This paper analyses the problem of shame in the thinking of Lucius Annaeus Seneca. The authors examine this problem primarily in two contexts. The first, social meaning, understands shame as an emotion that appears during a conflict between a person’s “self” and social norms. Seneca mainly tackles this question concerning providing “benefits” (beneficia) in his On Benefits and eighty-first letter of Moral Epistles. The second therapeutic and didactic meaning utilises shame as an instrument to manage some illnesses of the mind (...) (for example, anger). Moreover, to educate a “Stoic disciple” (proficiens), deliberate exposure to shame in public marks one of the important techniques to near the perfect ideal of “the wise man” (sapiens) and to prepare oneself for service in public office. Especially in Moral Epistles, we find a detailed description of this didactic approach and the limiting factors to using this technique. (shrink)

Faust Vrančić's (Faustus Verantius, 1551-1617) logic is analyzed in comparison to Renaissance Aristotelianism in logic with regard to the problem of determining logic, the subject of logic, and understanding the method. Vrančić's logic is compared to Markantun de Dominis' understanding of logic and to the understanding of logic in Jacopo Zabarella and in the Jesuit Renaissance tradition (P. Fonseca, F. Toletus, F. Suárez). In addition, the concept of science is discussed. "Censura logicae" published at the end of (...) class='Hi'>Vrančić's "Logica nova" (1616) is attributed to de Dominis. (shrink)

Faust Vrančić's (Faustus Verantius, 1551-1617) logic is analyzed in comparison to Renaissance Aristotelianism in logic with regard to the problem of determining logic, the subject of logic, and understanding the method. Vrančić's logic is compared to Markantun de Dominis' understanding of logic and to the understanding of logic in Jacopo Zabarella and in the Jesuit Renaissance tradition (P. Fonseca, F. Toletus, F. Suárez). In addition, the concept of science is discussed. "Censura logicae" published at the end of (...) class='Hi'>Vrančić's "Logica nova" (1616) is attributed to de Dominis. -- German version: 'Faust Vrančić and der Aristotelismus in der Logik', Studia historiae philosophiae Croaticae 2 (1993), 229-252). (shrink)

Wittgenstein’s “machines-as-symbols” are considered with respect to their historical sources and their symbolic and logical nature. Among these sources and precursors, along with Leonardo’s drawings of machines, there are illustrated “machine books”, a kind of book published in the period from the 16th to the 18th centuries which consist of pictures and descriptions of a variety of mechanical devices. Most probably, these books were one of Wittgenstein’s inspirations for his view of machines as components of language-games. The picture of homo (...) volans in Vrančić’s machine book possessed by Wittgenstein is taken as an example. In particular, homo volans is shown to contain patterns of logical laws and rules and to be abstractly interpretable as a logical symbol. A machine, taken as a symbol, is shown to be a precondition of a meaningful “overview” of a mechanical work that exceeds the limits of decidability, and to possess causal features if causality is understood teleologically and in a deeper sense of a “binding” life. (shrink)