The religious landscape in Europe is changing dramatically. While the authority of institutional religion has weakened, a growing number of people now desire individualized religious and spiritual experiences, finding the self-complacency of secularism unfulfilling. The "crisis of religion" is itself a form of religious life. A sense of complex, subterraneous interaction between religious, heterodox, secular and atheistic experiences has thus emerged, which makes the phenomenon all the more fascinating to study, and this is what Religion in Contemporary European Cinema does. (...) The book explores the mutual influences, structural analogies, shared dilemmas, as well as the historical roots of such a "post-secular constellation" as seen through the lens of European cinema. Bringing together scholars from film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God. (shrink)

This essay explores both the appeal and the difficulties of Derrida’s “democratic Romanticism.” Derrida’s broader philosophical project seeks to make explicit the paradoxes or aporias that are embedded in practical experience. In unveiling these aporias, Derrida pleads, particularly in his later writings, for a transformation of democracy and religion so as to make them hospitable to difference. However, I will argue that Derrida’s reduction of the great variety of moral-political and religious situations to one aporetic logic runs into conceptual problems (...) and risks undoing the moral tissue that makes hospitality possible in the first place. (shrink)

In contrast with the progressive dilution of religions predicted by traditional liberal and Marxist approaches, religions remain important for many people, even in Europe, the most secularised continent. In the context of increasingly culturally diverse societies, this calls for a reinterpretation of the secular legacy of the Enlightenment and also for an updating of democratic institutions. This book focuses on a central question: are the classical secularist arrangements well equipped to tackle the challenge of fast-growing religious pluralism? Or should we (...) move to new post-secular arrangements when dealing with pluralism in Europe? Offering an interdisciplinary approach that combines political theory and legal analysis, the authors tackle two interrelated facets of this controversial question. They begin by exploring the theoretical perspective, asking what post-secularism is and looking at its relation to secularism. The practical consequences of this debate are then examined, focusing on case-law through four empirical case studies. This book will be of interest to students and scholars of political theory, philosophy, religion and politics, European law, human rights, legal theory and socio-legal studies. (shrink)

:This article revisits Michael Haneke's Caché as a filmic transformation of the traditional bond between sacrificial violence, morality and community building. By drawing mainly on striking correspondences with Jacques Derrida's view of the “mystical” origin of authority and of the limits of moral representation, the article aims to probe into Haneke's strategies of concealment. In so doing, the article proposes a “postsecular” interpretation of the symbolic meaning of the enigmas of the “ghost director” within the film, and of Majid's theatrical (...) self-sacrifice. (shrink)

In recent years, various European and UN documents have been advancing the idea of `open, transparent and regular' dialogue between religion and democracy. Is this the naïve rhetoric of the `Good European'? This article will discuss this issue starting from the debate between Habermas and Rawls on the role of religion in the public sphere. My approach presupposes a passage from deliberation to democratic rhetoric, the correlative abandonment of some of the tenets of Habermas's secularism, as well as a greater (...) concern with the question of the power asymmetries underpinning discursive exchanges. (shrink)

Cinema has a long history of engaging with the theme of sacrifice. Given its capacity to stimulate the imagination and resonate across a wide spectrum of human experiences, sacrifice has always attracted filmmakers. It is on screen that the new grand narratives are sketched, the new myths rehearsed, and the old ones recycled. Sacrifice can provide stories of loss and mourning, betrayal and redemption, death and renewal, destruction and re-creation, apocalypses and the birth of new worlds. The contributors to this (...) volume are not just scholars of film but also students of religion and literature, philosophers, ethicists, and political scientists, thus offering a comprehensive and interdisciplinary approach to the relationship between cinema and sacrifice. They explore how cinema engages with sacrifice in its many forms and under different guises, and examine how the filmic constructions, reconstructions and misconstructions of sacrifice affect society, including its sacrificial practices. This book was originally published as a special issue of Angelaki: journal of the theoretical humanities. (shrink)

What is the place of religion in a pluralist democracy? The continuous presence of religion in the public sphere has raised anew normative and practical issues related to the role of religion in a democratic polity, generating spirited political debates in Western and non-Western contexts. Contemporary Political Philosophy and Religion provides an advanced introduction to, and a critical appraisal of, the major schools of political thought with a focus on the relationship between democracy and religion. Key features of this book (...) include: -/- - Analyses of different political traditions: liberalism, republicanism, deliberative democracy, feminism, postmodernism, multiculturalism, and interculturalism; -/- - Critical discussions of key contemporary philosophers, such as John Rawls, Jürgen Habermas, Richard Rorty, Charles Taylor, Susan Moller Okin, Martha Nussbaum, Will Kymlicka, Chandran Kukathas, and Bhiku Parekh; -/- - A pluralist approach that questions the strict divide between analytical and continental political philosophy; -/- - Discussion on the place of religion in politics from multiple perspectives by drawing on a plurality of political contexts, both Western and non-Western; -/- - Analyses of legal and political cases related to different religious traditions, for example, Islam, Confucianism, Buddhism, Christianity, and Hinduism. -/- This comprehensive text will be of great use to students of religion and politics in the fields of political and legal theory, and religious and theological studies, while also offering critical insights and arguments that will be of interest to the experts in the field. (shrink)

Review of Ronald Dworkin, Religion without God , (Harvard University Press, 2013), 180 pages.

Baudrillard interpreta el «nuevo terrorismo» como un intercambio simbólico de regalo y contra-regalo: la muerte del terrorista es un contra-regalo irrefutable que rompe el círculo coercitivo de las relaciones sociales «impuestas» por el sistema global. A su vez, la concepción de Derrida tiene dos dimensiones, explicativa y normativa: en primer lugar, Derrida considera el 11-S como un síntoma multifacético de una crisis autoinmune que tiene aspectos políticos, religiosos y tecno-capitalistas. En segundo lugar, Derrida arguye que existe un «momento» de terror, (...) violencia y sacrificio que es constitutivo en las decisiones y en la responsabilidad éticas. De forma crítica, argumentaré que la concepción de Baudrillard se basa en una noción extremada y partidista de un sistema que se interpreta como un inmenso mandato de un gobernante totalitario. Por su parte, Derrida convierte de forma innecesaria la observación de que las acciones humanas pueden tener consecuencias perversas en una ley de la autoinmumidad inspirada en la biología. Al considerar el terror como algo constitutivo incluso en las relaciones éticas más comunes, Derrida corre también el riesgo de convertir un fenómeno extremado en un concepto que lo abarca todo, y de perder contacto con la práctica ética corriente. Concluiré que las concepciones de Baudrillard y de Derrida sobre el terror y el terrorismo comparten un «gusto por lo extremado» que las hace en última instancia poco convincentes. (shrink)

Jurgen Habermas is widely regarded as one of the outstanding intellectuals. This title focuses on the theory of law which can be distilled from his vast compendium of work. It places this theory in the context of Habermas' overall contribution to the theory of society, political theory and social philosophy.

Michel Houellebecq has, I argue, changed significantly his portrayal of Islam: in earlier novels, he advances a hostile view of it premised on the secularist belief in the death of God and the inexorable decline of monotheism. Houellebecq sets capitalism against Islam, and advances a vision of a godless ‘religion positive’ better suited for capitalist modernity. In contrast, in his last novel and interventions, Houellebecq makes a post-secular turn largely driven by the radicalization of positivist ideas relying on evolutionary biology. (...) This turn is opposed to modernity and favourable to a reconsideration of Islam as the religion of submission and a remedy to personal crisis and Europe’s decline. I show that, evaluative differences notwithstanding, Houellebecq’s stereotyping of Islam has remained constant in his literary work. (shrink)

In this article, I combine political philosophy and film to examine the problematic of the ‘mystical’ foundation of authority and democracy as represented in The Man Who Shot Liberty Valance. Ford’s filmic vision is interpretable as a parable of the passage from the state of nature to the modern republic and the deconstruction of American democratic progressivism. To analyse it, I proceed in two steps: first, I defend a middle-way critical Enlightenment perspective between the democratic-progressivist and the deconstructive approach to (...) the question of foundations. Second, in dialogue with this critical Enlightenment perspective, I argue that Ford’s cinematic vision of the foundation remains ambivalent, given that its deconstruction of the mythology of American democratic progressivism is premised on the nostalgic mythologizing of the pre-democratic age. Moreover, I take issue with Robert Pippin’s interpretation of the movie as a cautionary tale against Enlightenment rationalism, and which poses at its center the key psychological role of myths in politics (2011). In contrast, I argue that Ford’s cinematic vision cautions against decoupling the socio-political and personal life from the vital connection to truth and acting upon truth. From this standpoint, a “politics of truth” is, against Pippin’s interpretation of Ford’s vision, compatible with taking into account the constitutive role of narratives in building political legitimacy and authority. (shrink)

Bourdieu and Derrida share a focus on the ambiguity of the practice of gift relationships already pointed out by Mauss. From Bourdieu’s perspective, the question of gratuity is epistemically futile, as it veils the objective truth of gift-giving, yet ethically and politically relevant, as it refers to a hypocrisy which can be instrumental to enhancing civic virtue and solidarity. Bourdieu’s “scientific humanism,” however, implausibly reduces this ambiguity to interest maximization, and aims to build a solidaristic democracy by means of the (...) generalization of the hypocrisy of gratuity. In turn, by interpreting gratuity as “unconditionality,” Derrida aims not at dissolving, but at dramatizing the ambiguity of gift relationships by turning it into “madness” and an “impossible possibility”. Whereas I agree with Derrida’s insistence on the salience of the requirement of gratuity, his approach can lead to counterintuitive and hubristic consequences. Instead, I suggest some elements of an alternative way of understanding gratuitous gifts as communicative acts irreducible to an economic calculation or circle. From this standpoint, a gratuitous gift can be constituted by certain forms of recognition, emotions, or convictions without for that becoming an “impossibility”. (shrink)