Scientific Fictionalism

This paper defends an approach to modeling and models in science that is against model fictionalism of a recent stripe (the “new fictionalism” that takes models to be abstract entities that are analogous to works of fiction). It further argues that there is a version of fictionalism on models to which my approach is neutral and which only makes sense if one adopts a special sort of antirealism (e.g. constructive empiricism). Otherwise, my approach strongly suggests that one stays away from (...) fictionalism and embraces realism directly. (shrink)

The question whether Buddhism can enter a fruitful dialogue with modern science has come under critical scrutiny in recent years. This paper considers Evan Thompson's appraisal of that dialogue in Why I am Not a Buddhist, focussing on four areas of disagreement: (i) the suitability of evolutionary psychology as a framework of analysis for Buddhist moral psychological ideas; (ii) the issue of what counts as the core and main trajectory of the Buddhist intellectual tradition; (iii) the scope of naturalism in (...) the relation between science and metaphysics, and (iv) whether a Madhyamaka-inspired anti-foundationalist stance can serve as an effective platform for debating the issue of progress in science. My main argument is that while Buddhist ideas about mind and cognition can expand the range of conceptual possibilities in framing core debates in the mind sciences, they cannot supplant the empirical claims to knowledge for which scientific naturalism so far provides the most viable basis. (shrink)

Fiora Salis compares the fictional and the artifactual views of models. She argues that both accounts contain several deep insights concerning the nature of scientific models but they also face some difficult challenges. She then puts forward an account of the ontology of models intended to incorporate the benefits of both views avoiding their main difficulties. Her key idea is that models are human-made artifacts that are akin to literary works of fiction. In this view, models are complex objects that (...) are constituted by a model description and the model content generated within a game of make-believe. As per the fiction view, model descriptions are construed as props in a game of make-believe, where props are concrete objects that prescribe certain imaginings. As per the artifactual view, model descriptions are construed as concrete representational tools that enable and constrain a scientist’s cognitive processes and provide intersubjective epistemic access to their imaginings. (shrink)

Oswald Spengler is best known as a philosopher of history. However, one can trace in volume one of his The Decline of the West a sustained consideration of philosophical issues pertaining to the nature and practice of science that I suggest can be considered to be a philosophy of science. Not only has Spengler’s philosophy of science been largely overlooked, so too has its peculiar fictionalist character. By elaborating on the fictionalist character of Spengler’s scientific views I shall consider his (...) work in comparison with that of Hans Vaihinger, a contemporary of Spengler and noted fictionalist with regards to science. This comparison not only supports my interpretation of Spengler’s philosophy of science as fictionalist, it also throws into relief the numerous affinities between the thought of two philosophers who are not usually associated, in particular with regards to their accounts of the origins of science in the structures of human consciousness. This fictionalist affinity in turn suggests the need for a wholesale reappraisal of Spengler’s philosophical outlook. (shrink)

Is there a role for aesthetic judgements in science? One aspect of scientific practice, the use of thought experiments, has a clear aesthetic dimension. Thought experiments are creatively produced artefacts that are designed to engage the imagination. Comparisons have been made between scientific (and philosophical) thought experiments and other aesthetically appreciated objects. In particular, thought experiments are said to share qualities with literary fiction as they invite us to imagine a fictional scenario and often have a narrative form (Elgin 2014). (...) But philosophical discussions of aesthetics in science have focused mainly on the epistemic role of beauty and elegance when it comes to theories and mathematical proofs, and thought experiments have been widely overlooked. My aim in this chapter is to address how the aesthetic choices scientists make in the design of a thought experiment contribute to its function: to communicate, convince, or explain a theory or phenomenon. A key issue is whether any aesthetic features in science provide anything beyond catching our attention, or are at best, a mere heuristic aid. I respond to accounts that argue this way and show how formulation is important in scientific thought experiments and, similarly to literary fictions, there is more than one way of interpreting a thought experiment scenario. I end by considering which literary examples are most appropriate when making comparisons with thought experiments. As a result, the difference between representations in art and science raised in current discussions is not as stark as it has been made out to be, and science is a more heterogeneous practice than has been allowed. Part of the value of thought experiments in scientific practice includes the qualities they share with literary works. (shrink)

Theoretical models are widely held as sources of knowledge of reality. Imagination is vital to their development and to the generation of plausible hypotheses about reality. But how can imagination, which is typically held to be completely free, effectively instruct us about reality? In this paper I argue that the key to answering this question is in constrained uses of imagination. More specifically, I identify make-believe as the right notion of imagination at work in modelling. I propose the first overarching (...) taxonomy of types of constraints on scientific imagination that enables knowledge of reality. And I identify two main kinds of knowledge enabled by models, knowledge of the imaginary scenario specified by models and knowledge of reality. (shrink)

What are theoretical models and how do they contribute to a scientific understanding of reality? In this chapter, I will argue that models are akin to fictional stories in that they are human-made artifacts created through the imaginative activities of scientists. And I will suggest that the sort of imagination involved in modeling is make-believe and that this is constrained in three main ways which, together, enable knowledge of reality. I will conclude by addressing recent criticisms against the fiction view (...) of models and the relevance of scientific imagination in modeling put forward by Weisberg and Knuuttila. (shrink)

At the beginning of the twentieth century, theorists developed approaches to Nietzsche’s philosophy that provided an alternative to the received view, some of them suggesting that his view of truth may be his most important and original contribution. It has further been argued that Vaihinger’s fictionalism is the paradigm within which Nietzsche’s view can be properly contextualized. As will be shown, this idea is both viable and fruitful for solving certain interpretive issues raised in recent Nietzsche scholarship.

On the notion of responsibility employed by John Passmore in his classic Man’s Responsibility for Nature, the relationship of responsibility can only hold between persons (human beings, subjects), or groups and communities of them, and other persons. And in this relationship the persons that are responsible 'to' other persons are responsible 'for' how their actions affect these other persons, not to the direct object of these actions (in this case: nature). If this is correct, we cannot be responsible to nature (...) without conceiving of it as a ‘pseudo-person’, as Passmore calls it. However, non-anthropocentric environmental ethics requires such a moral relationship. The question is, therefore, how this can be allowed in a metaphysically acceptable way. To answer this I first provide an account of what it means to stand in the relation of being ‘responsible to’. Next, I describe two major paradigmatic examples of the metaphysics of nature that perfectly match the thesis that we can, and should, be responsible to nature (the Spinoza-inspired view and the Gaia hypothesis). Unfortunately, they have to be rejected for common sense or naturalist reasons. Finally, I therefore defend a 'fictionalist' view of nature (as person-like) that allows for this relationship. (shrink)

Hom and May (2015) argue that pejoratives mean negative prescriptive properties that externally depend on social ideologies, and that this entails a form of fictionalism: pejoratives have null extensions. There are relevant uses of fictional terms that are necessary to describe the content of fictions, and to make true statements about the world, that do not convey that speakers are committed to the fiction. This paper shows that the same constructions with pejoratives typically convey that the speaker is committed to (...) racist ideologies, in contrast with fictional discourse that typically does not. The disanalogy undermines the plausibility of fictionalism about pejoratives. Moreover, the exceptions—uncommitted uses in embedded constructions—display features that conflict with Hom and May's explanation of committed uses as conversational implicatures. (shrink)

Some fictionalist approaches to the notion of scientific model are based on the concept of game of make-believe developed by Kendall Walton, without proposing a similar interpretation of it. The distinction between authorized and unauthorized games can be one of the sources of those divergences. In relation to the distinction made by Walton, the de dicto and de re modalities of the fiction-operator reflect different epistemological engagements concerning objects which satisfy properties. This paper aims at following up on the proposals (...) formulated by Roman Frigg and Adam Toon by using some modal logic concepts, notably by defining the identities of properties in modal contexts in terms of world-lines. Applying a model to a target-system consists in transposing fictional truths into actual situations, through an extrapolation that goes beyond the games of make-believe. (shrink)

Roman Frigg and Adam Toon, both, defend a fictionalist view of scientific modeling. One fundamental thesis of their view is that scientists are participating in games of make-believe when they study models in order to learn about the models themselves and about target systems represented by the models. In this paper, the epistemology of these two fictionalist views is critically discussed. I will argue that both views can give an explanation of how scientists learn about models they are studying. However, (...) how the use of models can foster an understanding of target systems is not sufficiently accounted for by Frigg and Toon. (shrink)

Fictionalism plays a significant role in philosophy today, with defenses spanning mathematics, morality, ordinary objects, truth, modality, and more.1 Fictionalism in the philosophy of science is also gaining attention, due in particular to the revival of Hans Vaihinger’s work from the early twentieth century and to heightened interest in idealization in scientific practice.2 Vaihinger maintains that there is a ubiquity of fictions in science and, among other things, argues that Nietzsche supports the position. Yet, while contemporary commentators have focused on (...) fictionalism in Nietzsche’s moral philosophy, his view of fictions in science has remained largely unexamined.3 In this article, I begin... (shrink)

Mental fictionalism is the view that, even if mental states do not exist, it is useful to talk as if they do. Mental states are useful fictions. Recent philosophy of mind has seen a growing interest in mental fictionalism. To date, much of the discussion has concerned the general features of the approach. In this paper, I develop a specific form of mental fictionalism by drawing on Kendall Walton’s work on make-believe. According to the approach I propose, talk of mental (...) states is a useful pretence for describing people and their behaviour. I try to clarify and motivate this approach by comparing it to well-known alternatives, including behaviourism, instrumentalism and eliminativism. I also consider some of the challenges that it faces. (shrink)

The paper discuses whether the mathematical singularities characterizing first-order phase transitions are 'fictions'.

When scientists put forward hypotheses, they sometimes involve new kinds of entities, which we can call 'hypothetical entities.' Hypothetical entities are pervasive in the sciences, and some examples include caloric and, up until very recently, the Higgs boson. Some hypothetical entities are discovered, as was the case with the Higgs boson, while scientists conclude that others, like caloric, do not exist. Hypothetical entities pose a number of important challenges for the philosophy of science, and my goal is to develop and (...) defend what I will call the suppositionalist view of hypothetical entities. In chapter 1, I examine the extant views of hypothetical entities, which I draw from the scientific realism debate. I argue that these views are all committed to the claim that terms for hypothetical entities putatively refer to empirical entities. In chapter 2, I develop the suppositionalist view of hypothetical entities. On this view, terms for hypothetical entities refer to what are called 'objects of supposition.' Examples of such objects from other domains include fictional characters like Superman and mathematical objects like the natural numbers. I draw from analogies with fiction and mathematics in order to develop the suppositionalist view in the scientific domain. In chapter 3, I give a history of a hypothetical entity that I will later use as a test case for views of hypothetical entities. In the late-eighteenth century, Antoine Lavoisier hypothesized that muriatic acid is composed of oxygen and a hypothetical entity called the 'muriatic radical.' In the early-nineteenth century, Humphry Davy's work on muriatic acid showed that it is actually composed of hydrogen and chlorine, and so muriatic acid is hydrochloric acid. Finally, in chapter 4, I use the history of the muriatic radical in order to argue against the extant views, and for the suppositionalist view. I argue that the former are committed to giving a history of the muriatic radical that is either whiggish or incomplete. The latter, however, can give us a non-whiggish history that is more complete, and hence it is preferable to the extant views. (shrink)

This paper explores a novel form of Mental Fictionalism: Fictionalism about talk of neural representations in cognitive science. This type of Fictionalism promises to (i) avoid the hard problem of naturalising representations, without (ii) incurring the high costs of eliminating useful representation talk. In this paper, I motivate and articulate this form of Fictionalism, and show that, despite its apparent advantages, it faces two serious objections. These objections are: (1) Fictionalism about talk of neural representations ultimately does not avoid the (...) problem of naturalising representations; (2) Fictional representations cannot play the explanatory role required by cognitive science. (shrink)

(MA Thesis Antwerp University) -/- In this thesis I want to investigate the notion of regarding scientific models as works of fiction and to examin the consequences of this view on scientific representation and scientific realism. I will do this by first of all giving an extensive overview of what literature in philosophy of science tells us about scientific theories, scientific models, and scientific representation. I will then turn back to look at scientific representation in more detail followed by an (...) extensive look at how two prominent contemporary philosophers of science, Roman Frigg and Mauricio Suárez, adress the subject of fiction and fictionalism in scientific modelling. The consequences of this for scientific realism at first sight seems devastating. There seems to be an unovercomable gap between the two. At a closer look there seems to be a way out in which the fictionalist view can happily coexist alongside scientific realism. (shrink)

This paper distinguishes revolutionary fictionalism from other forms of fictionalism and also from other philosophical views. The paper takes fictionalism about mathematical objects and fictionalism about scientific unobservables as illustrations. The paper evaluates arguments that purport to show that this form of fictionalism is incoherent on the grounds that there is no tenable distinction between believing a sentence and taking the fictionalist's distinctive attitude to that sentence. The argument that fictionalism about mathematics is ‘comically immodest’ is also evaluated. In place (...) of those arguments, an argument against fictionalism about abstract objects of any kind is presented in the last section. This argument takes the form of a trilemma against the fictionalist. (shrink)

Science is popularly understood as being an ideal of impartial algorithmic objectivity that provides us with a realistic description of the world down to the last detail. The essays collected in this book—written by some of the leading experts in the field—challenge this popular image right at its heart, taking as their starting point that science trades not only in truth, but in fiction, too. With case studies that range from physics to economics and to biology, _Fictions in Science_ reveals (...) that fictions are as ubiquitous in scientific narratives and practice as they are in any other human endeavor, including literature and art. Of course scientific activity, most prominently in the formal sciences, employs logically precise algorithmic thinking. However, the key to the predictive and technological success of the empirical sciences might well lie elsewhere—perhaps even in scientists’ extraordinary creative imagination instead. As these essays demonstrate, within the bounds of what is empirically possible, a scientist’s capacity for invention and creative thinking matches that of any writer or artist. (shrink)

Fictionalism is the view that a serious intellectual inquiry need not aim at truth. It came to prominence in philosophy in 1980, when Hartry Field argued that mathematics does not have to be true to be good, and Bas van Fraassen argued that the aim of science is not truth but empirical adequacy. Both suggested that the acceptance of a mathematical or scientific theory need not involve belief in its content. Thus the distinctive commitment of fictionalism is that acceptance in (...) a given domain of inquiry need not be truth-normed, and that the acceptance of a sentence from the associated region of discourse need not involve belief in its content. In metaphysics fictionalism is now widely regarded as an option worthy of serious consideration. This volume represents a major benchmark in the debate: it brings together an impressive international team of contributors, whose essays represent the state of the art in various areas of metaphysical controversy, relating to language, mathematics, modality, truth, belief, ontology, and morality. (shrink)

This essay endorses the conclusion of Sklar’s “Dappled Theories in a Uniform World” that he announces in his abstract, that notwithstanding recent attacks foundational theories are universal in their scope. But Sklar’s rejection of a “pluralist ontology” is questioned. It is concluded that so called “foundational” and “phenomenological” theories are on a much more equal footing as sources of knowledge than Sklar would allow, that “giving an ontology” generally involves dealing in idealizations, and that a transfigured “ficitonalism” provides an (in (...) many respects) better model of scientific knowledge than the model of “foundational truths.”. (shrink)

: To honor Bernard Goldstein, this article highlights in the "Defense of Theon against George of Trebizond" by Regiomontanus (1436-1476) themes that resonate with leading strands of Goldstein's scholarship. I argue that, in this poorly-known work, Regiomontanus's mastery of Ptolemy's mathematical astronomy, his interest in making astronomy physical, and his homocentric ideals stand in unresolved tension. Each of these themes resonates with Gold- stein's fundamental work on the Almagest, the Planetary Hypotheses, and al-Bitruji's Principles of Astronomy. I flesh out these (...) tensions with an intriguing interpretation of the history of astronomy, in which Regiomontanus contrasts the two-dimensional "eccentric astronomy" attributed to the Almagest and the Arabs with the three-dimensional spheres of the "later" astronomers. A similar contrast reappears when Regiomontanus portrays as a "fictitious art" an astronomy that does not go beyond the accommodation of computations to the appearances. To conclude, I use Regiomontanus's expression to reinstate (pace Goldstein and Barker in this journal, 1998) fictionalism as an actor's category in Osiander and sixteenth-century astronomy. (shrink)

Attempts to show that traditional definitions of "science" and "technology" fail to capture the complex discursive construction of scientific knowledge. Argues (accompanied by many literary and philosphical examples) that science, technology, and the humanities developed in concert with each other, and that their reciprocal relationship transcends traditional disciplinary boundaries. Cloth edition (unseen), $35. Annotation copyrighted by Book News, Inc., Portland, OR.

The standard view of explanation in science---the covering law model---assumes that knowledge of laws lies at the basis of our ability to explain phenomena. But in fact most of the high-level claims in science are ceteris paribus generalizations, which are false unless certain precise conditions obtain. Given the explanatory force of ceteris paribus generalizations but the paucity of true laws, the covering law model of explanation must be false. There is, it is argued, a trade-off between truth and explanatory power.

The claim that theoretical entities are not real, that they are merely convenient fictions, has been defended and attacked in diverse ways. This paper is concerned with only one defense of the fictionalist thesis and with a certain realist attack on it. The defense in question is that theories which prima facie make reference to theoretical entities can be revised in such a way that no such apparent reference is made by eliminating all occurrences of theoretical expressions. It will be (...) argued here that there is a procedure for revising theories which meets certain minimal criteria of adequacy, contrary to arguments in the literature. Further, it will be argued that the existence of this procedure provides neither sufficient nor necessary support for the fictionalist thesis, that this procedure is not of significance in the dispute between the fictionalist and the realist. Whether or not the theoretical-nontheoretical distinction is viable is another story which will not be told here. It will be assumed for the sake of argument that such a distinction can be drawn. (shrink)

We are accustomed to think and to speak of the physical universe as having objective existence, externally to ourselves; and as being in objective existence quite apart from any question of our perception of it. Even the idealistic philosopher regards the universe so, except when he is reflecting mentally upon other possibilities. The realistic view is the primary view. Idealism is an afterthought. And the idealist, if he is an investigator in physical science, cannot avoid acting upon the postulate of (...) realism. Nothing else gives him a foothold for work. He has to regard the universe “as if” it were real. All our philosophies are necessarily based upon postulate; all our science is founded upon faith. (shrink)

The usual question, “Are models fictions?” is replaced by the question, “Should scientific models be regarded as works of fiction?” This makes it clear that the issue is not one of definition but of interpretation. First one must distinguish between the ontology of scientific models and their function in the practice of science. Theoretical models and works of fiction are ontologically on a par, their both being creations of human imagination. It is their differing functions in practice that makes it (...) inappropriate to regard scientific models as works of fiction. Three reasons for thinking scientific models should be regarded as works of fiction are rejected. First, scientists themselves sometimes invoke the idea of fictions in their discussions of specific models. Second, many scientific models are physically impossible to realize in the real world. Third, regarding scientific models as works of fiction supports a general fictionalist understanding of scientific theories. It is concluded that promoting the general idea that scientific models are works of fiction unnecessarily supports attacks on the legitimacy of science itself. (shrink)