Abstract

It is easy to think of Frege as having offered two unintentionally discordant criteria for the identity of senses—one tied to the truth conditions of sentences, and one meant to capture relations of cognitive discriminability. This reading, however, is doubly mistaken; the discord between these two ways of thinking of senses has a Fregean resolution, but neither the resolution nor either of the original two pictures affords a genuine criterion for the identity of senses.