Plato's great attempt to define the nature of the sophist -- the false image of the philosopher -- has perplexed readers from classical times to the present. The dialogue has been central in the ongoing debate about the theory of forms, and it remains a crucial text for Plato scholars in both the analytical and the phenomenological traditions. Stanley Rosen's book is the first full-length study of the Sophist in English and one of the most complete in any (...) language. He follows the stages of the dialogue in sequence and offers an exhaustive analysis of the philosophical questions that come to light as Theaetetus and the Eleatic Stranger pursue the sophist through philosophical debate. Rosen finds the central problem of the dialogue in the relation between original and image; he shows how this distinction underlies all subsequent technical themes and analyzes in detail such problems as non-being or negation and false statement. Arguing that the dialogue must be treated as a dramatic unity, he pays careful attention throughout to the setting, the events, the language used, and the relations between the natures of the speakers and the topics under discussion. Rosen's new approach to the technical issues in the dialogue will be of interest to Plato scholars of all schools, and his analysis of the sophistical dimension of the world will engage all who have puzzled over what it means to be a philosopher. (shrink)

In this book a distinguished philosopher offers a comprehensive interpretation of Plato’s most controversial dialogue. Treating the _Republic _as a unity and focusing on the dramatic form as the presentation of the argument, Stanley Rosen challenges earlier analyses of the _Republic _ and argues that the key to understanding the dialogue is to grasp the author’s intention in composing it, in particular whether Plato believed that the city constructed in the _Republic _is possible and desirable. Rosen demonstrates (...) that the fundamental principles underlying the just city are theoretically attractive but that the attempt to enact them in practice leads to conceptual incoherence and political disaster. The _Republic, _says Rosen, is a vivid illustration of the irreconcilability of philosophy and political practice. (shrink)

In this book a distinguished philosopher offers a comprehensive interpretation of Plato’s most controversial dialogue. Treating the _Republic _as a unity and focusing on the dramatic form as the presentation of the argument, Stanley Rosen challenges earlier analyses of the _Republic _ and argues that the key to understanding the dialogue is to grasp the author’s intention in composing it, in particular whether Plato believed that the city constructed in the _Republic _is possible and desirable. Rosen demonstrates (...) that the fundamental principles underlying the just city are theoretically attractive but that the attempt to enact them in practice leads to conceptual incoherence and political disaster. The _Republic, _says Rosen, is a vivid illustration of the irreconcilability of philosophy and political practice. (shrink)

Stanley Rosen's book is the first full-length study of the Sophist in English and one of the most complete in any language. He follows the stages of the dialogue in sequence and offers an exhaustive analysis of the philosophical questions that come to light as Theaetetus and the Eleatic Stranger pursue the sophist through philosophical debate. Rosen finds the central problem of the dialogue in the relation between original and image; he shows how this distinction underlies all (...) subsequent technical themes and analyzes in detail such problems as non-being or negation and false statement. Arguing that the dialogue must be treated as a dramatic unity, he pays careful attention throughout to the setting, the events, the language used, and the relations between the natures of the speakers and the topics under discussion. (shrink)

In this book an eminent scholar presents a rich and penetrating analysis of the _Statesman_, perhaps Plato's most challenging work. Stanley Rosen contends that the main theme of this dialogue is a definition of the art of politics and the degree to which political experience is subject either to the rule of sound judgment or to technical construction. The _Statesman_, like Plato's earlier _Sophist_, features a Stranger who tries to refute Socrates. Much of his conversation is devoted to (...) a minute analysis of the art of weaving, selected by the Stranger as a paradigm of the royal art of politics, for he conceives of the city as an artifact. But the Stranger's successive efforts to find a method for defining the art of politics are failures, because there is no fitting model or technique of measurement by which to grasp politics that includes within its scope the totality of human existence—there is, suggests Plato, no technical construction of politics. Rosen reflects on the relevance of Plato to contemporary debates about political reconstruction on the one hand and about the deeper issue of the supposed end of modernity on the other. He argues that, far from being the father of essentialism and the reification of human nature, as others have suggested, Plato elaborates a rhetoric of politics as self-defense against nature. Just as weaving produces clothing to protect the body against the elements, so the statesman must produce myths or local models to protect the soul against the body. (shrink)

Included here are twenty essays from renowned scholars, honoring Stanley Rosen, whose work in ancient and modern philosophy is among the most influential today.

This is the first full-length study of the Symposium to be published in English, and one of the first English works on Plato to take its bearings by the dramatic form of the Platonic dialogue, a thesis that was regarded as heterodox at the time but which today is widely accepted by scholars of the most diverse standpoint. Rosen was also one of the first to study in detail the philosophical significance of the phenomenon of concrete human sexuality, as (...) it is presented by Plato in the diverse characters of the main speakers in the dialogue. His analysis of the theoretical significance of pederasty in the dialogue was highly controversial at the time, but is today accepted as central to Plato's dramatic phenomenology of human existence. Rosen discusses a variety of topics that had previously been neglected in the secondary literature, including the problem of the hybristic nature of the philosopher, the poetical dimension of Plato's conception of philosophy, and the theoretical implication of the difference between Platonic writing and Socratic conversation. (shrink)

Combining exemplary scholarship and analytic precision, Stanley Rosen illuminates the underpinnings of post-modernist thought, providing valuable insight as he pursues two arguments: first, that post-modernism, which regards itself as an attack upon the Enlightenment, is in fact the penultimate stage of the Enlightenment itself; and second, that the extraordinary contemporary emphasis upon hermeneutics is the latest consequence of the triumph of history over mathematics within the unstable essence of the Enlightenment. Hermeneutics is consequently at bottom a political phenomenon. (...) In developing these arguments, Rosen demonstrates the paradigmatic status of Kant for a proper understanding of post-modernism, analyzes Derrida's influential critique of Platonism as well as his defense of writing, explains the political dimension of the quarrel between the ancients and moderns by studying the hermeneutics of Leo Strauss and Alexander Kojhve, and shows how the modern notion of "theory" is intrinsically relativized by the triumph of history over mathematics into the notion of interpretation. A wide-ranging exploration into current critical thinking, Hermeneutics as Politics will generate considerable debate among scholars interested in post-modernism, the Enlightenment, hermeneutics, the relation of philosophy and politics, deconstruction, and the history of philosophy. (shrink)

The concept of the ordinary, along with such cognates as everyday life, ordinary language, and ordinary experience, has come into special prominence in late modern philosophy. Thinkers have employed two opposing yet related responses to the notion of the ordinary - scientific and phenomenological approaches on the one hand, and on the other, more informal or even anti-scientific procedures. Eminent philosopher Stanley Rosen here presents the first comprehensive study of the main approaches to theoretical mastery of ordinary experience. (...) He evaluates the responses of a wide range of modern and contemporary thinkers and grapples with the peculiar problem of the ordinary - how to define it in its own terms without transforming it into a technical (and so, extraordinary) artifact. (shrink)

Although Hegel considered _Science of Logic_ essential to his philosophy, it has received scant commentary compared with the other three books he published in his lifetime. Here philosopher Stanley Rosen rescues the _Science of Logic_ from obscurity, arguing that its neglect is responsible for contemporary philosophy’s fracture into many different and opposed schools of thought. Through deep and careful analysis, Rosen sheds new light on the precise problems that animate Hegel’s overlooked book and their tremendous significance to (...) philosophical conceptions of logic and reason. Rosen’s overarching question is how, if at all, rationalism can overcome the split between monism and dualism. Monism—which claims a singular essence for all things—ultimately leads to nihilism, while dualism, which claims multiple, irreducible essences, leads to what Rosen calls “the endless chatter of the history of philosophy.” The _Science of Logic_, he argues, is the fundamental text to offer a new conception of rationalism that might overcome this philosophical split. Leading readers through Hegel’s book from beginning to end, Rosen’s argument culminates in a masterful chapter on the Idea in Hegel. By fully appreciating the_Science of Logic_ and situating it properly within Hegel’s oeuvre, Rosen in turn provides new tools for wrangling with the conceptual puzzles that have brought so many other philosophers to disaster. (shrink)

In this insightful and controversial book, the eminent philosopher Stanley Rosen takes a new look at the famous 'quarrel' that the moderns have with the ancients, analyzing and comparing ancient philosophers and modern Continental and analytical thinkers from Plato, Descartes, and Kant to Fichte, Nietzsche, and Rorty. He urges that we do not dismiss the classical heritage but appropriate it, for this appropriation is an indispensable step in the process of legitimizing our historical experience.

The Mask of Enlightenment is the most detailed textual and thematic study of Nietzsche's most important but least understood works: Thus Spake Zarathustra. In this book Nietzsche was laying the groundwork for a fundamental philosophical and political revolution on a global scale. One of the difficulties that the text poses is Nietzsche's prophetic style; Stanley Rosen unweaves the complex threads that form the rhetorical voices of the work, and so explains the style in an accessible manner. He rejects (...) recent sceptical, deconstructionist interpretations of Nietzsche, and reveals a coherence underlying the multiple and apparently incompatible intentions embedded in the text. Nietzsche is a figure whose influence on contemporary thought in the humanities and social sciences continues to be enormous. This book is sure to become the definitive study of Zarathustra, and will have a broad appeal to philosophers and students of modern philosophy, intellectual historians, political scientists, and literary theorists. (shrink)

Now available in paperback, ____The Quarrel Between Philosophy__ ____and Poetry__ focuses on the theoretical and practical suppositions of the long-standing conflict between philosophy and poetry. Stanley Rosen--one of the leading Plato scholars of our day--examines philosophical activity, questioning whether technical philosophy is a species of poetry, a political program, an interpretation of human existence according to the ideas of 19th and 20th-century thinkers, or a contemplation of beings and Being.

The first part of my hypothesis, then, is simple enough, and would be accepted in principle by most students of Plato: the dramatic structure of the dialogues is an essential part of their philosophical meaning. With respect to the poetic and mathematical aspects of philosophy, we may distinguish three general kinds of dialogue. For example, consider the Sophist and Statesman, where Socrates is virtually silent: the principal interlocutors are mathematicians and an Eleatic Stranger, a student of Parmenides, although one who (...) is not always loyal to his master's teaching of what might be called monadic homogeneity. In these dialogues, the mathematical character of philosophy is not merely emphasized but exaggerated, and any attempt to interpret them must take this fact into account. Otherwise, we shall not be able to understand why the Stranger seems to classify the general's art in the same species of the genus hunting as the louse catcher. The significance of this step, which does not stem from humanitarian considerations, but rather illustrates how the human becomes invisible from the mathematical viewpoint, contributes its share to the obscurity of these two dialogues. Second, there are dialogues like the Phaedrus and Symposium, in which the style, the interlocutors, and even the subject-matter seem to be largely poetic and rhetorical. Here, the overwhelming impression is of enthusiasm, divine madness, and intoxication in speech and deed. Finally, there are dialogues like the Philebus and Republic, in which it is not so easy to say whether poetry or mathematics predominates, if indeed either may be said to do so. (shrink)

Philosophy in the twentieth century has been dominated by the urge for analysis, a methodology that is supposed to be comparable in clarity and correctness to scientific thought. In this brilliant and devastating attack on such exaggerated claims, Stanley Rosen demonstrates how analysis alone lacks the power to approach the deepest and most important philosophical questions. He thus provides us with a new and deeper understanding of the nature and limits of analytic thinking.

In this book a philosopher enters into a debate with Heidegger in order to provide a justification of metaphysics. Stanley Rosen presents a fresh interpretation of metaphysics that opposes the traditional doctrines attached by Heidegger, on the one hand, and by contemporary philosophers influenced by Heidegger, on the other. Rosen refutes Heidegger's claim that metaphysics (or what Heidegger calls Platonism) is derived from the Aristotelian science of being as being. He argues instead that metaphysics is simply a (...) commonsensical reflection on the nature of ordinary experience and on standards for living a better life. (shrink)

I discuss the role played by ordinary or everyday experience in the origin of philosophy. I begin with a discussion of the disappearance of production from the tripartite Aristotelian division of the arts and sciences, and indicate how production reappears as the assimilation of both theory and practice. If knowing is making, then there is no distinction between philosophy and poetry. In particular, the everyday or pre-theoretical world loses its status as the original source and subject-matter of philosophy It becomes (...) an artifact, and in the age of science, an artifact of the "folk-world." The result is the deterioration of human nature, and science is deprived of its human significance. The first step back to clarity is to show that words like "reason" and "good," the core of moral competence, are identical at their root with phronesisor the rationality of common sense. (shrink)