations of the metaphor of entanglement in the nineteenth century is found in the closing paragraph of Charles Darwin’s On the Origin of Species. Darwin’s image of an “entangled bank, clothed with many plants of many kinds, with birds singing on the bushes, with various insects flitting about,” serves as a synecdoche for the patterns of biological interdependence and variation that animate the evolutionary process of natural selection.1 The “entangled bank” is both the scene and the symbolic illustration of creaturely increase and multiplication. We cannot escape the influence of heredity in Darwin’s schema, just as surely as the imagined bank of vegetation will wreathe and entwine..