Our competitive, service-oriented societies are taking a toll on the late-modern individual. Rather than improving life, multitasking, "user-friendly" technology, and the culture of convenience are producing disorders that range from depression to attention deficit disorder to borderline personality disorder. Byung-Chul Han interprets the spreading malaise as an inability to manage negative experiences in an age characterized by excessive positivity and the universal availability of people and goods. Stress and exhaustion are not just personal experiences, but social and historical phenomena as (...) well. Denouncing a world in which every against-the-grain response can lead to further disempowerment, he draws on literature, philosophy, and the social and natural sciences to explore the stakes of sacrificing intermittent intellectual reflection for constant neural connection. (shrink)

Transparency is the order of the day. It is a term, a slogan, that dominates public discourse about corruption and freedom of information. Considered crucial to democracy, it touches our political and economic lives as well as our private lives. Anyone can obtain information about anything. Everything—and everyone—has become transparent: unveiled or exposed by the apparatuses that exert a kind of collective control over the post-capitalist world. Yet, transparency has a dark side that, ironically, has everything to do with a (...) lack of mystery, shadow, and nuance. Behind the apparent accessibility of knowledge lies the disappearance of privacy, homogenization, and the collapse of trust. The anxiety to accumulate ever more information does not necessarily produce more knowledge or faith. Technology creates the illusion of total containment and the constant monitoring of information, but what we lack is adequate interpretation of the information. In this manifesto, Byung-Chul Han denounces transparency as a false ideal, the strongest and most pernicious of our contemporary mythologies. (shrink)

Die heutige Zeitkrise hängt nicht zuletzt mit der Verabsolutierung der vita activa zusammen. Sie führt zu einem Imperativ der Arbeit, der den Menschen zu einem arbeitenden Tier degradiert. Die Hyperaktivität des Alltags nimmt dem menschlichen Leben jegliche Kraft zum Verweilen und zur Kontemplation. Dadurch wird die Erfahrung erfüllter Zeit unmöglich. Notwendig für die Überwindung der heutigen Zeitkrise sind die Revitalisierung der vita contemplativa und das Wiedererlernen der Kunst des Verweilens.

The smooth -- The smooth body -- The aesthetics of the smooth -- Digital beauty -- The aesthetics of veiling -- The aesthetics of injury -- The aesthetics of disaster -- The ideal of beauty -- Beauty as truth -- The politics of beauty -- Pornographic theatre -- Lingering on beauty -- Beauty as reminiscence -- Giving birth in beauty.

Die heutige Zeitkrise hängt nicht zuletzt mit der Verabsolutierung der vita activa zusammen. Sie führt zu einem Imperativ der Arbeit, der den Menschen zu einem arbeitenden Tier degradiert. Die Hyperaktivität des Alltags nimmt dem menschlichen Leben jegliche Kraft zum Verweilen und zur Kontemplation. Dadurch wird die Erfahrung erfüllter Zeit unmöglich. Notwendig für die Überwindung der heutigen Zeitkrise sind die Revitalisierung der vita contemplativa und das Wiedererlernen der Kunst des Verweilens.

Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but 'the way' (dao), which lacks the solidity and fixedness of essence. The difference between essence and absence is the difference between being and path, between dwelling and wandering. 'A Zen monk should be without (...) fixed abode, like the clouds, and without fixed support, like water', said the Japanese Zen master Dōgen. Drawing on this fundamental distinction between essence and absence, Byung-Chul Han explores the differences between Western and Far Eastern philosophy, aesthetics, architecture and art, shedding fresh light on a culture of absence that may at first sight appear strange and unfamiliar to those in the West whose ways of thinking have been shaped for centuries by the preoccupation with essence. (shrink)

Sweet cross -- Butterfly dreams -- On luxury -- Satori -- Moral entertainment -- Healthy entertainment -- Being as passion -- A hunger artist -- Serenity before the world -- A meta-theory of entertainment.

Au XVIII e siècle, Jeremy Bentham avait imaginé un dispositif carcéral où les détenus seraient surveillés par un gardien omni-voyant. Dans le panoptique digital, nous ne sommes plus de simples détenus, mais participons activement à son façonnement. Personne ne semble s’en émouvoir outre mesure. Il n’y a pas si longtemps encore, en Allemagne les gens montaient sur les barricades contre le recensement démographique d’État : cette époque semble bien lointaine, au vu de notre inclination à partager toutes nos données avec (...) les appareils de capture de l’hypercapitalisme. (shrink)

Tracing the thread of “decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original. Shanzhai is a Chinese neologism that means “fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai (...) stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or “decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—“a kind a shanzhai Marxism,” Han writes. Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such “pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction. (shrink)

Zen Buddhism is a form of Mahāyāna Buddhism that originated in China and is strongly focused on meditation. It is characteristically sceptical towards language and distrustful of conceptual thought, which explains why Zen Buddhist sayings are so enigmatic and succinct. But despite Zen Buddhism’s hostility towards theory and discourse, it is possible to reflect philosophically on Zen Buddhism and bring out its philosophical insights. In this short book, Byung-Chul Han seeks to unfold the philosophical force inherent in Zen Buddhism, delving (...) into the foundations of Far Eastern thought to which Zen Buddhism is indebted. Han does this comparatively by confronting and contrasting the insights of Zen Buddhism with the philosophies of Plato, Leibniz, Fichte, Hegel, Schopenhauer, Nietzsche, Kierkegaard, Heidegger and others, showing that Zen Buddhism and Western philosophy have very different ways of understanding religion, subjectivity, emptiness, friendliness and death. This important work by one of the most widely read philosophers and cultural theorists of our time will be of great value to anyone interested in comparative philosophy and religion. (shrink)

The logic of power -- The semantics of power -- The metaphysics of power -- The politics of power -- The ethics of power.