Inhalt: I. Philosophie und Akademiegedanke: Gideon Freudenthal: Leibniz als Transzendental-Philosoph malgre lui. Der Status der Erhaltungssatze - Conrad Grau: Hertzberg und das Leibnizsche Akademiekonzept II. Theologie und Einheit der Kirchen: Ursula Goldenbaum: Die "Commentatiuncula de judice" als Leibnizens erste philosophische Auseinandersetzung mit Spinoza nebst der Mitteilung uber ein neuaufgefundenes Leibnizstuck / Beilage: Leibniz' Marginalien zu Spinozas Tractatus theologico-politicus im Exemplar der Bibliotheca Boineburgica in Erfurt, also zu datieren auf 1670-71 - Hartmut Rudolph: Zum Nutzen von Politik und Philosophie fur (...) die Kirchenunion. Die Aufnahme der innerprotestantischen Ausgleichsverhandlungen am Ende des 17. Jahrhunderts / Beilage: Daniel Ernst Jablonski: Kurtze Vorstellung der Einigkeit und des Unterscheides (1697) III. Sprache und Geschichte: Gerda Hassler: Leibniz' Stellung in der Diskussion des Zeichencharakters - Heinz Entner: Leibniz und Pufendorf. Bemerkungen zu zwei Gedichten - Rudiger Otto: Leibniz als Historiker. Beobachtungen anhand der Materialien zum Sachsen-Lauenburgischen Erbfolgestreit - Andre Robinet: Das "Haus" bei Leibniz. (shrink)

R. Otto (1869-1937) is known for his work in the field of philosophy of religion. The article addresses his main contributions, with special attention to the Aufsätze zur Ethik and its connection to The Idea of the Holy. Against the idea that Otto is unable to develop an ethics without giving up some fundamental positions of The Idea of the Holy, the article argues in favor of their agreement with his ethical writings, on the basis of the thesis (...) that not everything we know is a form of knowledge (wissen), in the sense of intellectual representation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Otto Rudolph Ortmann, Music Philosophy, and Music EducationDavid J. GonzolWhat is music? What should we teach when we teach music? How should we? In the early twentieth century, these most foundational questions relating to music education were addressed by the highly regarded, though less well known, educator and researcher, Otto Rudolph Ortmann. In 1922, he published an article in which he outlined a theory of (...) musical experience, developing aspects of the physics of sound, qualitative theory, and Gestalt psychology, prefiguring important ideas in music philosophy. Ortmann highly valued his theory, utilized it in other research throughout his career, and influenced others such as Carl Seashore. Few, however, seem to be aware of his work or its implications for music education.1The seminal 1922 article, "The Sensorial Basis of Music Appreciation," was written while Ortmann was teaching at the Peabody Conservatory of Music and Johns Hopkins University in Baltimore, Maryland.2 While this article has received little attention, much of his other research has been widely and well received.3 "Papa Ortmann," well beloved of family and students, had a career Gerig characterized as "a wedding between Materia Medica and Frau Musica."4 A prolific [End Page 160] researcher, superb musician, and excellent teacher, he published articles on music theory (one of which was reprinted and extended in 1983), musicology, music reading, ear training, synesthesia, and jazz.5 His research on piano performance, particularly his two books,6 is regarded as definitive; it has been discussed in a thesis and four dissertations; some of it has been replicated. In Famous Pianists and Their Technique, Gerig devoted a chapter to Ortmann.7 Ortmann's theory of listening types, in effect a theory of music cognition,8 was accepted by Robert Neidlinger, Doreen Rao, and Bennett Reimer.9 In the 1992 Handbook of Research on Music Teaching and Learning, F. R. Wilson and F. L. Roehmann praised the significance of Ortmann's body of research as undiminished in importance in music education.10It may be that Ortmann's "Sensorial Basis"theory received little attention at the time because too few were interested in such theories or in the synthesizing of science and psychology or the touching on philosophy that he employed. Although he influenced Seashore, the philosophical issues he began to explore would be developed more strongly only decades later, by philosophers such as Monroe Beardsley, Peter Kivy, and Jerrold Levinson. It seems that Ortmann's theory not only prefigures some ideas in recent music philosophy, but supports them as well. If it does, then our increased understanding of music can provide a firmer basis for developing better music education-one of Ortmann's aims. In this article I will describe his theory, sketch how it aligns with subsequent research, and consider its value today. Ortmann attempted a comprehensive explanation of music's nature; as far as his explanation is accurate, that far it can help us understand music and in turn music education.Three "Attributes"At the turn of the 1900s, it was popular to refer to "attributes" of sound. Ortmann posited that all sensation, including sound, has three types of attributes. The primary attribute he termed extensity, by which he meant the breadth of the sensation that is perceived. Extensity has three forms, transtensity (frequency), intensity (strength), and protensity (duration). These can be perceived individually but also as sound's secondary attributes, chief of which is quality. Tertiary attributes of sound are made through association, either by (a) contiguity, linking a sound's quality with things experienced near in time to the sound, or by (b) similarity, associating the quality with sensations of like extensity (for example, the expressive brightness of a sound and a light). Ortmann believed that tertiary attributes form "the threshold of musical imagination, and imagination in turn, of musical enjoyment."11 Accordingly, he concluded that music could express many things, and that this is dependent on listeners, their individual histories, and their entire field of sensations. [End Page 161]The Primary Attribute of ExtensityIn the Renaissance, Benedetti and Galileo found that pitch was related to frequency, and in 1702, Sauveur was the first to state that overtones affect timbre. In 1863, Helmholtz... (shrink)

This paper explores the ambiguity in Rudolph Otto's discussion of the mysterium tremendum in order to address a broader set of difficulties in The Idea of the Holy (1917). In doing so, I outline two common criticisms of Otto's position. The first attacks Otto for not providing a secure transition from the numinous experience of terror to the holy experience of faith. The second attacks Otto for upholding a kind of theistic dualism, which seemingly puts (...) his thought at odds with mysticism. Rather than reconstruct Otto's argument in favour of theism, I maintain that numinous experience, while still a form of otherness or alterity, is best characterized as the breakdown of subject-object dualism. I further suggest that this breakdown is best understood in non-theistic terms. For examples of the latter, I briefly turn to Jean-Luc Marion's notion of saturated phenomena. (shrink)

Two names often grouped together in the study of religion are Friedrich Schleiermacher (1768–1884) and Rudolf Otto (1869–1937). Central to their understanding of religion is the idea that religious experience, characterized in terms of feeling, lies at the heart of all genuine religion. In his book On Religion, Schleiermacher speaks of religion as a “sense and taste for the Infinite.” In The Christian Faith, Schleiermacher grounds religion in the immediate self-consciousness and the “feeling of absolute dependence.” Influenced by Schleiermacher, (...) Otto also grounds religion in an original experience of what he calls “the numinous,” which can only be grasped through states of feeling. This article discusses the views of Otto and Schleiermacher on religion as feeling. It examines how both men conceived of feeling, the reasons they believed religion had to be understood in its terms, and the common threads linking their perspectives. It also considers Schleiermacher's interpretation of religious feeling as transcendental experience. (shrink)

This paper provides an analysis of Rudolph Otto's understanding of the structures of human consciousness making possible the appropriation of revelation. Already in his dissertation on Luther's understanding of the Holy Spirit, Otto was preoccupied with how the " outer " of revelation could be united to these inner structures. Later, in his groundbreaking Idea of the Holy, Otto would explore the category of the numinous, an element of religious experience tied to the irrational element of (...) the holy. This paper first provides a brief account of Otto's account of the holy, especially its numinous, irrational elements. Second, the paper analyzes Otto's understanding of the structures of consciousness grounding the experience of the numinous and allowing the irrational element to be " schematized " by the rational element. Otto's exposition of these structures is heavily influenced by his reception of Kant's analysis of the two stems of human cognition, namely understanding and sensibility, and their possible relation to a common root, which Otto identified with what the mystics called the ground of the soul. Yet it is in Otto's reception of Kant's Critique of Judgment that all of these ideas find their completion, and it is here where we must look to understand the relation between the religious a priori and Otto's category of the numinous. Kant's aesthetic idea is a singular representation given in intuition; it is infinitely saturated and as such intimates the ideas of God, the soul, and the world as a whole. I show how Otto appropriates Kant's aesthetic idea and its relation to ideas of reason in order to make sense of how an empirically given revelation, for instance, an experience of the numinous, can connect with the inner structures of consciousness and thereby have the singular import that it does. (shrink)

1. History of the philosophy of religion from Spinoza to the present day. 2 v.--2. Genetic-speculative philosophy of religion. 2 v.

This section discusses mostly some unsolved problems. . . .I hope that some mathematicians who are interested in a classification of sets of real numbers, in particular sets with Lebesgue measure zero, will read it and try to find solutions for the problems here outlined.

Poverty has continued to be an enormous challenge for Africa. Immoral political decisions and tactics have led to the continued suffering of the landless poor in the city of Harare. With no consideration for the dignity of people, the government of Zimbabwe through Operation Murambatsvina demolished shelters belonging to the poor in the city a decade and half ago. To this day, most of the victims of this destruction still lack adequate accommodation. The majority urban poor have been excluded from (...) the community and inhabit shanty towns around Harare. Deprived of justice, the poor are alienated from their right to land, nourishment and dignified life. This complete disregard for life and African community values ought to be challenged. Ubuntu moral theory presents necessary guiding principles for human progress that achieves genuine harmony and equality among all people. In light of the experiences of deadly but preventable poverty in Harare, the will-to-live for all requires confirmation. Every human being is endowed with irrevocable intrinsic worth. The elimination of poverty requires practical philosophical resolutions that are driven by sincere respect for human life. (shrink)