Jacques Lacan

This paper contains my attempt to pastiche the Lacanian philosopher and social theorist Renata Salecl. The pastiche focuses on the effects of coronavirus on liberal societies, the invasion of Ukraine, and offers a definition which I think is of interest to analytic philosophy.

This is a one page handout presenting different attempts to understand claims of the form "Everyone knows X.".

The French psychoanalyst Jacques Lacan describes the right-wing intellectual as “no more than your Mr. Everyman, but your Mr. Everyman with greater strength of character.” It is tempting to apply the description to sensible English essayists, though they take up positions across the political spectrum. I shall raise two worries about this application, one of which is a puzzle for Lacan.

This paper is a pastiche of the Lacanian philosopher Renata Salecl, my fourth attempt, combined with a note. In it I present a response I anticipate from analytic philosophy to the thesis that the signifier has priority over the signified: that this thesis is either trivially true or obviously false.

Two terms, solitude and common, were chosen in order to develop some reflections on the articulation between difference and sameness in Lacan’s teaching and to tease out some political implications therefrom. In this context, an analysis of the collective experience of transmission such as is practiced and theorized in Lacan’s École de la cause enables a critical evaluation of the so-called Lacanian left.

This article demonstrates that Lacanian thought on One is narrow and does not completely cover the whole reality of One. A better understanding of One and Two could be facilitated by using the representation ‘#’, which can explain both disjunction and unity in language and thought. In addition, it presents some possibilities in abstract thinking. The first section of the paper considers Lacan’s doctrine on One and difference. The following section elaborates on the defect of this doctrine, focusing especially on (...) its onesided apprehension, and introducing the derivation of the representation ‘#’. In the last section, the representation ‘#’ and its usage are briefly explained. (shrink)

Much has been written about the disagreement and even radical opposition between Gilles Deleuze’s and Félix Guattari’s conceptualizations and those of Jacques Lacan: for example, about desire, psychotherapy, the subject and the radically opposed political consequences that result from their approaches. The purpose of this paper is to demonstrate from a Lacanian perspective that in the case of a central concept such as the body, there are rather more similarities than differences. Its main thesis is that Deleuze’s and Guattari’s body (...) without organs is very close to Lacan’s notion of the Other jouissance and that with slightly different strategies they both provide arguments to fight the same enemy: that is, the control and repression of singularity under capitalism. (shrink)

_Riassunto_: Diversi studi hanno posto in risalto le affinità tra la filosofia critica di Wittgenstein e la psicoanalisi di Lacan. Questo lavoro passa in rassegna alcuni aspetti comuni ai due autori, delineando una prospettiva d’incontro teoretica e concettuale. Un punto d’incontro tra questi due pensatori comprende la fondamentale attenzione per il linguaggio e un atteggiamento critico verso la concettualizzazione classica della soggettività. Questo saggio tenta di sviluppare teoreticamente questi punti di contatto introducendo il concetto di soggettività senza interiorità, un soggetto (...) senza psicologia. In effetti, l’affidamento di Wittgenstein sulla grammatica e il ricorso di Lacan al significante portano allo stesso risultato: considerare il linguaggio in sé come matrice della soggettività. Da questa prospettiva la fondazione della soggettività non risiede più in una certa supposta sostanza metafisica bensì in una esteriorità radicale, nei giochi linguistici. _Parole chiave_: Wittgenstein; Lacan; Inconscio; Linguaggio; Grammatica _A subjectivity without interiority: Wittgenstein with Lacan_ _Abstract_: Several studies highlight affinities between Wittgenstein’s critical philosophy and Lacan’s psychoanalysis. The following article revisits certain points of both authors, proposing a theoretical and conceptual encounter between them. Indeed, the common ground between these two thinkers includes a fundamental focus on language and a critical approach to classic conceptualisation of subjectivity. This contribution attempts to theoretically developing this encounter by introducing the concept of subjectivity without interiority, a subject without psychology. In fact, Wittgenstein’s reliance on grammar and Lacan’s use of the signifier yield the same result: pointing to language itself as the matrix of subjectivity. From this perspective, the foundation of subjectivity no longer resides in some supposed metaphysical substance, but rather in a radical exteriority, in linguistic games. _Keywords_: Wittgenstein; Lacan; Unconscious; Language; Grammar. (shrink)

The Unconscious in Neuroscience and Psychoanalysis presents a unique and provocative approach to the assimilation of these two disciplines while offering a thorough assessment of the Unconscious from a neuropsychoanalytic and Lacanian perspective. Marco Máximo Balzarini offers a comprehensive overview of Freud's theory of the unconscious and its importance within psychoanalysis, before looking to how it has been integrated into contemporary neuropsychoanalytic work. Paying close attention to the field-defining work of neuropsychoanalysts such as Mark Solms, Francois Ansermet and Pierre Magistretti, (...) Balzarini considers the dichotomy between neuroscience and psychoanalysis, and the omnipresent debate on if and how they should be integrated when working with the unconscious. Throughout, he provides a fascinating Lacanian interpretation, showing how the work of Lacan can offer a new way of developing the dialogue and understanding around this vital topic. Part of the Routledge Neuropsychoanalysis Series, this book will be of interest to any psychoanalyst seeking to explore the foundations of the relationship between neuropsychoanalytic and Lacanian ideas in their clinical and theoretical work. (shrink)

Sport poses a number of important and no less significant questions, which, on the face of it, may not necessarily seem very important or significant to begin with – a peculiarity that we believe to be integral to sport itself. This article introduces, explores and outlines the psychoanalytic significance of this peculiarity. It explores how the emotions stirred by sport are intertwined with a realm of fiction and fantasy. Despite its lack of practical utility, sport carries an undeniable gravity, encapsulating (...) the aspirations of communities, nations and continents. As a result, psychoanalysis can be used to critically reflect on the purpose and meaning of sport: that is, why do we need sport, and why, for large sections of the world’s population, do we rely on it? Ultimately, while psychoanalysis maintains a unique relation to a variety of unexpected fields of study – including art, culture and neuroscience – we seek to add to this expanding list of inquiry by including sport in this critical domain. By utilising sport as a platform to elucidate psychoanalytic concepts, it is recognised that sport can also prompt questions for psychoanalysis. In so doing, theoretical discussions on the social, cultural and political dimensions of sport through psychoanalytic theory are introduced and applied. (shrink)

Les premiers Séminaires de Jacques Lacan (1953-1959) offrent une élaboration systématique des notions de l’Imaginaire et du Symbolique, mais font référence de façon seulement sporadique à la notion du Réel. Malgré la rareté des références, la conception du Réel que l’on peut en déduire est précise et cohérente, et confirmée par les séminaires successifs – au moins jusqu’au Séminaire XI (1964). Le Réel est à comprendre comme une matière indéterminée qui, tout en pâtissant du signifiant, lui résiste. Ceci constitue une (...) innovation, de la part de Lacan, par rapport au concept philosophique classique de la matière (du moins tel qu’on le trouve chez Aristote, pour qui la matière n’offre aucune résistance à sa propre mise en forme) et prépare la base pour la théorie de l’objet a en tant que signifiant de la castration du sujet opérée par le langage, telle qu’elle est élaborée à la fin du Séminaire VI (1958-1959) et dans le Séminaire X (1962-1963). (shrink)

The Unconscious as Space explores the experience of being and the practice of psychoanalysis by thinking of the unconscious in mathematical terms. Anca Carrington introduces mathematical models of space, from dimension theory to algebraic topology and knot theory, and considers their immediate psychoanalytic relevance. The hypothesis that the unconscious is structured like a space marked by impossibility is then examined. Carrington considers the clinical implications, with particular focus on the interplay between language and the unconscious as related topological spaces in (...) which movement takes place along knot-like pathways. The Unconscious as Space will be of appeal to psychotherapists, psychoanalysts, and mental health professionals in practice and in training. (shrink)

In an effort to complicate the human subject, this article considers the critical insights of psychoanalytic thinker Jacques Lacan, focusing in particular on his essay, “The Mirror Stage as Formative of the Function of the I As Revealed in Psychoanalytic Experience” (1949). ‘The Mirror Stage’ explains how we break from nature, differentiate ourselves from the animal and graduate from primordial subsistence as psychically folded into the first lightning strike of recognition that arrives with/as self-reflection. Curiously however, in sustaining his argument (...) about the human specificity of the mirror stage phenomenon, Lacan relies upon ethological research on nonhuman self-recognition. This reliance of his argument on the figure of the animal has largely been interpreted in two ways: as an inconsequential detail, undeserving of theoretical exploration, or, as confirmation of Lacan’s self-evident anthropocentrism. For instance, Buse (2017) and Ziser (2007) have noted the significant discrepancies within ‘The Mirror Stage’ between Lacan’s understanding of primate self-recognition, and that of his main source, Wolfgang Köhler. Although, both thinkers hold the position that Lacan’s treatment of the animal in ‘The Mirror Stage’ provides sufficient textual evidence for a reading that endorses human exceptionalism. Departing from this prior research, I focus on these same textual irregularities within ‘The Mirror Stage,’ yet see something quite different taking place in these moments. In order to preserve the complexity of Lacanian material, in a detailed examination utilising close reading, I pick apart long passages of both Lacan and his sources and conclude that Lacan’s position on the animal is both ambivalent and ambiguous in character. This culminates in a lack of clarity regarding how to understand Lacan’s position on both the animal, and correlatively the human. In turn, acknowledging this uncertainty provides a novel way to approach this seminal text, and a justification to revise accusations of anthropocentrism, alongside dominant interpretations more broadly. (shrink)

This book focuses on the three main categories of Badiou's philosophy-being, truth, and subject- which are elaborated according to three encounters: structure, real, and mathematical infinity. It articulates an underlying theory, "discipline," constituted based on these encounters, which reveals the inner logic of Badiou's method.

Jacques Lacan was a notoriously difficult and idiosyncratic thinker. But is there any value in his hermetically difficult style? By highlighting certain crucial elements of his practice, I show how Lacan enlists the notion of difficulty to press home that he did not want his readers to understand directly. Instead, as Foucault and Althusser explain so well, Lacan wished for his readers and auditors to discover themselves as subjects of desire through reading him. Indeed, in miming the language of the (...) unconscious, Lacan believed he could throw into sharp relief the notion of the unconscious itself and, paradoxically, better express himself. This temporary detour through misunderstanding indicates the programmatic value of difficulty itself. By commenting on the comedic aspect of Lacan's difficult literary dandyism, I also seek to playfully remind the reader that Lacan was a master of comedy and irony and that it is only by adopting a comparative literary approach to his work that we can appreciate how his theory of misunderstanding is at the heart of his conceptualization of madness and psychosis, allowing us to see how, for Lacan, the subject is ontologically sick. (shrink)

This article describes the conditions under which it is possible for neoliberalism to render itself invisible to the economic field that created it, allowing that field to define the discourse as a paranoid construction of the left. In addressing the issue, the text aims to extend the reach of Bourdieu’s field theory by infusing it with aspects of Lacanian psychoanalysis. This construction facilitates the use of the example of neoliberal economics to suggest wider principles of field functionality. It is suggested (...) that the main purpose of any field is not the generation of new knowledge but the preservation of its doxa, which is protected by a series of self-legitimation strategies. In the example of neoliberal economics, the strength of these systems has allowed that field to close its eyes to the catastrophic failure of its knowledge. (shrink)

Philosophy After Lacan: Politics, Science and Art brings together reflections on contemporary philosophy inspired by and in dialogue with Lacanian theory. Rather than focus on the thinkers who came before Lacan, the editors maintain attention on innovations in contemporary philosophy that owe their emergence to complimentary, critical, direct, or tangential engagement with Lacan. This collection makes one of the first concerted efforts to expand discussions between psychoanalysis and more recent philosophical thinkers while gathering chapters by some of the leading philosophical (...) voices of the present moment. With contributors from around the world, this book has international appeal and is unique in its emphasis on contemporary philosophies inspired or influenced by Lacan. Philosophy After Lacan will not only appeal to psychotherapists and psychoanalysts, but also to students and professors of philosophy, critical theory, psychology, politics, history, and literature. (shrink)

This article examines the ambivalence in the concept of libidinal economy, which we identify in the philosophies of Jean-François Lyotard and Samo Tomšič; they both offer radically different conceptions of libidinal economy. Although emerging from very contrasting perspectives, both theories consider the relationship between desire, the unconscious, and the capitalist economy. After defining these two approaches, we compare them, while marking differences, similarities, influences, and sociopolitical presumptions. Also, we propose a few indicative concepts, which should help to contextualize the identity (...) of the concept of libidinal economy. After critically discussing both theories, we suggest three paradoxes in Lyotard’s approach as well as some weaknesses in Tomšič’s project. It turns out that the concept of libidinal economy is a productive theoretical tool to explore the relationship between philosophy and psychoanalysis, as well as the split in the materialist tradition. Based on that, we claim that the ambivalence of the concept of libidinal economy is a part of much more complex philosophical-historical conflict. (shrink)

Lacan and Capitalist Discourse explores the political and theoretical connections between the Covid-19 Pandemic and Capitalism, unravelling the direct consequences of Lacan's thesis of so-called "Capitalist Discourse". Jorge Alemán provides an account of neoliberalism, its mechanisms to produce subjectivities and the new modes of the political far Right. The book begins with the problem of a possible exit from capitalism, continuing to consider the possibilities of mourning and the active production of a new Left. Alemán engages deeply with a range (...) of thinkers: primarily Lacan, but also Heidegger, Marx, Laclau, Foucault, Butler, Badiou, Althusser, and others, in making his case. Lacan and Capitalist Discourse will be of great interest to psychoanalysts and to academics of psychoanalytic and Lacanian studies, cultural theory, philosophy and political thought. (shrink)

Exploring the relationship between humans and AI chatbots, as well as the ethical concerns surrounding their use, this paper argues that our relations with chatbots are not solely based on their function as a source of knowledge, but, rather, on the desire for the subject not to know. It is argued that, outside of the very fears and anxieties that underscore our adoption of AI, the desire not to know reveals the potential to embrace the very loss AI avers. Consequently, (...) rather than proposing a knowledge that seeks to disavow loss, we can instead recognize the potential in loss itself: an opportunity to assert and define the gap inherent to both the subject and AI we create. (shrink)

It is this very contention that sits at the heart of Matthew Flisfeder’s, Algorithmic Desire: Towards a New Structuralist Theory of Social Media (2021). In spite of the accusation that, today, our social media is in fact hampering democracy and subjecting us to increasing forms of online and offline surveillance, for Flisfeder (2021: 3), ‘[s]ocial media remains the correct concept for reconciling ourselves with the structural contradictions of our media, our culture, and our society’. With almost every aspect of our (...) contemporary lives now mediated through the digital, the significance of the algorithm maintains a pertinent importance in making sense of the social and psychic investments that our interactions on social media, as well as other forms of digital media, rely upon and encourage. The socio-political tensions and contradictions that such interaction prescribes remains a reoccurring theme throughout Algorithmic Desire, with Flisfeder masterfully navigating the problems and pitfalls of a burgeoning digital infrastructure that is redefining our lives as social beings. What becomes apparent from Flisfeder’s account is how debates and discussions regarding the algorithm can be couched in a number of pressing concerns, including the proliferation of online misinformation and the contradictions inherent to our freedom and security. While these debates are drawn together through the prism of the algorithm, it is mostly with regards to the medium of social media that Flisfeder examines how our desire and enjoyment are algorithmically organized. This focus is expertly followed throughout the book’s eight chapters, producing a critically engaging inquiry that continually considers the socio-political tensions and ambiguities that frame and sustain our digital media interactions. Ultimately, it is this contention that lends further support to Flisfeder’s assertion that algorithms play a key role in reading our desire. In the discussion that follows, this reading will be critically considered by tracing and outlining a number of key significances underpinning Flisfeder’s approach. Most notably, this will require a discussion of the Lacanian conception of desire; the effects of disavowal and cynical perversion; the importance of ‘maintaining appearances’; and, finally, the significance of the social media metaphor. (shrink)

The Psychosis of Race offers a unique and detailed account of the psychoanalytic significance of race, and the ongoing impact of racism in contemporary society. Moving beyond the well-trodden assertion that race is a social construction, and working against demands that simply call for more representational equality, The Psychosis of Race explores how the delusions, anxieties, and paranoia that frame our race relations can afford new insights into how we see, think, and understand race's pervasive appeal. With examples drawn from (...) politics and popular culture--such as Candyman, Get Out, and the music of Kendrick Lamar--critical attention is given to introducing as well as explicating on several key concepts from Lacanian psychoanalysis and the study of psychosis, including foreclosure, phallus, the Name-of-the-Father, sinthome, and the objet petit a. By elaborating a cultural mode to psychosis and its understanding, an original and critical exposition of the effects of racialization, as well as our ability to discern the very limits of our capacity to think through, or even beyond, the idea of race, is provided. The Psychosis of Race speaks to an emerging area in the study of psychoanalysis and race, and will appeal to scholars and academics across the fields of psychology, sociology, cultural studies, media studies, and the arts and humanities. (shrink)

In 2021, the men’s English national football team reached their first final at a major international tournament since winning the World Cup in 1966. This success followed their previous achievement of reaching the semi-finals (knocked-out by Croatia) at the 2018 World Cup. True to form, the defeats proved unfalteringly English; with the 2021 final echoing previous tournament defeats, as England lost to Italy on penalties. However, what resonated with the predictability of an English defeat, was the accompanying chant, ‘it’s coming (...) home’. A ubiquitous presence throughout the course of both tournaments—while chanted at England football matches, it was also repeated across social media, the press and commercial advertising—the chant originates from the 1996 single, Three Lions (Football’s Coming Home), performed by David Baddiel, Frank Skinner and The Lightning Seeds. In what follows critical attention will be given to examining how the song offers what will be argued is a melancholic outlook. By re-approaching examples of English nostalgia and hubris, this chapter will expose how illustrations of English melancholy offer the potential for promoting collective forms of expression, which, when contextualized alongside England’s lack of footballing success (for the men’s team, at least), can be offset against a melancholic mediation that is cognizant of the centrality of loss—both for the subject and our collective sporting endeavours. (shrink)

This essay explores the interrelationship between tragedy and comedy, with specific focus given to the potential that comedy can provide in transforming the most tragic of situations. In building this claim, the very dynamics and distinctions that divide the tragic from the comic are considered in view of the self-negation that the comic posits. That is, while tragedy requires a certain acceptance of the finite, from which destiny and circumstance come to certify the hero’s tragic predicament, in comedy, what succeeds (...) is that which functions through an act of self-negation. This, it is argued, offers a subversive redefining of tragedy, one that proves constitutive of a comic fatalism that does not mourn one’s tragic predicament or fated end, but, instead, fully identifies with our comic predicament. Going beyond the pitfalls of political nicety and moral condemnation, which seek easy gratification or cynical distance, the conclusion examines the conceptual artist, Vanessa Place, and her performance of rape jokes. (shrink)

Partiendo de la noción lacaniana de pasaje al acto se interpreta el proceso de la duda y los momentos clave de su superación en los términos de un pasaje al acto humano que dará lugar al cogito y un acto divino que dará lugar al orden inmutable de las verdades eternas. De ese modo se trata de explicar el modo en el que Descartes constituye el marco fantasmático de la ciencia. Si bien en el seguimiento del proceso de la duda (...) el texto de referencia será Meditaciones metafísicas, se indica cómo en dicho proceso es reconocible el eco de una experiencia onírica decisiva que Descartes tuvo a los 23 años, experiencia que ayuda a comprender tanto el impacto de angustia que hay detrás del giro metafísico cartesiano como el reverso pre-subjetivo desde el cual acontece el despertar a la conciencia de sí que tiene lugar en el cogito. La vía preferente que se emplea en la interpretación llevada a cabo es la del psicoanálisis tal y como es desarrollado por Lacan. (shrink)

This article argues that the paradox of James Bond’s character (that he accords with the idea he represents precisely by deviating from it) is central to a Lacanian understanding of the unconscious (which is considered as a form of disjunctive synthesis – a logical operation that allows conflicting realities to coexist). The Lacanian unconscious is the site on which the possibility for a paradoxical character like James Bond can be framed. This requires a review of both various Bond moments and (...) the role of the Real and Symbolic in the Lacanian unconscious. (shrink)

Psychoanalysis, particularly as articulated by figures like Freud and Lacan, highlights the inherent division within the human subject—a schism between the conscious and unconscious mind. It could be said that this suggests that such an internal division becomes amplified in the context of generative art, where technology and algorithms are used to generate artistic expressions that are meant to emerge from the depths of the unconscious. Here, we encounter the tension between the conscious artist and the generative process itself, which (...) may yield unexpected, even uncontrollable results. -/- This paper, therefore, seeks to address this division within the modern subject and its relationship to technology, wherein the division within the living body is revealed through the presence of prosthetic elements, which mirrors the division brought about by the incorporation of language as a signifier. I argue that the amplification of this internal schism does not necessarily lead to a more fractured subject. Instead, generative art, bolstered by advancements in AI and machine learning, offers a unique opportunity for individuals to externalize and explore their minds in novel ways. -/- By examining contemporary works such as Hal Foster’s Prosthetic Gods, which stands as a pivotal exploration of the convergence between modernist art and psychoanalytic theory and Isabel Millar’s Psychoanalysis of Artificial Intelligence, this paper elucidates the profound implications of Freud’s vision of modern -/- subjectivity as Prothesengott (Prosthetic God) and address the questions concerning this technological imbrication of the human mind and body through the Lacanian framework. Although for Freud, Man does not become a real God, rather, the potential to transcend one’s limitations ascribes us to God-like qualities by seeking to generate new forms of life that go beyond merely reproducing nature — a transcention of the natural. Millar emphasizes that Freud observes that this is evidenced by the fact that these additional organs remain distinct from the organism and can never assimilate into it. One continually falls short of realizing the fantasy he envisions, opting instead to use his supplementary artificial organs to endlessly revolve around the objects of the drive. -/- This evolving relationship that the drive has with its technological objects, resounds in Lacan’s conception of “lathouse” which allows extimate objects to convert interiority (unconscious) into exteriority (conscious) and exteriority into interiority. The thesis of this paper seeks to employ this underutilized concept to understand the nature of human subjectivity and its bodily and structural relationship to generative art. Therefore, this paper emphasizes what really happens when we enter into this relationship with the lathouse, whereby this artificial object has effects in the "real of jouissance", where these Lathouses create a network, namely the Alethosphere. My goal is to argue that generative art as a technological development, can be seen as an extension to the development of the drive. Conclusively, I make the claim for generative art's potential to externalize the human creative drive by emphasizing the interplay between randomness and structure, and how it offers a means to surpass our inherent limitations by presenting an avenue for self-expression that transcends traditional modes of art. (shrink)

Although the desire to be free from God springs from humanity’s wish to enjoy pleasure without restraint, Lacan observes that humans remain neurotic and unhappy. That is because the prevailing “dead of God” form of atheism relies on the denial of a father/god, a negation that inadvertently replicates the logic of religion. Lacan, by contrast, grounds his atheism in a theory of pleasure that recognizes the role of “unpleasure” in breaking the tedium of easy, unlimited gratification. Turning to Greek tragedy, (...) Lacan shows how the ancient world used the gods as creators of “unpleasure” to generate human _jouissance_. The figure of Antigone, in particular, shows how the divine function can fulfill “the true formula of atheism,” which is not “God is dead,” but rather, Lacan affirms, that “_God is unconscious_.”. (shrink)

Jacques Lacan: The Basics provides a clear and succinct introduction to the work of Jacques Lacan, one of the key thinkers of the twentieth century. Lacan's ideas are applied in the study of the humanities, politics, and psychology as well as contemporary media and the arts, but their complexity makes them impenetrable to many. This book is unique in explaining the key concepts and context, from Lacan's understanding of psychoanalysis to drive and desire, in an accessible way without diluting them (...) beyond meaning. Examples from popular culture are used throughout to emphasise the ideas being discussed and a full glossary and list of resources for further reading encourages additional exploration. This engaging and accessible text is essential reading for all those interested in Lacan and his work, as well as students of psychology, psychoanalysis, literature, politics, cultural studies, film studies, and more. (shrink)

Studying Lacan's Seminar VII offers a contemporary, critically informed set of analyses of Lacan's ethics seminar and astute reflections about what Lacan's ethics offers to the field of psychoanalytic thought today. The volume interrogates the seminar with fresh voices and situated curiosities and perspectives, making for a compellingly exciting range of explorations of the crucial matters related to an ethics of psychoanalysis. The essays question and tease out the paradoxes Lacan draws attention to in his seminar of 1959-1960, and in (...) addition, offer radical engagements with the seminar in light of theories of racism, inequality, capitalism, education, and subjectivity. The key elements in Lacan's seminar are explained, debated, and reconsidered with Antigone, das Ding, and the inevitable "ne ceder pas sur son desir" duly unpacked, examined, and ruminated upon. Studying Lacan's Seminar VII will be of interest to psychoanalytic scholars and students of Lacanian psychoanalysis, as well as psychoanalytic therapists and analysts. It will also be of interest to scholars and students of politics, philosophy, and studies at the intersections of racism, film, feminism, sociology, gender and queer theory. (shrink)

El presente artículo recuerda momentos cruciales de una historia del sujeto que va de Jacques Lacan a Alain Badiou. Tras la división y la subversión lacaniana del sujeto, se revisan reacciones que intentan revertirla en varios autores. Estas reacciones se contrastan con la idea badiouana de la escisión del sujeto entre el esplacio y el fuera-de-lugar. La absolutización estructuralista del esplacio estructural se ilustra con la acción de la estructura de Jacques-Alain Miller, se aproxima al argumento de las estructuras que (...) descienden a la calle con el que Lacan defendió la posición estructuralista contra Lucien Goldmann y se explica por la forclusión del sujeto en el estructuralismo, en el sistema capitalista y en la ciencia en general. Con respecto al campo científico, se muestra cómo fue definido primero por la forclusión y luego por la suturación del sujeto en Miller, simultáneamente por la forclusión y la suturación en Lacan, y sólo por la forclusión en Badiou, quien empezará negando y terminará aceptando la existencia de un sujeto de la ciencia, pero diferente del de Lacan y Miller. (shrink)

1. In this contribution we will discuss phenomena of language in mania within a Lacanian framework. In psychiatric descriptions manic language phenomena are mainly captured under the term flight of...