Nietzsche: Ecce Homo

Nietzsche’s Ecce homo, Notebooks and Letters: 1888-1889 / Translation by Daniel Fidel Ferrer. ©2023 Daniel Fidel Ferrer. All rights reserved. -/- Ecce homo: How One Becomes What One Is (Ecce homo: Wie man wird, was man ist). -/- Who should read Nietzsche? You can disagree with everything Nietzsche wrote and re-read Nietzsche to sharpen your attack. Philosophy. Not for use without adult supervision (required). Philosophy is a designated area for adults only. Read at your own risk. You have the pleasure (...) of reading and of course disagree with all philosophy. Warning philosophical ideas are present. Reading Nietzsche does not mean you will gain anything, in fact, you might lose your previous ideas. -/- Nietzsche does not call this book an autobiography (he has written many short autobiographical sketches before); but rather, uses the expression “I tell myself my life”. -/- Nietzsche was the past philosopher who wrote about our future, “The time is coming when the struggle for the domination of the earth will be waged - it will be waged in the name of basic philosophical doctrines.” KGWB/NF-1881, 11[273]. The world has seen plenty of wars and death, since 1881. The process of the domination of the earth and world is still on-going. -/- What is Nietzsche’s overall project with Ecce homo? -/- Main Leitmotifs in Ecce homo. -/- Christianity as the denial of the will to life, revaluation of all values (Umwerthung aller Werthe), Amor fati, Dionysus as a god and his philosophy (future project for Nietzsche), overthrowing idols, two worlds (“true world" finally became a fable) against Plato eternal world and forms, eternal recurrence or the eternal return of the same (Nietzsche heaviest thought, also his most abysmal thought “abgründlichsten Gedanken”), opposite and counterpart to type of person decadent (décadent), “I count the overcoming of pity among the noble virtues”, against the concept of God (Christian), overman or superman (Übermensch), Will to Power (Wille zur Macht), great politics, immoralist, morality of the Christian church, and Declaration of war (“Kriegserklärung”). -/- Table of Contents -/- Motto [page 3]. Epigraph [pages 4-6]. -/- Preface to the Translation of Ecce homo [pages 7-16] -/- Major Leitmotifs in Nietzsche [pages 17-24]. -/- Translations from Nietzsche’s German to English include. -/- 1). Ecce homo: How One Becomes What One Is (Ecce homo: Wie man wird, was man ist. [pages 25-113]. -/- 2). This poem was included in the first publications of Ecce homo (1908). Glory and Eternity (Ruhm und Ewigkeit). [pages 114-124]. -/- 3). These are all of Nietzsche’s last notebooks (complete) they are numbered 21, 22, 23, and 24. There are a total of 82 notes. Final notes by Nietzsche from the Nachlass (Nachlaß). Sometime in German called the Notizheft. Nietzsche’s notebooks that include some drafts for Ecce homo and other topics he was thinking during his last writings. Dating from October 1888 until early Janurary 1889. [pages 125-191]. -/- 4). Nietzsche’s Letters Regarding Ecce homo. Nietzsche’s letters starting at the end of October 1888 discussing Ecce homo. These are not always the complete letters but include all of the passages of Nietzsche discussing Ecce homo. Complete translation of the last letter Nietzsche wrote. Dated until BVN-1889. #1256. Letter to Jacob Burckhardt in Basel. Turin, about 6 January 1889. [pages 192-223]. -/- Bibliographies [pages 224-254]. -/- Nietzsche’s Philosophy Final Thoughts [pages 255-259]. -/- Enjoy reading Nietzsche's last book. (shrink)

O último livro escrito por Nietzsche, Ecce homo: como alguém se torna o que se é, é uma de suas obras mais controversas, tendo sido tomada como sinal de prepotência, como autoexposição egocêntrica e como prenúncio do colapso que interrompeu sua trajetória intelectual em janeiro de 1889. As controvérsias foram alimentadas, em parte, pela peculiar narrativa encontrada no livro – ele conta a si sua vida e obra em tom elogioso e hiperbólico –, em parte, pelo fato de que a (...) tardia publicação de Ecce homo, ocorrida apenas em 1908, favoreceu o contraste com o apócrifo A vontade de poder – reunião de anotações publicada em 1901 como ‘obra principal’ de Nietzsche. Nosso propósito neste artigo é refletir sobre as possíveis contribuições do teor ‘autobiográfico’ e ‘autocrítico’ de Ecce homo para o caminho de pensamento do filósofo alemão. Nossa hipótese é que a narrativa experimentada no livro possui uma íntima relação com temas precedentes da obra nietzschiana e com a tarefa da transvaloração de todos os valores. Por meio de uma autoencenação, da colocação de um certo ‘Nietzsche’ em cena, o filósofo avança em sua crítica à metafísica – e à sua versão popular, a moral cristã – enquanto realça a mundanidade de sua perspectiva, seu caráter contingente e seu condicionamento pelas “pequenas coisas”, decisão que nos parece carregar uma relevante dimensão filosófica: Nietzsche assume a parcialidade e explicita o interesse envolvido em sua tomada de posição no seio da cultura. (shrink)

In this paper, I examine the claim that Nietzsche was already mad (or on the verge of madness) when he wrote Ecce Homo, arguing that this assumption, not the book’s quasi-autobiographical style, has been the chief impediment to a serious philosophical consideration of the text. I briefly take up several recent treatments of the work that attempt to counter the claim of madness commonly made about it, noting that while each of them gives us a good partial rejoinder, they all (...) miss a crucial approach that helps make a great deal more sense of the text. Ecce Homo’s exceedingly bombastic claims, and much of its strange style, can be best explained by noticing Nietzsche’s incorporation of several traditional elements of Judeo-Christian apocalyptic narratives: a first-person narrative describing a revelatory disclosure (and the subsequent interpretation of that revelation); a cosmic dualism of forces (Dionysus and “the Crucified”) and radical eschatological worldview; and an exhortation to shift our cognitive and behavioral comportment to reflect the altered perspective on the world disclosed in that revelation. Thus construed, the text is no more a work of “madness” than the book of Revelation. It is, rather, the ironic appropriation and redeployment of a series of literary techniques and stylistic elements that highlight the importance of Nietzsche’s life and work as the destined surmounting of the (ostensibly) life-denying Christian worldview. (shrink)

Resumen: En el presente artículo me propongo elucidar el significado del concepto “pathos de la distancia” y sus implicaciones ético-políticas, destacando, además, su sentido y coherencia con el conjunto del pensamiento nietzscheano. La tesis fundamental es que el pathosde la distancia, como característica básica del ideal noble, muestra cómo el concepto de preeminencia política en Nietzsche se diluye siempre en un concepto de preeminencia anímica. La reflexión se enmarca dentro de la crítica nietzscheana de la cultura, la política y la (...) educación, y su propuesta de reforma de los valores dominantes de la sociedad, entre ellos, los que configuran la subjetividad y la individualidad. Se estudian las diversas dimensiones del pathos de la distancia: como articulación jerárquica, como principio de individuación, como parte la Gran Política y como elemento del pensamiento de la cría. Palabras clave: Pathos de la distancia, Valor, Moral, Gran Política, Cría. (shrink)

In this extraordinary contribution to Nietzsche studies, Robert Alejandro offers an original interpretation of Friedrich Nietzsche's philosophy viewed as a complete whole. Alejandro painstakingly traces the different ways in which Nietzsche reconfigured and shifted his analyses of morality and of the human condition, until he was content with the final result: nothing was dispensable; everything was necessary. This is a philosophy of reconciliation--hardly nihilism--and it is a perspective that is not adequately addressed elsewhere in the literature on Nietzsche. Alejandro traces (...) the evolution of Nietzsche's thought by identifying the different layers of his philosophy, expressed in a complex array of stories and historical narratives. Alejandro analyzes the different stories of Nietzsche, places those stories within a tradition of genealogical theorizing, and interprets both the stories and the genealogy in terms of one of Nietzsche's unique features, his use of "historiobiography." According to Alejandro, historiobiography blends the idea of an attunement with all history and one's awareness of this attunement. As a mode of philosophizing, historiobiography allows Nietzsche to view all human history as if it runs through his own life and thoughts. Alejandro argues that Nietzsche deployed three strategies to find relief from his sense of the meaninglessness of life: his magnified concept of what he himself represented in human history, his doctrine of the eternal recurrence, and his philosophy of reconciliation. "I am confident that this book will be considered essential reading for any scholar doing serious research into Nietzsche's thought and its implications.... The author carefully traces the shifts and turns and occasionally the contradictions and dead-ends in the development of Nietzsche's major themes. I have never read an account of Nietzsche's thought as fully and convincingly supported by textual reference as this book. Others will disagree with the author's readings of Nietzsche, that is the nature of scholarship, but I cannot see how they could be ignored." --_Edward Portis, Texas A & M University_ "This is a major work on Nietzsche. Robert Alejandro offers us a reading of Nietzsche's Herculean efforts that Nietzsche scholars and scholars who write about modernity and postmodernity will be unable to ignore. This wide ranging and deep book addresses major issues in cultural history, psychoanalysis, cultural anthropology, and the vast literature on modernity and secularization. I expect this to be a book that generates debate and discussion for years to come." --_Robert Hollinger, Iowa State University_ "Robert Alejandro delivers a rich, lively account of Nietzsche's quest for meaning. By focusing on the theme of _historiobiography_, Alejandro illuminates Nietzsche's bold attempt to place himself at the center of a comprehensive account of the rise and fall of Western civilization. A thoughtful, well-crafted book, written very much in the spirit of Nietzsche himself." --_Daniel Conway, Texas A & M University_. (shrink)