Few thinkers of the latter half of the twentieth century have so profoundly and radically transformed our understanding of writing and literature as Jacques Derrida. Derridian deconstruction remains one of the most powerful intellectual movements of the present century, and Derrida's own innovative writings on literature and philosophy are crucially relevant for any understanding of the future of literature and literary criticism today. Derrida's own manner of writing is complex and challenging and has often been misrepresented or misunderstood. In this (...) book, Leslie Hill provides an accessible introduction to Derrida's writings on literature which presupposes no prior knowledge of Derrida's work. He explores in detail Derrida's relationship to literary theory and criticism, and offers close readings of some of Derrida's best known essays. This introduction will help those coming to Derrida's work for the first time, and suggests further directions to take in studying this hugely influential thinker. (shrink)

Leader-managers face a myriad of competing values when they engage in ethical decision-making. Few studies help us understand why certain reasons for action are justified, taking precedence over others when people choose to respond to an ethical dilemma. To help address this matter we began with a qualitative approach to disclose leader-managers' moral motives when they decide to address a work-related ethical dilemma. One hundred and nine military officers were asked to provide their reasons for taking action, justifications of their (...) reasons, and to explain these justifications. We used network analysis techniques to identify a hierarchical motive structure. The motive structure is a cognitive map that identifies ethical motives and perceptions of how these ethical motives relate to each other. The motives identified represent classic conceptualizations of moral behavior; namely, virtue theories, consequentialism, and deontological theories, along with another category that expressed the emotional significance of the moral judgment, which we refer to as emotional empiricism. (shrink)

Blanchot provides a compelling insight into one of the key figures in the development of postmodern thought. Although Blanchot's work is characterised by a fragmentary and complex style, Leslie Hill introduces clearly and accessibly the key themes in his work. He shows how Blanchot questions the very existence of philosophy and literature and how we may distinguish between them, stresses the importance of his political writings and the relationship between writing and history that characterised Blanchot's later work; and (...) considers the relationship between Blanchot and key figures such as Emmanuel Levinas and Georges Bataille and how this impacted on his work. Placing Blanchot at the centre stage of writing in the twentieth century, Blanchot also sheds new light on Blanchot's political activities before and after the Second World War. This accessible introduction to Blanchot's thought also includes one of the most comprehensive bibliographies of his writings of the last twenty years. (shrink)

This book offers the first fully documented and historically contextualised account of the origins and implications of the concept of community in the work of Nancy and Blanchot. It analyses in detail the underlying philosophical, political, literary, and religious implications of the often misrepresented debate between Blanchot and Nancy.

Marguerite Duras is France's best-known and most controversial contemporary woman writer. Duras' influence extends from her early novels of the 1950's to her radically innovative experimental autobiographical text of the 1980's _The Lover_ Leslie Hill's book throws new light on Duras' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be (...) a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature. (shrink)

Derrida's Glas found one of its most attentive readers in Maurice Blanchot, whose fragmentary volume L'Ecriture du désastre responds in a number of ways to Derrida's book, in particular to its reading of Hegel. This article retraces the silent dialogue between Derrida and Blanchot as it unfolds in the two texts mentioned as well as in several others, including some of Blanchot's earlier essays and fiction, notably La Folie du jour and L'Arrêt de mort.

Readers of Blanchot have long been aware of the importance of politics in the writer's intellectual itinerary. But though the history of Blanchot's political involvements is now quite well documented, much remains to be understood about Blanchot's conception of the political. Prompted in part by his support for the ‘Not In Our Name’ appeal, which was to be one of Blanchot's last political gestures, this essay fragment, which is part of a longer inquiry, reconstructs the writer's thinking on the question (...) of the subject of politics and the closely related issue of the relationship between law and violence. It examines Blanchot's response to Hölderlin's translation of a famous fragment from Pindar entitled ‘Das Höchste’ and places Blanchot's writing within the wider context of the political thought of Benjamin, Schmitt, Agamben, and Derrida. (shrink)

Flaubert himself, in an early and now famous letter, identifies in "bêtise" the effect of an inordinate desire to conclude: "Oui, la bêtise," he writes, "consiste à vouloir conclure. Nous sommes un fil et nous voulons savoir la trame" . This is to say stupidity, to Flaubert, is less a given content of discourse than a particular order of that discourse itself.1 It is the sign of an hasty and elliptical intervention into thought of a series of preconceived conclusions, the (...) source of which may be situated in the doxa and in the rhetoric of verisimilitude that sustains the persuasive power of the doxa. Stupidity, as the project of the Dictionnaire demonstrates, is an endless fabric of maxims and probable syllogisms the function of which is to determine the particular and the specific, the singular and the different, as paradigmatic exempla of the larger discourse of encyclopaedic universality expressed in the verisimilitude of received ideas. It is in this sense that one can see in Flaubert's notion of "bêtise" the denunciation by the writer of an especially vulgarised form of the Aristotelian concept of verisimilitude, which, built around the rhetorical figures of the probable syllogism—the enthymeme—and the exemplum , is directed towards winning adhesion to a particular thesis by appealing to generalities and probabilities, and which constructs its arguments from material drawn from the doxa.2 It is this rhetoric of persuasion by verisimilitude that Flaubert, in the various discourses of the lover, the dreamer, and the politician, will throw into ironic relief in Madame Bovary and L'Éducation sentimentale. · 1. Cf. Valéry, Oeuvres, 1:1452.· 2. The concept of verisimilitude is a difficult one and one which had received much critical attention in recent years. I have taken the term here to refer to the complex network of constraints by which the mimetic novelist, like the rhetorician, is able to engage his audience in a contract of mutual recognition and to persuade them of the "sense of reality" of his narrative, that his is a plausible interpretation of reality, worthy of belief . It is here that Aristotle's elaboration of mimesis and of the art of rhetoric is decisive. Both in the Poetics and in the Rhetoric, Aristotle distinguishes two concepts with regards to the manner in which the artist or the rhetorician solicits from his audience the belief in the justness of his reconstruction of reality. The first concept is that of pithanon, the plausible or the persuasive. This corresponds to the speculative consideration of what strategy will be most forceful in any given case. Rhetoric is indeed defined as "the faculty of observing in any given case the available means of persuasion " . As such, pithanon is the sign of a desire to convince, a decision on the part of an individual in a particular situation. For this desire to convince to become fully operative in the context of an audience, it needs to be recast not as a plausibility, but as a probability, as eikos. Aristotle defines eikos as "a thing that usually happens: not . . . anything whatever that usually happens, but only if it belongs to the class of the 'contingent' or 'variable.' It bears the same relation to that in respect of which it is probable as the universal bears to the particular" . Eikos is on one level a collection of contents, of topoi. But it is more than this. For otherwise this would mean that works deriving from different historical contexts would become unintelligible to the uninitiated reader. Eikos is a patterning of discourse, a rhetorical syntax, based upon the integration of the singular in the universal, and translated in the text by the enthymeme and the exemplum. The homogeneity of the mimetic novel derives from the way in which the desire to convince is mediated and dissimulated by a totalising, "natural" eikos, when, in other words, the narrator is "objective." It is when these two dimensions are dissociated, as in Bouvard et Pécuchet, that all manner of disturbance is generated. . Leslie Hill, fellow in Clare College, Cambridge University, is presently doing research on Flaubert and on general aspects of the modern French novel. This is his first publication. (shrink)

Marguerite Duras is France's best-known and most controversial contemporary woman writer. Duras' influence extends from her early novels of the 1950's to her radically innovative experimental autobiographical text of the 1980's The Lover Leslie Hill's book throws new light on Duras' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be (...) a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature. (shrink)

What is it that guarantees the truth of literary theory? And what is it that testifies to its survival into the future? This paper, intended primarily as a tribute to the work of Malcolm Bowie, examines some of the implications of Bowie's view that literary theory, rigorously applied, as in the case of psychoanalysis, was inseparable from its status as creative, productive, futural, perhaps even fictional performance. The paper considers these questions further in the context of that shared commitment to (...) the neuter or the undecidable that is a striking feature of the writing on literature of Roland Barthes, Maurice Blanchot and Jacques Derrida, and which is also a way of thinking the futural possibilities and possible futures of theory. (shrink)

What happens when philosophy and literature meet? This pioneering study of the essays and fiction of Georges Bataille, Pierre Klossowski, and Maurice Blanchot examines the relationship between the literary and the philosophical dimension of their work and throws new light on the radical singularity of their writing.

Writers, readers, critics all have strong personal preferences. Roland Barthes was a case in point. Many were the texts he chose to affirm. Others he rejected, while some were left to hover in the margins of his thinking. Still others barely feature at all, among which, conspicuous by their absence, are the novels and plays of Samuel Beckett. This article examines the political, theoretical and affective reasons for Barthes’s apparent indifference to a writer who, despite early hostility on the part (...) of the literary establishment, came to be seen as the abiding embodiment of late modernity. It contrasts Barthes’s limited response to Beckett with that of another leading critic of the period, Maurice Blanchot. (shrink)

In Godard's Le Mépris [Contempt, 1963], Fritz Lang, playing a fictional version of himself, evokes the complex relationship between cinema's future and the end of cinema by citing a famous verse from the German poet Friedrich Hölderlin, according to which what counts in respect of poetry is henceforth no longer the secret persistence of the gods, nor their covert proximity, but their enduring absence. This paper explores the implications of that insight as they come to affect first Godard's film, then (...) the three films based on Hölderlin's works directed by Danièle Huillet and Jean-Marie Straub between 1986 and 1992: Der Tod des Empedokles [The Death of Empedocles]; Schwarze Sünde [Black Sin]; and Die Antigone des Sophokles nach der Hölderlinschen Übertragung für die Bühne bearbeitet von Brecht (Suhrkamp Verlag, 1948) [Sophocles? Antigone Based on Hölderlin's Translation, as Adapted for the Stage by Brecht (published by Suhrkamp, 1948)]. At issue in all those films, and similarly in Straub and Huillet's 1974 film of Schoenberg's Moses und Aron, is the tension between the project or dream of sacrifice as a form of fusional politico-religious redemption and its very impossibility as such, attributable (among others) to the necessary subordination of film to spatio-temporal differentiation and, by that token, to what is irreducible to the visible and the invisible alike. Through careful analysis of Huillet and Straub's filmmaking strategy, the paper examines both the aesthetic and political consequences of their interruption of the logic of sacrifice, and seeks to show how the future of cinema is not reducible to the aesthetics of the spectacular but is inseparable from the promise of that which, before or beyond spectacle, has not yet ever been seen before. (shrink)

In Godard's Le Mépris [Contempt, 1963], Fritz Lang, playing a fictional version of himself, evokes the complex relationship between cinema's future and the end of cinema by citing a famous verse from the German poet Friedrich Hölderlin, according to which what counts in respect of poetry is henceforth no longer the secret persistence of the gods, nor their covert proximity, but their enduring absence. This paper explores the implications of that insight as they come to affect first Godard's film, then (...) the three films based on Hölderlin's works directed by Danièle Huillet and Jean-Marie Straub between 1986 and 1992: Der Tod des Empedokles [The Death of Empedocles]; Schwarze Sünde [Black Sin]; and Die Antigone des Sophokles nach der Hölderlinschen Übertragung für die Bühne bearbeitet von Brecht [Sophocles’ Antigone Based on Hölderlin's Translation, as Adapted for the Stage by Brecht ]. At issue in all those films, and similarly in Straub and Huillet's 1974 film of Schoenberg's Moses und Aron, is the tension between the project or dream of sacrifice as a form of fusional politico-religious redemption and its very impossibility as such, attributable to the necessary subordination of film to spatio-temporal differentiation and, by that token, to what is irreducible to the visible and the invisible alike. Through careful analysis of Huillet and Straub's filmmaking strategy, the paper examines both the aesthetic and political consequences of their interruption of the logic of sacrifice, and seeks to show how the future of cinema is not reducible to the aesthetics of the spectacular but is inseparable from the promise of that which, before or beyond spectacle, has not yet ever been seen before. (shrink)

In a recent volume titled Demande (Expectation), containing texts written over a period of more than thirty years, but each devoted to different aspects of the relationship between philosophy and literature, Jean-Luc Nancy offers a suggestive account of their mutual genesis and ongoing dialogue in order to underline the way in which, beyond their apparent dialectical reciprocity, philosophy and literature are each inseparable from the unanswered and unanswerable questions they ask themselves and each other. Both, in other words, are said (...) to belong to the “in-between,” that fragile zone of undecidability that, according to Nancy’s reading of Kant, is a salient characteristic of all supposed self-identity. This article explores some of the implications of Nancy’s formulation as it affects the seemingly intractable question of myth’s interruption. It considers in particular some of the problematic features, deriving, it argues, from the inescapable fragility of thought itself, that may to be found in Nancy’s sometimes tense and contradictory engagement with the work of Maurice Blanchot, the subject of two important essays in Demande, which raises probing questions of Nancy’s own philosophical enterprise. (shrink)

During the late 1930s, towards the beginning of a long and colourful career as a translator, writer, novelist and painter, Pierre Klossowski proved an attentive reader of the work of th...

Green believed that, underlying the structure of human experience, there is an immanent God, gradually realised in the world through the processes of history. He believed in progress, and he sometimes spoke of it as “moral progress.” Talk of the history of moral progress came easily to him. No less than Rané Rapin, the seventeenth century Jesuit who told us that we should read history in a way which showed us its capacity for moral enlightenment, Green believed in hope.

Its broad, winding river, crossed by a multitude of bridges; its surrounding hills, amongst which stands conspicuous the long line of the Hradcine, topped by a continuous stretch of stately buildings with the cathedral of St. Vitus towering above them; the wide expanse of its numerous streets, over which rise the spires of many churches, ancient towers, and the lofty walls of numerous municipal and university buildings; the long history to which its architecture bears everywhere striking witness and of which (...) its inhabitants are justly proud, rendered the city of Prague a no less fitting background for the eighth philosophical Congress than that which Oxford provided four years ago for the seventh. Nor was the hospitality which Czechoslovakia offered to its members a whit less cordial or less generous than that of England. The delegates who gathered together from all parts of Europe, from America, China, and from Japan, were welcomed both by the Minister for Foreign Affairs, Dr. Beneš by the Minister of Public Instruction, Dr. Krčmář, by the Mayor of Prague; and, were it not for his unfortunate illness, would have been received by the President of the Republic himself. The Společenský club was placed at their disposal. They were entertained at the Foreign Office to tea, and at the palace of the President to supper by his daughter, Dr. Alice Masaryk. Their railway fares and even their tram fares were considerably reduced. On Thursday they were conveyed by motor-cars to Konopišté, a beautiful castle, soaring above pine forests and overlooking an extensive lake, formerly the residence of the Archduke Franz-Ferdinand, now taken over by the State, but maintained exactly as it was when the unfortunate heir of the Emperor Franz-Joseph was living there. The arrangements for the Congress were excellent, thanks to its President, Dr. Rádl, and to an extremely efficient organizing committee which placed itself unreservedly and unremittingly at the disposal of the 350 active and 150 associated members who attended the various meetings. (shrink)

Extreme Contemporary is a concise intellectual biography of Maurice Blanchot, a figure whose name, Leslie Hill claims, marks the site where the most important ideas of 19th and 20th century European philosophy overlap, intersect, and indeed, come to their fruition. It situates Blanchot as the radical heir to the questions concerning totality, experience, limit, Being, and Other, which G.W.F. Hegel and Martin Heidegger left in their wake, and it distinguishes him from George Bataille and Emmanuel Levinas, his friends (...) and close counterparts. It does justice to the subtlety and elusive quality of Blanchot's writing. (shrink)

Leslie Hill is a literary critic, not a philosopher, but as a Professor of French Studies at Warwick University in England he is situated at an interesting, if possibly fatal, crossroads: on the one side is a venerable British tradition that thinks of criticism in terms of the elucidation and evaluation -- which is to say the elevation -- of literary monuments (F. R. Leavis); on the other there is recent French intellectual culture, where the boundaries between philosophy (...) and literature are often indeterminate, meaning particularly that the writing of both philosophy and criticism is nothing if not "modernist" in its embrace of nondiscursive forms of language, a practice reflected in Hill's own elliptical prose, with its recurrent play of chiasmus and oxymoron ("the readability of any text is made both possible and impossible only by the impenetrable shadow of the unreadable" [336]). (shrink)

International codes of ethics play an important role in guiding professional practice in developing countries. In the occupational health setting, codes developing by international agencies have substantial import on protecting working populations from harm. This is particularly so under globalisation which has transformed processes of production in fundamental ways across the globe. As part of the process of revising the Ethical Code of the International Commission on Occupational Health, an African Working Group addressed key challenges for the relevance and cogency (...) of an ethical code in occupational health for an African context through an iterative consultative process. (shrink)

Objects of representation: Kant's Copernican revolution re-interpreted -- Synthetic unities of experience -- Three ways in which space and time might be said to be transcendentally ideal -- The given, the unconditioned, the transcendental object, and the reality of the past -- A theory of everything?: Kant speaks to Stephen Hawking -- Opinion, belief or faith, and knowledge -- Freedom of judgment in Descartes, Spinoza, Hume and Kant -- Six levels of mentality -- A Kantian defense of freewill.

Drawing on philosophy, psychology, sociology, politics, biology, and theology, Stevenson introduces readers to the endlessly fascinating subject of human nature. He outlines background theories of the universe, basic approaches to human nature, diagnoses of what is wrong with humankind and prescriptions for putting it right while offering clear, critical analyses of the ideas of Plato, Christianity, Karl Marx, Freud, Sartre, Skinner, and Lorenz. Including completely revised and updated bibliographies, the second edition also provides a new interdisciplinary final chapter suggesting areas (...) of further inquiry. (shrink)

Respect, Pluralism, and Justice is a series of essays which sketches a broadly Kantian framework for moral deliberation, and then uses it to address important social and political issues. Hill shows how Kantian theory can be developed to deal with questions about cultural diversity, punishment, political violence, responsibility for the consequences of wrongdoing, and state coercion in a pluralistic society.

Smith, Glass, and Miller have reported a meta-analysis of over 500 studies comparing some form of psychological therapy with a control condition. They report that when averaged over all dependent measures of outcome, psychological therapy is. 85 standard deviations better than the control treatment. We examined the subset of studies included in the Smith et al. metaanalysis that contained a psychotherapy and a placebo treatment. The median of the mean effect sizes for these 32 studies was. 15. There was a (...) nonsignificant inverse relationship between mean outcome and the following: sample size, duration of therapy, use of measures of outcome other than undisguised self-report, measurement of outcome at follow-up, and use of real patients rather than subjects solicited for the purposes of participation in a research study. A qualitative analysis of the studies in terms of the type of patient involved indicates that those using psychiatric outpatients had essentially zero effect sizes and that none using psychiatric inpaticnts provide convincing evidence for psychotherapeutic effectiveness. The onty studies clearly demonstrating significant effects of psychotherapy were the ones that did not use real patients. For the most part, these studies involved small samples of subjects and brief treatments, occasionally described in quasibeliavioristic language. It was concluded that for real patients there is no evidence that the benefits of psychotherapy are greater than those of placebo treatment. (shrink)

This article provides an ecological theory of face perception that elucidates the basis of the various perceptions. It then reviews research on first impressions elicited by facial qualities that are associated with fitness, emotion, race, age, and sex, in each case making links to ecological theory. It aims to identify facial qualities that inform social perceptions and reflect the zeitgeist at the time in social psychology. The emphasis is on understanding the cognitive mechanisms engaged in social perception, and this is (...) typically accomplished by providing information about social qualities in lists of trait words. The article demonstrates face perception research pertinent to the detection of socially relevant qualities in faces—attractiveness, emotions, race, age, and sex—as well as associated behavioral affordances, which have typically been assessed by trait ratings. (shrink)

This research addresses the question of whether men and women in sales differ in their ethical attitudes and decision making. The study asked 209 subjects to respond to 20 ethical scenarios, half of which were "relational" and half "non-relational." The study concludes (1) that there are significant ethical differences between the sexes in situations that involve relational issues, but not in non-relational situations, and (2) that gender-based ethical differences change with age and years of experience. The implications of these finding (...) for sales organizations are discussed. (shrink)

Thomas E. Hill, Jr.; Servility and Self-Respect, The Monist, Volume 57, Issue 1, 1 January 1973, Pages 87–104, https://doi.org/10.5840/monist197357135.