Abstract
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[email protected] even opening the pages of Bart Vandenabeele’s The Sublime in Schopenhauer’s Philosophy, it is an encouraging sight to behold. For, there are surprisingly few single-author monographs focused solely on Schopenhauer’s aesthetic philosophy, at least in the Anglophone literature—much less on Schopenhauer’s theory of the sublime in particular, as is rightfully boasted in the blurb to Vandenabeele’s book. The paucity of such books is all the more surprising given, first, that Schopenhauer is often noted as having continuously exerted an influence upon artists and writers from the time of his own life up to the present day; and second, and more relevantly to Vandenabeele’s book, that few philosophers have held aesthetic experience, of nature as well as art, in any higher regard...