Curanderismo is an Indigenous healing tradition in Chicane communities and throughout Mexico. Using such a lens, this paper analyzes the metaphysical nature of trauma as a splitting (susto) of the self and community. First, this paper explores the Indigenous philosophical principles that form the metaphysics of curanderismo. Second, three reactions to susto will be explored including what Gloria Anzaldua calls the Coyolxauhqui imperative, a re-membering of a split self towards healing. Through the second aim, the third aim of this paper (...) is to lay out a road map of the Coyolxauhqui imperative in hopes that it will save more communities from total annihilation. That road involves integrating traumatic memory and history into a sense of self/community, weaving new relationships, and orienting a new self with a decolonized spirit. (shrink)

The Covid‐19 crisis has accelerated a trend toward burnout in health care workers, making starkly clear that burnout is especially likely when providing health care is not only stressful and sad but emotionally alienating; in such situations, there is no mental space for clinicians to experience authentic clinical empathy. Engaged curiosity toward each patient is a source of meaning and connection for health care providers, and it protects against sympathetic distress and burnout. In a prolonged crisis like Covid‐19, clinicians provide (...) care out of a sense of duty, especially the duty of nonabandonment. We argue that when duty alone is relied on too heavily, with fear and frustration continually suppressed, the risk of burnout is dramatically increased. Even before Covid‐19, clinicians often worked under dehumanizing and unjust conditions, and rates of burnout were 50 percent for physicians and 33 percent for nurses. The Covid‐19 intensification of burnout can serve as a wake‐up call that the structure of health care needs to be improved if we are to prevent the loss of a whole generation of empathic clinicians. (shrink)

A man and a woman at the same time, borne by the desire for freedom – free, against all psychoanalytic dogmas, to move between two world. She invokes her chicana identity, created in the history of resistance of the Indian woman ; she asserts her mestiza culture – white, Mexican and Indian at the same time, a culture developed according to a feminist plan. Chicanas live in between several world, and tell their story in their own words : a first-person (...) narrative, narrative as theory. (shrink)

In this article, I offer the figure of the snake-bridge as (a) the coiled central metaphor in Gloria Anzaldúa’s masterpiece, Borderlands/La Frontera, (b) the interpretive bridge connecting the early (This Bridge Called My Back) middle (Borderlands) and late (Light in the Dark) periods of her oeuvre, and (c) an alternate unifying metaphor to mestizaje. My first section offers a close reading of Borderlands, locating snake-bridge in the east-west snake of the Rio Grande that queer Chicana borderlanders cross north and (...) south like snakes, while wrestling earthward with snake demons and skyward with snake goddesses. And my second section autopsies the dismembered snake-bridge in Light in the Dark, calling for a healing thereof in pursuit of a coalitional social justice politics that preserves the strengths of mestizaje without its dangers. (shrink)

It's time that philosophers read Gloria Anzaldúa as a philosopher. Scholars have been hinting at it for some time, but in describing her they still tend to choose the terms “theorist,” “feminist,” and “thinker” instead of “philosopher.” Anzaldúa fits into all of these categories, but from her notes, we know that Anzaldúa also thought of herself as a philosopher. In 2002, for instance, she called herself a “feminist‐visionary‐spiritual‐activist‐poet‐philosopher fiction writer.” This essay argues that we should grant (...) class='Hi'>Anzaldúa's wish to be considered a philosopher in addition to the other appellations, and focuses on works that she read and wrote in the first half of her scholarly career, including the publication of Borderlands/La Frontera in 1987. The evidence for the claim that Anzaldúa thought of herself as a philosopher is mostly archival, but some of it also appears in her published works. Once philosophers explicitly begin to recognize Anzaldúa as a philosopher, comparisons between her and other already recognized philosophers will become fuller and bear more fruit. (shrink)

This essay examines Gloria Anzaldúa’s critical appropriation of two Mexican philosophers in the writing of Borderlands/La Frontera: Samuel Ramos and Octavio Paz. We argue that although neither of these authors is cited in her seminal work, Anzaldúa had them both in mind through the writing process and that their ideas are present in the text itself. Through a genealogical reading of Borderlands/La Frontera, and aided by archival research, we demonstrate how Anzaldúa’s philosophical vision of the “new mestiza” (...) is a critical continuation of the broader tradition known as la filosofía de lo mexicano, which flourished during a golden age of Mexican philosophy (1910–1960). Our aim is to open new directions in Latinx and Latin American philosophy by presenting Anzaldúa’s Borderlands/La Frontera as a profound scholarly encounter with two classic works of Mexican philosophy, Ramos’ Profile of Man and Culture in Mexico and Paz’s The Labyrinth of Solitude. (shrink)

Although Gloria Anzaldúa's critical categories have steadily entered discussions in the field of philosophy, a lingering skepticism remains about her works’ ability to transcend the particularity of her lived experience. In an effort to respond to this attitude, I make Anzaldúa's corpus the center of philosophical analysis and posit that immanent to this work is a logic that lends it the unity of a critical philosophy that accounts for its concrete, multilayered character and shifting, creative force. I call (...) this an “affective logic of volverse una.” Starting with the understanding of a situated modality of all subjectivity, Anzaldúa's work exhibits a logic of three moments distinguished by states of awareness. Each state of awareness is characterized by the generative degree of the subject's responses to its conditions: critical, individuating, and expansive. Led by her late concepts of conocimiento and nepantlera, I return to her earlier works and trace Anzaldúa's innovative exploration of undoing the oppressive condition of marginal subjectivities from “La Prieta” through Borderlands/La Frontera to her final published essay “now let us shift.” I find a liberatory schema of volverse una/becoming whole that is grounded in an active receptivity of sensibility and facilitated by affective technologies for transformation. (shrink)

In this article, I examine the relationship between self-knowledge practices among women of color and structural patterns of ignorance by offering an analysis of Gloria E. Anzaldúa's discussions of self-writing. I propose that by writing about her own experiences in a manner that hails others to critically interrogate their own identities, Anzaldúa develops important theoretical resources for understanding self-knowledge, self-ignorance, and practices of knowing others. In particular, I claim that in her later writings, Anzaldúa offers a rich (...) epistemological account of these themes through her notion of autohistoria-teoría. The notion of autohistoria-teoría demonstrates that self-knowledge practices, like all knowledge practices, are social and relational. Moreover, such self-knowledge practices require contestation and affirmation as well, including, resistance and productive friction. (shrink)

And what if we also learn to listen for silence?This article is one in a series of attempts on my part to think the inbetween of traditionally juxtaposed claims of voice versus silence. It takes seriously both claims that voice is lived as liberatory by many, on the one hand, and that words may be inadequate to bear witness to the humiliation, pain, and systematic degradation of trauma and violence, on the other. Thus situated, I turn to silence to locate (...) resources for the renewal of sense. Specifically, I propose that the mobilization of silences can be a powerful decolonizing praxis. Attending to Gloria Anzaldúa's iterations of the myth of la Llorona in "My Black Angelos" and Prietita and the Ghost Woman,1... (shrink)

Many of my first students at Anzaldúa’s alma mater read Borderlands/La Frontera and concluded that Anzaldúa was not a philosopher. Hostile comments suggested that Anzaldúa’s intimately personal and poetic ways of writing were not philosophical. In response, I created “American Philosophy and Self-Culture” using backwards course design and taught variations of it in 2013, 2016, and 2018. Students spend nearly a month exploring Anzaldúa’s works, but only after reading three centuries of U.S.-American philosophers who wrote in (...) deeply personal and literary ways about self-transformation, community-building, and world-changing. The sections of this chapter: 1) describe why my first students rejected Anzaldúa as a philosopher in terms of the discipline’s parochialism; 2) present Anzaldúa’s broader understanding of herself as a philosopher; 3) summarize my reconstructed Anzaldúa-inspired American Philosophy course and outline some assignments; 4) discuss how my students respond to Borderlands/La Frontera when we read it through the lens of self-culture; and 5) explain my attempt to shape the subdiscipline of American Philosophy by teaching Anzaldúa to specialists at the 2017 Summer Institute in American Philosophy. (shrink)

While social geographers have convincingly made the case that space is not an external constant, but rather is produced through inter-relations, anthropologists and sociologists have done much to further an understanding of time, as itself constituted through social interaction and inter-relation. Their work suggests that time is not an apolitical background to social life, but shapes how we perceive and relate to others. For those interested in exploring issues such as identity, community and difference, this suggests that attending to how (...) temporal discourses are utilised in relation to these issues is a key task. This article seeks to contribute to an expansion of the debate about time and sociality by contributing an analysis of a variety of ways in which Gloria Anzaldúa utilises temporal concepts as part of her work of rethinking social identity and community. In particular, I suggest that in contesting homogeneous identity, Anzaldúa also implicitly contests linear temporal frameworks. Further, in creating new frameworks for identity, I suggest the possibility of discerning an alternative approach to time in her work that places difference at the heart of simultaneity. I suggest that the interconnection between concepts of time and community within Anzaldúa’s work indicates, more broadly, that attempts to rework understandings of relationality must be accompanied by reworked accounts of temporality. (shrink)

In a 1983 interview with Christine Weiland, Gloria Anzaldúa posited that human and nonhuman connectivity exists outside hierarchical arrangements. Some twenty years after Anzaldúa’s interview, the “Speculative Turn” emerged in continental philosophy which critiques anthropocentrism in modern philosophy and reconceptualizes nonhuman subjectivity. While Anzaldúa’s scholarship addresses core issues that are highlighted by the speculative turn, little scholarship exists that places her into conversation with these new trajectories in continental philosophy. In this essay, I aim to contribute to (...) this nascent scholarship and explore the question, How can Anzaldúa’s creative work contribute to and expand scholarship of the speculative turn? I investigate how Anzaldúa’s work can help bridge connections between differing veins of speculative turn thought, specifically Graham Harman’s object-oriented philosophy and Jane Bennett’s vital materialism. Conversations between Harman and Bennett demonstrate a split in understanding nonhuman autonomy and relationality and represent incompatibilities between OOP and VM. Interested in these departures, I posit that Anzaldúa’s creative works, such as poetry and drawing, offer ways to challenge problematic human/nonhuman relations and bridge philosophical divides within the speculative turn. (shrink)

El presente trabajo elucida el axioma de “la pluralidad necesaria” a partir de algunas calas y notas del pensamiento de Judith Butler y algunos cruces procedentes de la filosofía de Michel Foucault y Friedrich Nietzsche, así como el influjo postnietzscheano contemporáneo, en contraste con el pensamiento mestizo subalterno latinoamericano de Gloria Anzaldúa. La hipótesis central es explicada en estos términos: no existe ningún fundamento metafísico que sustente al mundo; todo es una construcción cultural, resultado del poder predominante en un (...) determinado contexto histórico. El poder es el que establece lo que es normal o anormal, lo que está permitido o no está permitido. En este contexto, se postula la necesidad de someter a los dispositivos de poder reinantes, en las sociedades contemporáneas, bajo una revisión crítica que permita transformarlos en dispositivos de poder que hagan posible sociedades plurales e incluyentes. Y justo aquí, en la apertura de un nuevo horizonte postmetafísico y post-humanista es retomada la perspectiva mestiza subalterna de Gloria Anzaldúa como una forma radical de repensar la condición humana más allá del euro-logo-falocéntrismo desde los márgenes de América Latina. La pluralidad necesaria, lejos de ser un título contradictorio, es, antes bien, un título que expresa una afirmación, a saber, la necesidad de una realidad social plural, inclusiva, en la que las diferencias entre los seres humanos sean respetadas, siguiendo el ideal de una sociedad democrática en la que se cultive la apertura a los otros, en un ambiente de convivencia y diálogo. (shrink)

This essay proposes a new way to read José Martí's idea of "Nuestra América," one that focuses on the mode of the call for unity toward liberation and decoloniality. In particular, I offer the arguments for this Latin American unity that would define a collective form of resistance against our colonial past and present (Europe) and an imperialist future (USA). It can be argued that it is extremely difficult to translate the Cuban author's thought by itself to our contemporary struggles, (...) and that this notion runs the risk of being an outdated, naïve, and even detrimental reduction of a too complex racial reality. In this essay, I defend a way in which this notion is still relevant today by alluding to the mode of a decolonial return to one's own land in the works of Édouard Glissant and Gloria Anzaldúa. In these two authors I see elements of the criticism of a colonial rootedness and filiation, linking a decolonial attitude toward the land with a particular way of returning to it: one that challenges a mythical, pure territorial space, and also reimagines the temporality of the return by focusing on the present. With the help of this novel gesture of returning to the land, I argue that Martí's nuestra América voices a call for unity and independence that still has value beyond its undeniable shortcomings. (shrink)

Our paper examines Gloria Anzaldúa’s critical appropriation of Mexican philosophical sources, especially in the writing of Borderlands/La Frontera. We demonstrate how Anzaldúa developed a transnational Philosophy of Mexicanness, effectively contributing to what has been recently characterized as the “multi-generational project to pursue philosophy from and about Mexican circumstances” (Vargas). More specifically, we recover “La Mexicana en la Chicana” by paying careful attention to Anzaldúa’s Mexican sources, both those she explicitly cites and those we have discovered while conducting (...) archival research using the Gloria Evangelina Anzaldúa Papers from the Benson Latin American Collection at the University of Texas at Austin. The three sections of our paper: 1) define the terms Mexican and philosophy in conversation with Anzaldúa’s work, 2) examine the Mexican philosophical sources that Anzaldúa cites in Borderlands/La Frontera, and 3) present the other major Mexican philosophical influences on Anzaldúa that we have found in her archive. The eight Mexican philosophical sources we discuss here include: José Vasconcelos (1882-1959), Miguel León-Portilla (1926-2019), Juana Armanda Alegría (1938- ), Octavio Paz (1914-1998), Samuel Ramos (1897-1959), Rosario Castellanos (1925-1974), Sor Juana Inés de La Cruz (1648-1695), and Jorge Carrión (1913-2005). (shrink)

This article examines Gloria Anzaldúa’s critical appropriation of Mexican philosophical sources, especially in the writing of Borderlands/La Frontera. We argue that Anzaldúa effectively contributed to la filosofía de lo mexicano by developing an Inter-American Philosophy of Mexicanness. More specifically, we recover “La Mexicana en la Chicana” by paying careful attention to Anzaldúa’s Mexican sources, both those she explicitly cites and those we have discovered while conducting archival research using the Gloria Evangelina Anzaldúa Papers at the Benson (...) Latin American Collection at the University of Texas at Austin. The eight Mexican philosophical sources we examine and discuss here are: José Vasconcelos (1882-1959), Miguel León-Portilla (1926-2019), Juana Armanda Alegría (1938- ), Octavio Paz (1914-1998), Samuel Ramos (1897-1959), Rosario Castellanos (1925-1974), Sor Juana Inés de La Cruz (1648-1695), and Jorge Carrión (1913-2005). (shrink)

gloria evangelina anzaldúa has been hailed as one of most important cultural theorists of the past fifty years. Her work, especially her groundbreaking Borderlands/La Frontera: The New Mestiza, continues to animate many contemporary discourses, especially those concerned with cultural and linguistic hybridity, intersectionality, and women of color feminism. Yet one may ask: What is Anzaldúa's distinctive contribution to contemporary discourses of spirituality and religion? In a 1993 interview, Anzaldúa herself lays bare the relative inattention that critics have (...) given to her understanding of spirituality: One of the things that doesn't get talked about is the connection between body... (shrink)

I apply Gloria Anzaldúa’s “borderlands theory” to Jamie Cortez’s Sexile, an HIV/AIDS prevention publication created as a first-person narrative of the journey of queer, trans activist Adela Vasquez who fled to the US from Cuba in 1980. I argue that Sexile is a borderlands text and operationalizes Anzaldúa’s mestiza consciousness at various levels— ranging from the essence of the text and what its existence represents to the literary techniques used in the telling of Adela’s narrative. In the first (...) half of this paper, I explore Anzaldúa’s borderlands theory and the ethos of Sexile as a text, including Vázquez’s story as inherently a borderland narrative; as a product of democratized knowledge; the praxis of the text’s creation; and the technology of the graphic novel. Throughout the second half, I look more closely at the content of the text using close reading to explore notions of the “borderland” represented throughout Adela’s narrative. Through both its content and the praxis of creation, Sexile represents the power of graphic medicine in illustrating the nuances of narratives at the interstices of marginalized identities and captures the multitudes and ambiguities of trauma, loss, rebirth, kinship, and joy at the margins. (shrink)

The essay focuses on Gloria Anzaldúa’s narrative of overcoming shame in Borderlands/La Frontera. It addresses the question of coming to terms with multiple conditions of oppression obstructing the creative agency of radical Latina subjects. The discussion occurs along two intersecting planes: (1) the existential question of self-knowledge as the self undergoes the difficult process of identifying and releasing the weight of past oppressions and (2) the situated character of Anzaldúa’s Chicana/Latina condition in light of the heteronormative and epistemic (...) constraints she faces as a Latina writer whose work is intimately interlinked with her sense of self. Anzaldúa’s message of overcoming shame is shown to have some affinities with Friedrich Nietzsche’s reflections on freedom from shame as the ultimate seal of liberation. Considered as Anzaldúa’s companion in a journey in self-overcoming at the crossroads of indigenous and Chicana/Tejana cultures, her new mestiza takes on a new significance. (shrink)

Identity politics deployed by lesbian feminists of color challenges the philosophy of the subject and white feminisms based on sisterhood, and in so doing opens a space where feminist coalition building is possible. I articulate connections between Gloria Anzaldúa's epistemological-political action tools of complex identity narration and mestiza form of intersubject, Nancy Hartsock's feminist materialist standpoint, and Seyla Benhabib's standpoint of intersubjectivity in relation to using feminist identity politics for feminist coalition politics.

Abstract:Queer Chicana author Gloria Anzaldúa often used visual art to develop and teach her theories, which address issues relating to social identity and institutions as well as creativity and spirituality. Her large collection of archived sketches at the Gloria Evangelina Anzaldúa Papers at the University of Texas demonstrates her drive to visually express ideas. The archive also holds unpublished works and talks in which Anzaldúa discusses her concepts of creativity and the image-making process. Despite the prevalence of (...) images in her work, few scholars have analyzed her artwork or her writings on creativity. To address this gap, I explore the question: How do Anzaldúa's sketches inform her theoretical concepts of creativity and image-making? Analyzing her visual work significantly contributes to academic scholarship, especially for scholars looking to engage with Anzaldúan theorizing beyond that of her written works. (shrink)

This essay argues that a new, politicized mestiza is emerging within the cultural borderlands of the Mexico-U.S. divide. She works in the upper ranks of the multinational maquiladoras and raises many challenges for a feminist theorization of a new border politics. Through a presentation of research in one maquiladora, the essay demonstrates how understanding the dynamic between metaphorical and material space is vital for imagining a feminist politics in the cultural borderlands.

Unlike many theories of the self found in Western philosophy, Maria Lugones and Mariana Ortega argue that subjectivity is multiplicitous in ways that defy the either/or logic of colonial Western thought. They also center liminal subjects, take embodiment seriously, and position multiplicitous subjects as always already in the borderlands. Their accounts of multiplicity are grounded in their lived experiences. Nevertheless, Lugones and Ortega disagree on the ontological and existential statuses of the multiplicitous self. While Lugones defends ontological pluralism and the (...) discontinuity of experience that dissolves any unified "I," Ortega defends existential pluralism and the continuity of experience, retaining an... (shrink)

El derecho a descansar es una reivindicación de justicia de primer orden. Es una demanda dirigida al núcleo de la organización social de nuestras necesidades. La caracterización de este derecho se presenta, la mayor de las veces, a partir de los conceptos de trabajo productivo -remunerado- y de cuidado -en gran parte no remunerado. La defensa del ocio y también de la pereza es convocada tanto por los trabajos creativos como por los industriosos. Pero, qué pasa cuando el derecho a (...) descansar no se dirige a cuestionar qué entendemos por trabajo, sino a qué entendemos por actividad y a qué llamamos reposo. ¿Qué ocurre si el derecho a descansar muestra la necesidad de iniciar un proceso de descolonización de nuestros cuerpos? La propuesta de Gloria Anzaldúa, y esto es lo que artículo defiende, consiste en mostrarnos que para poder pensar el descanso y hablar de él, la materia prima está en nuestros cuerpos, en atender a las formas de sujeción colonial que aún los habitan. (shrink)

scholars often use letter correspondences to uncover missing historical information. For example, while searching for the influential but unacknowledged women in the history of pragmatism, Charlene Haddock Seigfried discovered John Dewey’s letters to Elsie Ripley Clapp. Using these letters, Seigfried defended Clapp’s name as an early pragmatist. Similarly, Joan Smith cited Dewey’s letter to John T. McManis to show that Ella Flagg Young likewise influenced Dewey’s work. More recently, Eduardo Mendieta has defended a different approach to letters, and argues that (...) we should take the letters, diaries, and notebooks of certain philosophers more seriously—not just for the historical or... (shrink)

This essay argues that a new, politicized mestiza is emerging within the cultural borderlands of the Mexico-U.S. divide. She works in the upper ranks of the multinational maquiladoras and raises many challenges for a feminist theorization of a new border politics. Through a presentation of research in one maquiladora, the essay demonstrates how understanding the dynamic between metaphorical and material space is vital for imagining a feminist politics in the cultural borderlands.

In the conclusion to “A World of Pure Experience”, William James writes, “experience grows by its edges.” I explore what this may mean vis-à-vis Chicanx culture and Spanglish to argue that Chicanxs are neither a bastardization of Anglo or Mexican people and culture, nor is Spanglish a bastardization of English or Español, and that in some ways Chicanxs feel their Mexicanidad more palpably than Mexicans who live in the interior of Mexico, where one’s Mexicanidad is not a predominant identifier. I (...) first explain the process metaphysics that James espouses as well as his view of the lived experience. I build on these two Jamesian concepts and work with the chapter “The Pachuco and Other Extremes” from Octavio Paz’s The Labyrinth of Solitude, as well as Gloria Anzaldúa’s Borderlands/La Frontera to explore the experience of being a Chicana and speaking Spanglish on the U.S-Mexico border. (shrink)

In this article, I critique two conceptions from the history of academic philosophy regarding academic philosophers as shamans, deriving more community-responsible criteria for any future versions. The first conception, drawing on Mircea Eliade’s Shamanism (1951), is a transcultural figure abstracted from concrete Siberian practitioners. The second, drawing on Chicana theorist Gloria Anzaldúa’s Borderlands/La Frontera (1987), balances Eliade’s excessive abstraction with Indigenous American philosophy’s emphasis on embodied materiality, but also overemphasizes genetic inheritance to the detriment of environmental embeddedness. I therefore (...) conclude that any aspiring philosophical shaman must ground their bodily-material transformative linguistic practices in the practices and environments of their own concrete communities, including the nonverbal languages of bodily comportment, fashion, and dance, in pursuit of social justice for all, including sovereignty, ecological justice, and well-being for Indigenous peoples worldwide. (shrink)

This original study intertwining Latina feminism, existential phenomenology, and race theory offers a new philosophical approach to understanding selfhood and identity. Focusing on writings by Gloría Anzaldúa, María Lugones, and Linda Martín Alcoff, Mariana Ortega articulates a phenomenology that introduces a conception of selfhood as both multiple and singular. Her Latina feminist phenomenological approach can account for identities belonging simultaneously to different worlds, including immigrants, exiles, and inhabitants of borderlands. Ortega’s project forges new directions not only in Latina feminist (...) thinking on such issues as borders, mestizaje, marginality, resistance, and identity politics, but also connects this analysis to the existential phenomenology of Martin Heidegger and to such concepts as being-in-the-world, authenticity, and intersubjectivity. The pairing of the personal and the political in Ortega’s work is illustrative of the primacy of lived experience in the development of theoretical understandings of who we are. In addition to bringing to light central metaphysical issues regarding the temporality and continuity of the self, Ortega models a practice of philosophy that draws from work in other disciplines and that recognizes the important contributions of Latina feminists and other theorists of color to philosophical pursuits. (shrink)

This chapter contains sections titled: Vasconcelos and Essentialist Conceptions of Mestizaje Gloria Anzaldúa: The New Mestizaje María Lugones: Mestizaje and Hybridity The New Mestizaje and Race Mestizaje and Pan‐Hispanic Identity References Further Reading.

This article offers a pragmatist conception of multiplicitous subjectivity that captures the best features of Richard Rorty’s private ironist and John Dewey’s social self while rejecting anti-democratic implications I identify in each. On the one hand, Rorty rightly sees that having a plural self is crucial for self-creation but fails to see the connection between self-creation and social justice. On the other hand, Dewey rightly sees the interrelationship between personal and social growth but fails to appreciate the danger implicit in (...) his emphasis on integration of differences (both within the self and in the community). To see how we can achieve a compelling synthesis of these two views, I turn to Gloria Anzaldúa’s theory of “mestiza consciousness,” which points us toward a model of democratic citizenship that brings together Rorty’s tolerance for multiplicity and ambivalence with Dewey’s relational understanding of personal development and social progress. (shrink)

John McCumbers’ book On Philosophy: Notes from a Crisis challenges the key dichotomy of Western philosophical tradition— the distinction between form, or οὐσία, and matter. This basic ontological distinction, first formulated by Aristotle, appears under different guises throughout the history of Western thought, making oppression integral to philosophy, and leading the discipline into the situation of a major crisis, in which, as McCumber eloquently argues, philosophy and philosophers find themselves today. In this essay I argue that by developing the notion (...) of the speaking of matter McCumber subverts the oppressive history of Western philosophy. I explore this rich concept, showing how it successfully undermines ousiodic ontology. By drawing on McCumber’s text, and also on the works of Gilles Deleuze and Gloria Anzaldúa I argue that a non-ousiodic ontology has to prioritize anomalous, or seemingly contradictory beings. I discuss one possible direction such ontology could take—it could focus on the internal stranger, or the metic, to use an ancient Greek term. (shrink)

The concept of Eastern Europe was constructed during Enlightenment in order to solidify and purify the idea of Western Europe. The essay proposes that today the notion of Eastern Europe can be reclaimed: although traceable to a specific geographical region, Eastern Europe cannot be reduced to geopolitical and economic categories. It is rather a way of being that Heraclitus traces out with his aphorism “I went in search for myself.” Challenging the dichotomy between the West and the non-West, Eastern Europe (...) provides a vantage point from which we can approach philosophical and political problems in new ways. The essay relies on the philosophical concepts developed by Heraclitus, Gloria Anzaldúa, and Merab Mamardashvili. (shrink)

Andrea Pitts’ Anzaldúan reading of multiplicitous agency critically weaves together Latinx, Latina feminist, Black, Indigenous, queer and trans, and disability theorizing alongside Anzaldúan scholarship to demonstrate how pluralistic communities come together for positive social transformation. In this process, they provide a powerful scholarly resource to Anzaldúan scholarship. Ultimately, Pitts invites us to break away from modes of being that fall into individualism, insularities, binaries, isolation, and even imperialism to imagine instead “new geographies of selves” (32). This revision involves developing an (...) agential capacity that recognizes ours and other’s (nos y otrxs) multiplicitous and complex identities and their interaction. By being open to this complexity, opacity, ambivalence, and the imperative to new ways of being both intangible and tangible radical transformations emerge in practice. However, though rooted in Leonard Harris’ insurrectionist ethics, Pitts recognizes one must leave room for a coalitional process that may not succeed but is always open to interpretation and challenge considering the fluidity of multiplicitous agency that informs it (166). (shrink)

The work of Gloria Anzaldúa has not typically been read in concert with utopian studies. Much of her writing, however, offers a rich resource for utopian critique. This is a significant omission given that much of Latin@ speculative fiction has been deemed inherently utopic. Latin@futurism is a field of inquiry by which to focus on the utopian as a broader category of visionary, speculative forms. Anzaldúa draws on techniques of defamiliarization to usher a change of consciousness in the (...) reader, exemplified by her theories of conocimiento, el cenote, and nepantla. This article discusses Anzaldúa's theory of el cenote as a powerful heterotopic space of renewal and transformation in Yuri Herrera's novel Signs Preceding the End of the World. Anzaldúa's theories of conocimiento and nepantla flesh out culminating aspects of borderlands dreaming in the novel that connect to a discourse of apocalypse and its relationship to historical renewal and social justice. (shrink)

The environment and sociopolitical contexts in which we dwell shape our approach to the world. Islands, following Pádraig Ó Tuama, trigger an openness to other persons and sites. They fuel the comity of their inhabitants, motivate their interconnection with others, and thus sharpen their sense of morality. The Caribbean islands, and the Americas writ large, are also sites of both genocide and of a novel way to embrace the world. The peoples of the Caribbean islands have used the predicaments of (...) isolation, displacement, and genocide to initiate a mode of living that is best articulated, in the contemporary period, through the concept of créolization. The authors considered in this essay have expanded our understanding of the créolization. They have made specific the experiential thread of resilience that undergirds the meaning of créolization. In Condé’s work, the resilience is highlighted through the individual writer’s creativity. Sealy, for her part, expands the meaning of créolization to model a prospective inclusionary polity in the form of a créolizing nation. As we know, nations are not isolated entities; they are part of a conglomeration with other nations. Getachew completes the study to show that the cosmopolitan world that we might aspire to reach can benefit from the post-World War II efforts of Caribbean and African postcolonial nations. In truth, we realize with these authors that a moral and equitable international environment has been the articulated goal of Caribbean peoples since arguably the sixteenth century. It is a goal consonant with all of the perennial humanist ideals of modernity. (shrink)

La teoria dell’oppressione di Lugones è incentrata sulla necessità per l’oppresso di coltivare una diversa logica della realtà. Le condizioni per l’emergere di una coscienza resistente poggiano su un’ontologia pluralista e sull’idea di un sé molteplice capace di viaggiare tra «mondi». Un ruolo fondamentale viene occupato dallo spazio del _limen_. Il limen costituisce un portale verso la liberazione, ma non ne garantisce l’esito. Il progetto politico di emancipazione dalle oppressioni multiple richiede la creazione di coalizioni. Un obiettivo che può essere (...) raggiunto solo attraverso una comunicazione complessa, che abbandona la logica liberale della trasparenza. (shrink)