Figure sneaked into the heart out of the opera writer?

Chinese Literature and Philosophy of Communication 21 (1):61-77 (2011)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Add categories

Keywords

Reprint years

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,323

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Alexander Essebiensis, Alexandri Essebiensis Opera theologica: De artificioso modo predicandi, Sermones, ed. Franco Morenzoni; Meditaciones, ed. Thomas H. Bestul. (Alexandri Essebiensis Opera Omnia, 1; Corpus Christianorum, Continuatio Mediaeualis, 188.) Turnhout: Brepols, 2004. Pp. xxvii, 499 plus 1 black-and-white figure; tables. €220.Alexander Essebiensis Alexandri Essebiensis Opera poetica, ed. Greti Dinkova-Bruun. (Alexandri Essebiensis Opera Omnia, 2; Corpus Christianorum, Continuatio Mediaeualis, 188A.) Turnhout: Brepols, 2004. Pp. lxxxi, 318; 1 black-and-white figure and tables. €175. [REVIEW]Beverly Mayne Kienzle - 2006 - Speculum 81 (4):1158-1160.
Raimundus Lullus, Opera Latina, 27: Ars demonstrativa, ed. Josep Enric Rubio Albarracín.(Corpus Christianorum, Continuatio Mediaeualis, 213; Raimundi Lulli Opera Latina, 32.) Turnhout: Brepols, 2007. Pp. lxiv, 348 plus color figures; 1 black-and-white figure.€ 215. [REVIEW]Mark D. Johnston - 2010 - Speculum 85 (4):993-994.
The Concept of the Marvelous in French and German Opera, 1770-1840 a Chapter in the History of Opera Estheticss.Aubrey Sam Garlington - 1965
Opera on opera (on opera) : self-referential negotiations of a difficult genre.Frieder von Ammon - 2010 - In Walter Bernhart & Werner Wolf (eds.), Self-reference in literature and other media. New York: Rodopi.
Operatic Subjects: The Evolution of Self in Modern Opera.Sandra Corse - 2000 - Fairleigh Dickinson Univ Press.
Zuccante Giuseppe. - Figure E dottrine nell'opera di Dante. [REVIEW]Umberto A. Padovani - 1921 - Rivista di Filosofia Neo-Scolastica 13:V:238.
La danza e l'immagine-tempo: figure del ritmo nell'opera di G. Deleuze.Véronique Fabbri - 2000 - Studi di Estetica 21:125-148.
Metaphysical Song: An Essay on Opera.Gary Tomlinson - 1999 - Princeton University Press.
New Century, New Peking Opera - Beijing Opera fifteen years Guoguang.David Wang - 2011 - Chinese Literature and Philosophy of Communication 21 (1):7-10.
Approaches of the opera.André Helbo & Association Internationale Pour la Sémiologie du Spectacle - 1986
Siren Songs: Representations of Gender and Sexuality in Opera.Mary Ann Smart & Representations of Gender and Sexuality in Opera - 2000 - Princeton: Princeton University Press.
Figure E Dottrine Nell 'opera di Dante'.Giuseppe Zuccante - 2014 - Nabu Press.
The charm of traditional Peking Opera Peking Opera with the new mean tension - Taiwan, China Light Theatre "New Opera" Review.Yuanjiang Zou - 2011 - Chinese Literature and Philosophy of Communication 21 (1):31-42.
Quinti Septimi Florentis Tertulliani Opera. Pars 1 : Opera catholica. Adversus Marcionem ; Pars II : Opera Montanistica. [REVIEW]Jean Préaux - 1958 - Revue Belge de Philologie Et D’Histoire 36 (3):951-953.
Opera Through Other Eyes.David J. Levin - 1993 - Stanford University Press.

Analytics

Added to PP
2015-02-06

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references