20th Century French Philosophy

This article aims to reconstruct Simondon’s concept of technophany, which disperses throughout different writings that appeared posthumously and suggest how elaborating this concept could be understood as a significant philosophical task today. Technophany, namely the manifestation of technicity, is central to Simondon’s thought on techno-aesthetics and, more importantly, his intellectual project of reintegrating technology into culture. However, when we place Simondon’s concept of technophany in today’s context, namely the convergence of technology, art and design since the second half of the (...) 20th century, we see that technophanies are becoming more or less ordinary marketing phenomena of the tech industry. Then, could the concept of technophany still take up this task of reconciling technology and culture? Or, instead, is it reduced to a mere economic category, and Simondon’s techno-aesthetics is only a forerunner of today’s industrial marketing strategies? In order to respond to these questions, this article returns to the source of Simondon’s concept of technicity. It shows that there is an intimacy between technophany and Mircea Eliade’s concept of hierophany, and indeed, Simondon’s genesis of technicity vividly mirrors Eliade’s analysis of sacrality and its crisis in modern times. The concept of technophany acquires a new meaning, and it refuses to be a mere phenomenon of publicity as one might easily misread it. Technophany has the task of occupying the “no man’s land” between technicity and sacrality. However, what exactly does it mean? Through the reconstruction of the concept of technophany in Simondon’s thought, this article hopes to examine the limit of the concept and, at the same time, reconceptualise and prolong it. (shrink)

In Hermann Samuel Reimarus (1694–1768): Classicist, Hebraist, Enlightenment Radical in Disguise, Ulrich Groetsch offers a vivid portrayal of the Enlightenment radical Hermann Samuel Reimarus (1694-1768) and his debt to earlier traditions of scholarship.

"Poetics of Experience" Review of Gaston Bachelard. Kształtowanie się umysłu naukowego. Trans. D. Leszczyński. Gdańsk: Wydawnictwo słowo obraz/terytoria, 2002.

The book offers an original reconstruction of long-forgotten but vital controversies among German figures in the "early" Enlightenment, c. 1680-1720, and also explores how the mainstream of the early Enlightenment in Halle and the underground of the fragmented "radical Enlightenment" were mutually dependent on each other.

Le livre offre une exploration approfondie de la philosophie morale et de l 'éthique depuis le XVIIIe siècle. L'auteur Alexander Gottlieb Baumgarten utilise une approche systématique pour explorer les principes éthiques qui sous-tendent toutes les actions humaines, ce qui en fait un lecteur enrichissant pour les philosophes et les étudiants en éthique. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the (...) "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Gilles Deleuze and Félix Guattari, writing together from 1972 to 1992, developed a robust body of theoretical work exemplar of the French poststructuralist tradition. Through their magnum opus, a two-part series entitled “Capitalism and Schizophrenia,” they interrogated the nature of desire, the organizational schemas of society, and the metaphysical structure of the world. Yet, despite claiming to have produced a thoroughly egalitarian project, their work is subject to a variety of exclusionary developments and cultural limitations. This paper attempts to traverse (...) these deficiencies through speculative ecological and theological engagements with the work of Deleuze and Guattari. These engagements begin with the development of “schizoanalytical theology,” an application of their theory of schizoanalysis which disrupts transcendental views of divinity to ground spirituality in the creativity of desire and variability of ecological processes. This is followed by an exploration of the theories of Édouard Glissant, a Francophone theorist from Martinique whose work, heavily influenced by Deleuze and Guattari, is centered around the development of an ontology consistent with the cultural experiences of the colonized. Glissant’s interpretation of, and departure from, Deleuze and Guattari is explored for insights into how their theory may corrected and refigured to be responsive to the nuances of both minority perspectives and the ecological crisis. The paper is closed with a dialogue between Guattari’s theory of “ecosophy” and Glissant’s socio-cultural views on ecology, showing the application, and flexibility, of schizoanalytical theology to a variety of modern crises which find their culmination in ecological degradation. (shrink)

Explores imagination and human rationality in a crucial period of philosophy, from hermeneutics and transcendental logic to ethics and aesthetics.

Abstract:Austin’s (in)famous characterization of poetry as parasitical has been subject to many interpretations, from Derrida’s considering it a limit of and a central problem in Austin’s theory to Cavell’s attempt to reintegrate poetic uses of language within the framework of Ordinary Language Philosophy. In this essay, I argue that poetry, rather than being excluded from the realm of the performative, can be considered as a performative dispositif that acts upon ordinary language and, through it, upon our forms of life. To (...) reevaluate poetry, I suggest moving from the ‘parasite’ metaphor (poetry is passively feeding on ordinary uses of language) to a ‘virus’ metaphor (poetry is actively disrupting ordinary uses of language). By building on works of French theorists and poets Christophe Hanna, Franck Leibovici, and Manuel Joseph among others, I explore how poetry reveals the virality of language. (shrink)

In this paper I examine the relationship between phenomenology and metaphysics by reassessing the relationship between phenomenological and metaphysical transcendence. More specifically, I examine the notion of phenomenological transcendence in Husserl and the early Heidegger: Husserl defines transcendence primarily as the mode of givenness of phenomena that do not appear all at once, but must be given in partial profiles; Heidegger defines transcendence primarily as Dasein’s capacity to go beyond entities toward being. I argue that these divergent understandings of phenomenological (...) transcendence have resulted in a significant difference in reception among French phenomenologists of religion. These thinkers assert that phenomenology, when properly conceived and utilized, can make room for the divine and its revelation, i.e., for a metaphysical transcendence. I further argue that these thinkers prefer Heidegger’s phenomenology to Husserl’s because they understand Heidegger’s transcendence as the subject’s openness to being, while they understand Husserl’s transcendence as a limit, as the inability to capture worldly objects. I take up Jean-Luc Marion’s phenomenology of givenness as a “case study” to illustrate this point. Finally, I argue that this preference for Heidegger over Husserl is misplaced and should be reversed. A close reading of Heidegger’s Phenomenology of Religious Life shows that Dasein is confined to its own possibilities and cannot be open to a relationship with the divine. By contrast, Husserl’s phenomenology provides the radical openness necessary to welcome revelation. While Husserl cannot envision a “worldly God,” the structures of horizonality and temporality characterize a subject capable of an authentic openness to revelation. (shrink)

Presentation given at the PACT 2023 Conference (14th Annual Meeting of the Pacific Association for the Continental Tradition) centered around the theme of "Home and Homeless.".

Online supplement, "Mulsow: Additions to Notes drawn from the 2002 edition of Moderne aus dem Untergrund" full versions of nearly 300 notes that were truncated in the print edition. Hosted on H. C. Erik Midelfort's website. Martin Mulsow's seismic reinterpretation of the origins of the Enlightenment in Germany won awards and renown in its original German edition, and now H. C. Erik Midelfort's translation makes this sensational book available to English-speaking readers. In Enlightenment Underground, Mulsow shows that even in the (...) late seventeenth century some thinkers in Germany ventured to express extremely dangerous ideas, but did so as part of a secret underground. Scouring manuscript collections across northern Europe, Mulsow studied the writings of countless hitherto unknown radical jurists, theologians, historians, and dissident students who pushed for the secularization of legal, political, social, and religious knowledge. Often their works circulated in manuscript, anonymously, or as clandestinely published books. Working as a philosophical microhistorian, Mulsow has discovered the identities of several covert radicals and linked them to circles of young German scholars, many of whom were connected with the vibrant radical cultures of the Netherlands, England, and Denmark. The author reveals how radical ideas and contributions to intellectual doubt came from Socinians and Jews, church historians and biblical scholars, political theorists, and unemployed university students. He shows that misreadings of humorous or ironic works sometimes gave rise to unintended skeptical thoughts or corrosively political interpretations of Christianity. This landmark book overturns stereotypical views of the early Enlightenment in Germany as cautious, conservative, and moderate, and replaces them with a new portrait that reveals a movement far more radical, unintended, and puzzling than previously suspected. (shrink)

Dieses Buch rekonstruiert erstmals die faszinierende Geschichte einer Reihe fiktiver Totengespräche, die zwischen 1729 und 1734 - anonym oder unter Pseudonym und sämtlich als Flugschriften veröffentlicht - in Deutschland erschienenen sind. Die Protagonisten dieser Gespräche gehören zu den berühmtesten Denkern der Frühaufklärung (u. a. Chr. Thomasius, A. H. Francke, J. Fr. Budde, N. H. Gundling) und Philosophen des 17. Jahrhunderts (Descartes, Leibniz, Bekker). In den fünf Jahren, in denen die Dialoge erschienen, lösten sie auf verschiedenen Feldern (philosophischen, theologischen, ökonomischen, persönlichen) (...) scharfe Kontroversen aus. Die Wechselbeziehungen zwischen allen Texten und häufig sogar ihre Existenz waren bisher jedoch völlig unbekannt. Die Arbeit weist die Zuordnung der untersuchten Dialoge zu einem einzigen, einheitlichen Korpus von Totengesprächen nach, rekonstruiert ihre Genese, interpretiert die in den Gesprächen inszenierten Kontroversen, widerlegt die - lange angenommene - Verfasserschaft des sächsischen Journalisten David Fassmann und versucht, dem Umfeld der Autoren anonymer philosophischer Flugschriften auf die Spur zu kommen. Die Integration von gewöhnlich getrennten Forschungsfeldern (clandestine Literatur, Anonymität, Flugpublizistik, philosophischer Dialog) und die Aufmerksamkeit für Kreise, die sich am Rande des universitären Establishments befanden, eröffnen neue Perspektiven auf die Debatten und Strömungen der deutschen Frühaufklärung. (shrink)

"Aie le courage de te servir de ton propre entendement!" écrit Immanuel Kant comme réponse à la question de savoir "Qu'est-ce que les Lumières? (Aufklärung)". Ce volume présente quelques exemples de la mise en pratique de son appel du XVIIIe au XXe siècle à travers des thématiques variées : "Les Lumières et leurs ombres", "L'éternel féminin dans l'espace de l'Eros", "La mort de Dieu", "Weimar à l'épreuve", "Antidotes contre la barbarie", "Humour et humanisme". Les auteurs étudiés ont en commun l'expérience (...) de l'exil ou de l'errance, et dans leurs vies la France a joué un rôle non négligeable. Il s'agit de Friedrich Schlegel, Friedrich Nietzsche, Raoul Hausmann, Ernst Cassirer, Lion Feuchtwanger, Max Horkheimer et Theodor W Adorno. Parmi leurs sources d'inspiration figure la philosophie des Lumières mais aussi l'héritage du judaïsme. Le choix des auteurs et des thématiques est certes sélectif et subjectif, mais il fait apparaître quelques reflets des Lumières dans la pensée allemande. (shrink)