Results for 'Snizhana Umanets'

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  1.  13
    Strategic Vectors for Enterprise Development in the Context of the Digitalization of the Economy.Olha Kibik, Olena Taran-Lala, Volodymyr Saienko, Tetiana Metil, Tetiana Umanets & Iryna Maksymchuk - 2022 - Postmodern Openings 13 (2):384-395.
    In the realities of the digital economy there are fast and permanent processes of digitalization of economic relations and economic activity, technologies, information and knowledge in the field of business management are becoming increasingly important. Modern economic conditions in which enterprises operate are characterized by globality, dynamism and uncertainty. One of the main factors that can ensure the company's stability in the market and help strengthen its position is a well-founded development strategy. Depending on the direction of enterprise development, it (...)
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    Features of Decentralization Processes of Developed Countries in the Post-Pandemic Society.Svitlana Kovalova, Alla Koval, Snizhana Panchenko, Oksana Pronina & Roman Bykov - 2021 - Postmodern Openings 12 (2).
    Globalization and rapid information processes that are inherent in today's post-pandemic society, contributing to the reorganization of the authorities of many countries and their contacts with regions, local territorial units or civil society. Such changes, first of all, provide for delegation of authority at the level of regional and local authorities. However, many developing and today position their own society as post-modern, continue to be in a state of disunity of the branches of government, with a high level of corruption (...)
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  3. Yellowism and Ontology: A Skeptical Analysis.Wesley D. Cray - 2015 - Contemporary Aesthetics 13.
    When Vladimir Umanets entered the Tate Modern on October 7, 2012 and defaced Rothko's Black on Maroon, he was operating, not as an artist or a vandal, but as a Yellowist. Yellowism is neither art nor anti-art but is instead a supposedly new cultural element that exists for its own sake and is about nothing but the color yellow. It might be tempting to write Yellowism and the Rothko defacement off as a mere prank or as pseudo-intellectual fraud, but (...)
     
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