Abstract

ABSTRACT In Eric Weil’s Logic of Philosophy, the work appears as a rupture with the absolute, an attitude of pure violence, whose opposition is realized by acting, therefore, it is mute. And yet, this attitude has a language. This paper seeks to understand how this contradiction is possible, characterizing the language that the work makes use of. To this end, we have divided this paper into three sections. In the first section, we present the distinction between language and discourse as understood by Weil. Thus arises the resource through which the loan of a discourse to violence is understood, which allows access to its language. In the second section we propose a division of the language of the work into three levels: phenomenon, formality and form. In this section we also discuss an example of the formality with the condition category. In the last section, we propose six features that constitute the third level of the language of the work: myth, metaphor, feeling, usefulness, proposition and imperative. The paper concludes with a review of the aspects worked in the light of the lie and with the proposal of an imperative that is opposed to the imperative of the work, therefore, to its language.