Abstract

Women in China since 1989 both in the subject matter of poetry, language, experience, imagination and expression, or in both thought and sociological aspects of the emergence of new changes. The most important manifestation of this change is the poetry of this period the female narrative in the family tree on the differences and new changes. Part of the "70" and "80" poet in the context of post-industrial era, in the city and local, criticism and praise in the expanded family Narrations, highlights the historical trajectory of women's poetry and the new aesthetic signs. Chinese female poetry have been changed not only on the theme, language, experience, imagination and expression form but also on the level of thought and sociology since 1989, and the most important change of which is the presentation of differences and new trends in narrative on the family lineage. In the background of post-industrial era, the family narratives have been carried out by the generations of 1970s and 1980s female poets who described the families between the city and the country by criticizing or praising attitudes to protrude their historical track and new aesthetic characteristics