Entertainment Ethics

Sweet cross -- Butterfly dreams -- On luxury -- Satori -- Moral entertainment -- Healthy entertainment -- Being as passion -- A hunger artist -- Serenity before the world -- A meta-theory of entertainment.

This paper has the intention of discussing about the public entertainment such as the theater, competitions in the circus and fights in the amphitheater. We’ll explain their origins and how they’ve originated from religious ceremonies to various forms of entertainment. We’ll also illustrate their types and respective organizations as well as their evolution over time, of how theater enters into decline and lease space to popular representations, and how the games in the circus and in the amphitheater become increasingly cruel. (...) By focusing on the public games in Rome we try to explain how they affected life in the Urbs and how they were used by the powerful to please the population. (shrink)

Underlying the stubborn hierarchical dichotomy between high and popular art, there is a far more basic contrast at work—art versus entertainment. Yet the complex network of language games deploying these concepts reveals that entertainment is not simply contrasted to art but often identified with art as an allied or subsuming category. The arts are themselves sometimes described as forms of entertainment. Because the concept of entertainment is deeply and complexly related to the concept of art, and because it is also (...) broader and older than the concept of popular art, its analysis can be instructive not only for the question of popular art but for aesthetics as a whole. This paper, which is guided by pragmatist insights, provides a genealogical analysis of the concept of entertainment and its relation to aesthetics that offers some lessons for contemporary art and theory. In providing an aesthetic defence of entertainment's multiples values, the paper re-examines two concepts—pleasure and functionality for life—that have been used to condemn entertainment for triviality and narrowness but that are central to its value and to the value of art. (shrink)