Works by Carroll, John M. (exact spelling)

9 found
Order:
  1.  16
    Toward a Structural Psychology of Cinema.John M. Carroll - 1981 - Journal of Aesthetics and Art Criticism 40 (2):220-222.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  2.  18
    A linguistic analysis of deletion in cinema.John M. Carroll - 1981 - Semiotica 34 (1-2).
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  3.  35
    A program for cinema theory.John M. Carroll - 1977 - Journal of Aesthetics and Art Criticism 35 (3):337-351.
  4.  18
    Nameheads.John M. Carroll - 1983 - Cognitive Science 7 (2):121-153.
    Proper names often have shorter variants, e.g., the Boston Common the Common, New York City New York. A description of this phenomenon is proposed that decomposes it into four sub‐processes: Category Ellipsis, Location Ellipsis, Appellation Formation, and Explicit Metonomy. Discussion focusses principally on the former two processes, which produce “nameheods”—briefer alternations of proper names that preserve the naming function. It is argued that the name shortening processes (a) operate in a lexical domain; but (b) are non‐grammatical. An extra‐grammatical analysis of (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  5.  17
    ’Naming’ as a mapping between N-dimensional geometries.John M. Carroll - 1986 - Semiotica 61 (3-4):219-242.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  6.  38
    “Purpose” in a cognitive theory of reference.John M. Carroll - 1980 - Bulletin of the Psychonomic Society 16 (1):37-40.
  7.  20
    Structure in visual communication.John M. Carroll - 1982 - Semiotica 40 (3-4).
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  8.  24
    Toward unified cognitive theory: The path is well worn and the trenches are deep.John M. Carroll - 1992 - Behavioral and Brain Sciences 15 (3):441-441.
  9.  10
    When Pinocchio becomes a real boy: Capability and felicity in AI and interactive depictions.John M. Carroll - 2023 - Behavioral and Brain Sciences 46:e25.
    Clark and Fischer analyze social robots as interactive depictions, presenting characters that people can interact with in social settings. Unlike other types of depictions, the props for social robot depictions depend on emerging interactive technologies. This raises questions about how such depictions depict: They conflate character and prop in ways that delight, confuse, mistreat, and may become ordinary human–technology interactions.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark