Abstract

As the pagan classical world was subsumed into Christianity sexually hyperactive gods and goddesses transmuted into saints, their former statues that glorified the perfection of their bodies smashed into pieces and reimagined as austere two-dimensional icons to be worshipped by the new faithful. That dualistic and polemic narrative, where the soul’s purpose was to annihilate the body, survives today in the distinction between software and hardware, algorithms and robots, the former as the “ghosts” that animate the empty vessels, the “machines”. But how does this narrative impact our cultural and social fantasies in the twenty-first century as we accelerate toward coexisting, uniting, or merging with intelligent artifacts? How does “humanness” blur when it is claimed by no-biological human-like entities too, or when humans augment their perception, consciousness and physical power through genetic engineering, drugs, or software and mechanical prostheses? Suppose we are destined to remake ourselves in the image of our ancient gods. Will it be through the embodiment of technologies in the physical reality, or through the complete disembodiment of our minds inside virtual worlds?