Abstract

The paper examines the problem of cross-cultural interactions; within this context circus art is analyzed. Art, in general, and especially, circus art can be considered as a field of dialogical communication, and as a way of giving new human experiences, spiritual values and worldviews. It is hypothesized that circus art is a complex polyfunctional social and cultural phenomenon which inherits communicative properties of art. It is possible and desired to study circus art in the context of cross-cultural dialogue. The article deals with modern cultural situation, its orientation on cultural dialogism, and displays general factors forming the role of circus art in the cross-cultural interaction