Abstract

This article draws on the perspectives opened up by two recent collective volumes, one dedicated to the Tabula Aurea and the Concordantiae textuum discordantium [...] Thomae Aquinatis produced in the 15th century by Peter of Bergamo, and completed by his confrere Ambrose ‘de Alemania’ (Mario Meliado / Silvia Negri [Hrsg.], Widerspruche und Konkordanz. Peter von Bergamo und der Thomismus im Spatmittelalter), and the other focusing the tradition of the Summistae, i.e. the Renaissance and modern commentators on the Summa theologiae of Thomas Aquinas (Lidia Lanza and Marco Toste [eds], ‘Summistae’. The Commentary Tradition on Thomas Aquinas’ ‘Summa Theologiae’ from the 15th to the 17th Centuries). On this basis, I propose to examine the way in which certain genres and specific types of theological and philosophical writings can mark an often decisive shift in the content and orientation of a particular tradition of thought (in this case, the Thomist tradition).