Maurice Merleau-Ponty’s later philosophy is not a simple revision of the themes of Phenomenology of Perception. It is a radical change of the kind Thomas Kuhn found in the history of science which involves: (1) a persistent anomaly, (2) the formation of new assumptions and (3) the creation of a new vocabulary. This paper concentrates on the problem Merleau-Ponty had with the tacit cogito and shows how he broke the tension it caused by changing the paradigm of his philosophy. It (...) also examines that new philosophy to see whether it is more compatible with Christianity as some commentators have claimed. (shrink)

Maurice Merleau-Ponty’s later philosophy is not a simple revision of the themes of Phenomenology of Perception. It is a radical change of the kind Thomas Kuhn found in the history of science which involves: (1) a persistent anomaly, (2) the formation of new assumptions and (3) the creation of a new vocabulary. This paper concentrates on the problem Merleau-Ponty had with the tacit cogito and shows how he broke the tension it caused by changing the paradigm of his philosophy. It (...) also examines that new philosophy to see whether it is more compatible with Christianity as some commentators have claimed. (shrink)

Nietzsche published for the public only the first three parts of Thus Spoke Zarathustra. This paper in examining the “tragic wisdom” of that work gives an account of why Nietzsche did not want his public to read Part IV. It shows the evolution in Nietzsche’s thought about tragic wisdom beginning with The Birth of Tragedy where satyric laughter is central to the wisdom of ancient Greek tragedy to Parts I-III of Thus Spoke Zarathustra where the significance of its major idea, (...) eternal recurrence, is the joy occasioned by experiencing that theory to finally Part IV where the pathos engendered by Zarathustra, who has aged to an ugly, old fool, is the sarcastic laughter that kills. (shrink)

Nietzsche published for the public only the first three parts of Thus Spoke Zarathustra. This paper in examining the “tragic wisdom” of that work gives an account of why Nietzsche did not want his public to read Part IV. It shows the evolution in Nietzsche’s thought about tragic wisdom beginning with The Birth of Tragedy where satyric laughter is central to the wisdom of ancient Greek tragedy to Parts I-III of Thus Spoke Zarathustra where the significance of its major idea, (...) eternal recurrence, is the joy occasioned by experiencing that theory to finally Part IV where the pathos engendered by Zarathustra, who has aged to an ugly, old fool, is the sarcastic laughter that kills. (shrink)