Abstract

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:On Inception by Martin HeideggerDaniel NeumannHEIDEGGER, Martin. On Inception. Translated by Peter Hanley. Bloomington: Indiana University Press, 2023. xi + 171 pp. Cloth, $40.00This translation [End Page 548] of Heidegger's On Inception (written in 1941 and published in German in 2005 as Über den Anfang) is an important addition to the translated corpus of texts on the themes of Ereignis (event) and the history of beyng (Seynsgeschichte) that occupied Heidegger's thinking from the mid-1930s to the mid-1940s, and that resulted in a series of writings that remained unpublished during his lifetime. Similar to those other volumes, On Inception does not follow a linear train of thought but offers short and often fragmentary notes and musings that, nonetheless, build on one another. There is a considerable thematic overlap with the other writings on the event. Many of the themes found here, such as the role of technology in exposing contemporary understanding of being, Hölderlin as the poet of the saying of beyng, or the notion of another beginning of the unconcealment of beyng, can be found in Contributions to Philosophy, Mindfulness, and The Event as well.What sets On Inception apart from these other volumes is the focus on the inceptual aspect of the thinking of beyng. In this regard, the first and longest of the six sections comprising the book (entitled "The Incipience of Inception") offers the most extended original contribution Heidegger makes here. It concerns the question of how one can think from out of the unconcealment of beyng. Exploring this topic throws more light on many of the questions that the reading of the other volumes raises, such as whether the event should be thought of as a one-time historical occurrence; how one can think from out of the event, that is, how it constitutes the possibility of thinking it; and the relationship between beings, being (referring to the truth of the presence of beings), and beyng (referring to the truth of the presencing of being). All of these issues concern the inceptual character of the event, whose understanding affords a better sense of paradigmatic change in thinking and dwelling associated with it. To understand the inceptual character of the event gives the reader a clue as to where to begin thinking (about) it. This does not remove the considerable and intentional obscurity surrounding these ideas, but it shows Heidegger as constantly altering and refining how to think of the history of the concealment and unconcealment of beyng. One of the biggest disagreements among interpreters has been whether to read this in transcendental or realist terms, that is, whether we should take the unconcealment of beyng as the proffering of a real, mind-independent totality or as a cipher for our transcendental ability to understand and make sense of the appearance of being. In this regard, the question of incipience goes toward elucidating who or what is thought to begin this unconcealment.What, then, does an inceptive thinking of beyng amount to? Put negatively, it can concern neither beyng as some sort of cause of beings, nor beings themselves as what appear as a consequence of beyng's unconcealment: "[I]nception is not the inception of something other than what it itself is; equally, inception is not the inception of itself, as if what were being thought of were a producing and causing." To think beyng as inception puts emphasis on the emergent nature of the opening of the clearing in which beings can come to presence for someone. That is, the [End Page 549] word "inception" names the very opening up of the possibility to consider the truth of beyng, that is, to think the event. What is at stake is therefore the incipient nature of inception—the fact that grasping what the term means cannot be based on any one incipient thing, but on incipience (Anfängnis). There is a processual (or, to use Daniela Vallega-Neu's more Heideggerian term, poietic) aspect to the way Heidegger thinks the event, and incipience in many ways expresses this poietic nature because it both suggests that there is something that begins and unfolds, but also conceals what...