Abstract

In my essay, I critically discuss the work of the French philosopher and sinologist François Jullien. First, I reconstruct the social and political context from which Jullien’s thinking emerged in the late 1970 s and 1980 s. Second, I analyze a number of philosophical and sinological premises underlying his interpretation of Chinese and European thought. By comparing his interpretation of traditional Chinese thought with other approaches, it is possible to get a better understanding of Jullien’s creative appropriation of the other. I conclude by pointing out perspectives for future research.