First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Nonprofit organizations play a crucial role in society. Unfortunately, many such organizations are chronically underfunded and struggle to meet their objectives. These facts have significant implications for corporate philanthropy and Kant’s notion of imperfect duties. Under the concept of imperfect duties, businesses would have wide discretion regarding which charities receive donations, how much money to give, and when such donations take place. A perceived problem with imperfect duties is that they can lead to moral laxity; that is, a failure on (...) the part of businesses to fulfill their financial obligations to nonprofit organizations. This article argues the problem of moral laxity rests on a misinterpretation of Kantian ethics and, therefore, is really not a problem at all. As such, we argue corporate philanthropy while an imperfect duty should be interpreted more akin to perfect duties and, as a consequence, moral laxity does not arise for those corporations committed to acting on the basis of the moral law. More specifically, firms have duty-based obligations on the basis of benevolence, and as good corporate citizens, to help fund non-profit organizations. (shrink)

When art meets craft -- Glass -- Metal -- Stone -- Textiles -- Other materials -- Interviews.

We consider arbitrary stratified languages. We study structures which satisfy the same stratified sentences and we obtain an extension of Keisler's Isomorphism Theorem to this situation. Then we consider operations which are definable by a stratified formula and modify the `type' of their argument by one; we prove that for such an operation F the sentence c = F(c) and the scheme $\varphi(c) \leftrightarrow \varphi(F(c))$ , where φ(x) varies among all the stratified formulas with no variable other than x free, (...) imply the same stratified {c}-sentences. (shrink)

Apresenta as orientações teóricas que serviram de fundamentação para a criação e metodologia da produção da hipermídia. Ele acompanha a hipermídia que se apresenta na forma de CD-ROM, inserido no interior da própria capa do livro. A obra oferece uma navegação reticular sobre as mais diversas relações entre a psicanálise freudo-lacaniana, a história da cultura e os sistemas hipermidiáticos. Animações, vídeos, hipertextos, trilhas e locuções mesclam-se no interior de um labirinto, interagindo com conceitos teóricos que oferecem os links entre as (...) diversas áreas. (shrink)

A. THE TEXT The main importance of these two treatises lies in the insight they provide into Spinoza's conception of the relation between mathematics and certain disciplines not touched upon elsewhere in his major writings. The mathematics they involve are not the as those of the Ethics however, and the precise connection same between the geometrical order of this work and these excursions into optics and probability is by no means obvious. Add to this difficulty the knotty problems presented by (...) their editorial his tory, dating and scientific background, and it is not perhaps surprising that in spite of the fact that they provide such an excellent illustration of Spinoza's reaction to certain important developments in the history of physics and mathematics, they should not, so far, have attracted much attention. They were first published in 1687 by Levyn van Dyck (d. 1695), official printer to the town council in The Hague. Printing anything by Spinoza was not without its risks, and it is probably significant that during the same year van Dyck should also have published a lengthy and elaborate refutation of Spinozism by 1 the pious and eccentric physician ]. F. Helvetius. Spinoza's name was omitted from the title-page, possibly because the editor or publisher thought that his reputation as an atheist might prejudice the sale of the booklet, and it was not until 1860 that the Amsterdam bookseller Frederik Muller (1817-1881) identified him as its author. (shrink)

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

No presente artigo apresento uma reflexão acerca do conceito de “ação” e sua repercussão para a educação escolar, a partir de Hannah Arendt. Considerando a distinção arendtiana entre “fabricação”, “ labor ” e “ação”, argumento que uma das atividades específicas da escola é a “ação educacional”, no sentido de que alunos e professores atuam quando aparecem e se relacionam mediados pelos conteúdos e respondendo aos desafios que representam o “mundo”. Ademais, se a tarefa da educação é, em Arendt, introduzir as (...) novas gerações no mundo, essa introdução se dá preferencialmente pela ação. Mas, no que tange aos alunos, a ação não é no sentido político, visto que eles estão em processo de formação e não são responsáveis pelas consequências de seus atos e pelo mundo. Por isso, o cuidado, a proteção, a responsabilidade e a autoridade do adulto são fundamentais para compreender a escola e a educação, bem como a especificidade da ação na escola. Palavras-chave : Educação. Mundo. Ação educativa. Hannah Arendt. (shrink)

The work aims at discussing the double character of works of art in Adorno’s writings. It will be examined the arguments defended by Adorno about the social character of art, especially in the case of music, in which can be seen how the development of the material expresses the contradictions of society. By means of a dialectical critique Adorno discuss the way in which works of art respond to the social problems and become possibilities of resistance to reification. It will (...) be also analyzed the negative influence of culture industry on works of art. Therefore, the paper reflects about the concept of autonomous art as the hermetic character of works of art that enable them a development according their internal rules, without being submitted to a social function. In this sense, it is necessary that the reception of works of art be determined not by the aesthetic pleasure, but by the possibility of disclosing their truth content. The dialectic relation between art and society makes works of art critical and resistant to reification. (shrink)

During the first week of October 1983, the Italian Institute for the Study of Philosophy, together with the Philosophical Seminar of the University of Tübingen, organized a public colloquium on Hegel’s philosophy of the natural sciences. Those attending included a selected group of Italian scholars doing advanced research into early nineteenth century German philosophy, students and members of the general public from Tübingen, and a number of specialists from elsewhere in Germany and from the Netherlands.