‘Childish Frivolity’: Plato’s Socrates on the Interpretation of Poetry

In David Keyt & Christopher Shields (eds.), Principles and Praxis in Ancient Greek Philosophy: Essays in Ancient Greek Philosophy in Honor of Fred D. Miller, Jr. Springer Verlag. pp. 61-73 (2024)
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Abstract

Scholars have wrestled with the very troubling but also rather long passage in the Protagoras in which Socrates offers an interpretation of a poem by Simonides (339e-347a). On the one hand, the way in which Socrates develops his interpretation leads to an outcome that makes it look as if Socrates attributes distinctly Socratic views to the poet, which had led a number of scholars to conclude that, albeit in a rather strange way, Socrates is trying to do something philosophically serious in his interpretation. On the other hand, the “philosophically serious” approach must confront several features of the Socratic interpretation that seem anything but serious. Immediately after concluding his interpretation, Socrates contends that the entire enterprise of poetical interpretation is “no different from the second-rate drinking parties of the agora crowd” (347c3-5) and dismisses such a form of entertainment as “childish frivolities” (347d6). In this paper, I argue that Socrates is presented by Plato as (i) doing something philosophically significant in this passage, and also (ii) providing an interpretation of Simonides that would appear to any intelligent reader as both comical (in places) and far-fetched in its conclusions, and also (iii) believing that the interpretation of poetry is an example of “childish frivolity.” Indeed, I claim that it is the third of these claims—which, after all, is the conclusion Socrates himself reaches by the time he is done—that Plato’s Socrates wants most of all for us to accept.

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Nicholas D. Smith
Lewis & Clark College

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