"This excellent work... deserves the serious consideration of all who are interested in contemporary philosophy as well as those who concern themselves with ancient philosophy, especially Plato." —Review of Metaphysics In Chorology, John Sallis takes up one of the most enigmatic discourses in the history of philosophy. Plato's discourse on the chora—the chorology—forms the pivotal moment in the Timaeus. The implications of the chorology are momentous and communicate with many of the most decisive issues in contemporary philosophical discussions.

Its power to illuminate the text..., its ecumenicity of inspiration, its methodological rigor, its originality, and its philosophical profundity—all together make it one of the few philosophical interpretations that the philosopher will ...

The Shakespearean image of a tempest and its aftermath forms the beginning as well as a major guiding thread of Logic of Imagination. Moving beyond the horizons of his earlier work, Force of Imagination, John Sallis sets out to unsettle the traditional conception of logic, to mark its limits, and, beyond these limits, to launch another, exorbitant logic—a logic of imagination. Drawing on a vast range of sources, including Plato, Aristotle, Kant, Hegel, Nietzsche, and Freud, as well as developments in (...) modern logic and modern mathematics, Sallis shows how a logic of imagination can disclose the most elemental dimensions of nature and of human existence and how, through dialogue with contemporary astrophysics, it can reopen the project of a philosophical cosmology. (shrink)

Broaching an understanding of nature in Platonic thought, John Sallis goes beyond modern conceptions and provides a strategy to have recourse to the profound sense of nature operative in ancient Greek philosophy. In a rigorous and textually based account, Sallis traces the complex development of the Greek concept of nature. Beginning with the mythical vision embodied in the figure of the goddess Artemis, he reanimates the sense of nature that informs the fragmentary discourses of Anaximenes, Heraclitus, Parmenides, and Empedocles and (...) shows how Plato takes up pre-Socratic conceptions critically while also being transformed. Through Sallis’s close reading of the Theaetetus and the Phaedo, he recovers the profound and comprehensive concept of nature in Plato’s thought. (shrink)

"Being and Logos" is... a philosophical adventure of rare inspiration.... Its power to illuminate the text..., its ecumenicity of inspiration, its methodological rigor, its originality, and its philosophical profundity—all together make it one of the few philosophical interpretations that the philosopher will want to re-read along with the dialogues themselves. A superadded gift is the author's prose, which is a model of lucidity and grace." —International Philosophical Quarterly "Being and Logos is highly recommended for those who wish to learn how (...) a thoughtful scholar approaches Platonic dialogues as well as for those who wish to consider a serious discussion of some basic themes in the dialogues." —The Academic Reviewer. (shrink)

Boldly contesting recent scholarship, Sallis argues that The Birth of Tragedy is a rethinking of art at the limit of metaphysics. His close reading focuses on the complexity of the Apollinian/Dionysian dyad and on the crossing of these basic art impulses in tragedy. "Sallis effectively calls into question some commonly accepted and simplistic ideas about Nietzsche's early thinking and its debt to Schopenhauer, and proposes alternatives that are worth considering."--Richard Schacht, Times Literary Supplement.

Originally published in 1973, this work continues to be a classic in the field of French phenomenology, focusing on tis most seminal represenataive, Maurice Merleau-Ponty. By tracing how Merleau-Ponty accounts for the beginning of philosophical thought in the dual sense of understanding its origin and showing how that origin permits philosophy (and all thought) to achieve truth, Sallis demonstrates that this process is never fully completed. With a signifigant revival of interest in French phenomenology in recent years, this paperback edition (...) -- with a new preface by Sallis -- provides an enduring and important voice to the dialogue. (shrink)

And yet, in these very texts Sallis identifies outbreaks of spacing that would disrupt the tranquil space of reason. Rather than closure, he finds an opening of reason to imagination.

Based on an international conference in Chicago commemorating the hundredth anniversary of Martin Heidegger's birth, this volume includes essays by many of the most distinguished interpreters of Heidegger's philosophy from North America, Europe, and Asia. Taking account of the numerous texts by Heidegger that have been published for the first time in the past decade, these essays discuss and extend Heidegger's thought as it bears on a broad range of fundamental philosophical questions.

In Force of Imagination, John Sallis develops an original systematic philosophical project from the vantage-point of philosophy at the limit, the point at which the classical distinction between the intelligible and the sensible is inverted ...

"Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." —Drew A. Hyland In his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of (...) nontranslation, or universal translatability; through a scene of translation staged by Shakespeare, in which the entire range of senses of translation is played out; through the question of the force of words; and from the representation of untranslatability in painting and music. Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction. (shrink)

Explores the interplay between the dramatic form of the dialogue and the basic themes it addresses.

This volume represents the first sustained effort to relate Derrida's work to the Western philosophical tradition from Plato to Heidegger. Bringing together twelve essays by twelve leading Derridean philosophers and an important paper by Derrida previously unpublished in English, the collection retrieves the significance of deconstruction for philosophy.

In Echoes, John Sallis mobilizes the figure of echo, used by Heidegger to characterize originary thinking, as the motif around which to organize a radical reading of Heidegger's most important texts.

Demonstrates how archaic Platonism has a profound significance for contemporary thought.

What is art really about? What is its true sense? For John Sallis, we cannot gain a genuine understanding of art by merely translating its effects into conceptual language. Rather, works of art must be approached in a way that does justice to their sensuous and enigmatic character—that illuminates their capacity to present truth without pretending to dispel the real mystery at art’s core. Transfigurements develops a framework for thinking about art through innovative readings of some of the most important (...) philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in these texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare’s comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations of classic works from both fields, Sallis puts forth a compelling new elaboration of the philosophy of art. (shrink)

Where does philosophy begin, and where does it end? For John Sallis, philosophy’s many starting points all lead back to Plato’s cave, a reminder that no matter how rigorous our thought, we can never quite escape to pure understanding. We remain always on the verge, at the limits of philosophy—but the verge, Sallis argues, is where the most decisive philosophical thinking takes place. The Verge of Philosophy is in one sense a memorial for Sallis’s longtime friend and interlocutor Jacques Derrida. (...) The centerpiece of the book is an extended examination of three sites in Derrida’s thought: his interpretation of Heidegger regarding the privileging of the question, Derrida’s account of the Platonic figure of the good, and his interpretation of Plato’s discourse on the crucial concept of the chora , the originating space of the universe. Sallis’s explorations are given added weight—even poignancy—by his discussion of his many public and private philosophical conversations with Derrida over the decades of their friendship. The Verge of Philosophy thus simultaneously serves to mourn and remember a friend and to push forward the deeply searching discussions that lie at the very heart of that friendship. Rounded out with examinations of the myth of Orpheus and the parameters of a politics of music, Heidegger’s interpretation of Plato, and the question of a new beginning for philosophy, The Verge of Philosophy is a wholly original work by a master thinker and will be essential to all those who treasure philosophical inquiry. (shrink)

A letter from Martin Heidegger.--On the way to being; reflecting on conversations with Martin Heidegger, by Z. Adamczewski.--Heidegger's view and evaluation of nature and natural science, by E. G. Ballard.--Truth as art: an interpretation of Heidegger's Sein und Zeit (sec. 44) and Der Ursprung des Kunstwerkes, by C. D. Keyes.--The language of the event: the event of language, by T. Kisiel.--Heidegger: the problem of the thing, by T. Langan.--The late Heidegger's omission of the ontic-ontological structure of Dasein, by R. Powell.--Towards (...) the movement of reversal: science, technology, and the language of homecoming, by J. Sallis.--Prolegomena to "Time and being": truth and time, by A. Schuwer.--Cosmos, nature, and man and the foundations of psychiatry, by A.-T. Tymieniecka.--Heidegger and the existential a priori, by J. Wild. (shrink)

_Transfigurements_ develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare’s comedies; and the music of (...) Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he puts forth a compelling new elaboration of the philosophy of art. (shrink)

_The Verge of Philosophy_ is both an exploration of the limits of philosophy and a memorial for John Sallis’s longtime friend and interlocutor Jacques Derrida. The centerpiece of the book is an extended examination of three sites in Derrida’s thought: his interpretation of Heidegger regarding the privileging of the question; his account of the Platonic figure of the good; and his interpretation of Plato’s discourse on the crucial notion of the chora, the originating space of the universe. Sallis’s reflections are (...) given added weight—even poignancy—by his discussion of his many public and private philosophical conversations with Derrida over the decades of their friendship. This volume thus simultaneously serves to mourn and remember a friend and to push forward the deeply searching discussions that lie at the very heart of that friendship. “All of John Sallis’s work is essential, but [this book] in particular is remarkable.... Sallis shows better than anyone I have ever read what it means to practice philosophy on the verge.”—Walter Brogan, Villanova University. (shrink)

Interpretive horizons -- The transcendental dialectic -- The gathering of reason in the paralogisms -- The gathering of reason in the antinomies -- The gathering of reason in the ideal -- Reason, imagination, madness -- Metaphysical security and the play of imagination.

Highly recommended." —Choice "This fascinating book by one of the more original voices writing philosophy in English poses questions about the nature of the visible and invisible, sensible and intelligible." —Dennis Schmidt What is it ...

Constitutes a thoughtful survey of contemporary hermeneutics in its historical context.

Broaching an understanding of nature in Platonic thought, John Sallis goes beyond modern conceptions and provides a strategy to have recourse to the profound sense of nature operative in ancient Greek philosophy. In a rigorous and textually based account, Sallis traces the complex development of the Greek concept of nature. Beginning with the mythical vision embodied in the figure of the goddess Artemis, he reanimates the sense of nature that informs the fragmentary discourses of Anaximenes, Heraclitus, Parmenides, and Empedocles and (...) shows how Plato takes up pre-Socratic conceptions critically while also being transformed. Through Sallis’s close reading of the Theaetetus and the Phaedo, he recovers the profound and comprehensive concept of nature in Plato’s thought. (shrink)

The return of nature -- The birth of nature -- Return to nature -- Return from the nature beyond nature -- The elemental turn -- The cosmological turn -- Coming as if from nowhere -- The plurality of nature and the disintegration of difference.

This essay explores the various ways in which in the history of philosophy the imperative to return to nature has been understood. Against this background, it takes up the question as to how the concept of nature is to be determined in contemporary thought.

_A philosophical perspective on the relation between Paul Klee’s art and his thought._.

A sensitive and imaginative opening to the evocative force of nature.

This is an anthology of deconstructive writings on the doubly difficult theme of truth by the foremost American philosopher of postmodernity.