Este artículo busca dar cuenta de los cambios -expresivos, temáticos y enunciativos- que ha experimentado la poesía colombiana que se ha ocupado de los fenómenos de violencia, desde mediados del siglo xx hasta la actualidad. El texto inicia con un recuento de ciertos desplazamientos de la práctica poética en distintos contextos alrededor del mundo, con el fin de inscribir las expresiones colombianas en dichos tránsitos. Posteriormente, con base en algunos esfuerzos historiográficos de periodización de la violencia en Colombia, se describen (...) algunas de las diferencias más acentuadas entre las expresiones poéticas del llamado período de la Violencia y la que ha abordado las violencias relacionadas con el conflicto armado, para establecer las maneras y las implicaciones de lo que podría entenderse como un viraje hacia el silencio. (shrink)

En este ensayo propongo una aproximación al contenido de Del arte de la guerra de Maquiavelo desde la pregunta por el enemigo: ¿quién es el enemigo en Del arte de la guerra? ¿Quién es el adversario del ejército que Maquiavelo busca organizar en el libro? Dentro de la literatura secundaria sobre el florentino identifico tres tipos de respuesta a esta pregunta, lo que llamo aquí tres diferentes manifestaciones del enemigo. Según estas lecturas, el enemigo de la milicia maquiaveliana es a) (...) el cristianismo, el modo de vida instituido por esta religión; b) lo imprevisible, los accidentes cuya ocurrencia no se puede anticipar, es decir, la fortuna, y c) los grandes, cuyo deseo es el de dominar al pueblo. (shrink)

En un libro reciente, Maurizio Viroli sostiene que en El Príncipe Maquiavelo delinea la imagen del fundador que la teoría política republicana necesita, la que recibe su encarnación paradigmática en Moisés y sus acciones. Aquí propongo que para una comprensión adecuada del Moisés de Maquiavelo resulta clave la interpretación que éste ofrece del incidente del becerro de oro (Discursos III, 30), al que interpreta como una revuelta contra Moisés motivada por la envidia. Este episodio, sugiero, ejemplifica las acciones necesarias para (...) asegurar las instituciones de un estado libre recién constituido en el contexto del conflicto permanente entre grandes y pueblo. (shrink)

Research on conspiracy theories has proliferated since 2016, in part due to the US election of President Trump, the COVID-19 pandemic, and increasingly threatening environmental conditions. In the rush to publication given these concerning social consequences, researchers have increasingly treated as definitive a 2016 paper by Michael Wood (Political Psychology, 37(5), 695–705, 2016) that concludes that the phrase “conspiracy theory” has no negative effect upon people’s willingness to endorse a claim. We revisit Wood’s findings and its (re)uptake in the recent (...) literature. Is the label “conspiracy theory” a pejorative? If so, does it sway or affect people’s belief in specific claims of conspiracy (i.e. particular conspiracy theories), or is the effect one that concerns claims of conspiracy more generally (i.e. all conspiracy theories)? Through an examination of the conceptual and methodological scope of Wood’s work and the results of our similar quasi-experimental design, we argue that it is premature to suggest the label “conspiracy theory” has no impact on the believability of a claim, or that it has no rhetorical power. (shrink)

Las reflexiones académicas sobre la educación se han nutrido en múltiples ocasiones de conceptos de otras disciplinas o campos, de esta manera, el presente artículo explora el potencial simbiótico de los laboratorios remotos con la educación inclusiva a través de un rastreo de la literatura latinoamericana alrededor de estas categorías, así como de sus posibles usos didácticos, ya que, gracias a sus características interactivas y culturalmente flexibles, este encuentro conceptual se hace con el objetivo de fortalecer los procesos de emancipación (...) y empoderamiento social desde los grupos históricamente excluidos. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:(P)rescription Narratives: Feminist Medical Fiction and the Failure of American Censorship. by Stephanie Peebles TaveraEtta M. MaddenStephanie Peebles Tavera. (P)rescription Narratives: Feminist Medical Fiction and the Failure of American Censorship. Edinburgh: Edinburgh University Press, 2022. Hardback, xii + 220 pp. ISBN 978-1-4744-9319-2.Utopian Studies readers first saw Stephanie Peebles Tavera’s work in print in her 2018 essay on reproductive health in Charlotte Perkins Gilman’s Herland. More recently, (...) in (P)rescription Narratives, she gives readers a view of the much broader historical scope of her scholarship in literary and cultural studies. Tavera’s analysis of what she labels “feminist medical fiction” considers not only novels and short stories but also literary reviews, dramas, and documentary films, many of which will be unfamiliar to readers of utopian and dystopian literature. Yet the book contextualizes the ways in which these works capture the “utopian possibilities” of women writers who pushed for breaking the boundaries of the dystopian strictures of embodied life. The literary works “rescript” what had been prescribed by others as “normalized behavior,” from the latter-nineteenth century through the Progressive Era (5, 37). As Tavera illustrates through her detailed analysis, these women’s narratives provide “interventions that... interrupt the dissemination of false [End Page 612] narratives of the female body” and “alter the course of cultural development toward greater inclusivity” (5).To establish the temporal boundaries for the project, Tavera emphasizes the Comstock Law, established in 1873, and the death of its author Anthony Comstock in 1915. While Comstock’s work often has been understood as restricting pornography, she explains the Comstock Law as more than merely that. Comstock sought to control what he and others saw as sexual deviation, which included birth control in any form. Tavera also bookends the project with lawsuits associated with Victoria Woodhull and Margaret Sanger, both women who advocated for abortion and birth control as means of allowing women to avoid the strictures over their bodies. Additionally, she explains, Comstock’s racism caused him to completely overlook Black women, ironically allowing a space in which Black women’s feminist medical fiction especially rescripts “normalized behavior” (37)—a topic she pursues in two parts of the book.The book follows a roughly chronological path as it examines four topics related to women’s health, brilliantly organized into “(p)rescriptions,” indicated by Rx, rather than chapters with numbers. Rx1, “Crip Medicine,” illustrates how authors such as Charlotte Perkins Gilman pointed to the socially constructed status of “hysteria” in a patriarchal culture that saw women as deviant by nature. Instead, these authors advocated for a more holistic examination of women’s health, impacted by the environments in which they lived. Drawing from Lyman Tower Sargent’s widely accepted view of utopianism as dreaming of a place “considerably better than the society in which the author lived,” she underscores “the utopian impulse underlies much of the work of feminist medical fiction” (39). In particular, writers of feminist medical fiction were “driven by failure.”Perhaps most familiar to illustrate this point is Gilman’s work, such as “The Yellow Wallpaper,” which illustrated how the culture failed certain characters. The narrator of that story suffers postpartum depression and is made worse by Dr. S. Weir Mitchell’s rest cure. Consequently, Gilman proceeded to write other works, such as Moving the Mountain (1911) and then Herland (1915), which push readers to envision “alternative societies” without such destructive patriarchal medical practices (39). But Tavera also explains how Louisa May Alcott’s Eight Cousins, or the Aunt-Hill (1875) critiques contemporary culture by providing a “domestic utopia” in the female domain of Aunt-Hill, wherein the male Dr. Alec Campbell demonstrates “a better way... of caring for the female body” (55). And another key example is Rebecca Harding [End Page 613] Davis’s Kitty’s Choice: A Story of Berrytown (1875). Berrytown is described as “the Utopia in actual laths, orchards, and bushel-measures of the advance guard of the reform party in the United States” (qtd. in Tavera 55). Through its two physicians, Dr. Muller and Dr. McCall, who represent homeopathic and allopathic practitioners, readers see that the society... (shrink)

En este trabajo de investigación ofrecemos un estudio pormenorizado del colegio de Santa Joaquina de Vedruna de Sevilla, de la Fundación Vedruna, desde su creación en 1880 –entonces con el nombre de San Joaquín en la calle Bustos Tavera– hasta el día de hoy en el barrio de Nervión. En primer lugar, analizamos el fenómeno de las nuevas congregaciones religiosas femeninas en el siglo XIX y su instalación en España y Andalucía. El un segundo momento, nos acercamos a la (...) presencia de las Carmelitas de la Caridad en Andalucía para terminar con el estudio del colegio de Santa Joaquina de Vedruna. (shrink)