Results for 'Derren Gaylo'

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  1. Utilization of Scholarly Journal Articles in the Teaching and Learning of Teacher Education Courses.Derren Gaylo, Manuel Caingcoy & Daisy Mugot - 2020 - Balkan and Near Eastern Journal of Social Sciences 6 (3):59-66.
    The usage of scholarly journal articles in the academe is now gaining attention to cope with the ever dynamic and evolving teaching and learning processes. However, the use implies possible potential usage only because what is measured is the number of views and downloads of the articles. This paper explored how the teacher education faculty and students utilized scholarly journal articles in the teaching and learning of professional education courses. The study also determined the challenges in using these primary sources (...)
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  2. Employment, Employability and Competencies of the Bachelor of Secondary Education Graduates.Manuel Caingcoy, Iris April Ramirez, Derren Gaylo, Ma Isidora Adajar, Elvie Lacdag & Gem Aiah Blanco - 2021 - Turkish Online Journal of Qualitative Inquiry (TOJQI) 12 (6):872-884.
    Tracing graduates has become an imperative for higher education institutions much more during the pandemic. This tracer determined the employment and employability status of the 2019 BSE graduates and identified the competencies they adequately acquired and deemed vital for work. It used descriptive design, and data were collected from the 103 graduates through a google form with open and closed-ended questions administered between November and December 2020. Results revealed that most of the graduates had been employed in teaching and teaching-related (...)
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    Jung and Film Ii: The Return: Further Post-Jungian Takes on the Moving Image.Christopher Hauke & Luke Hockley (eds.) - 2011 - Routledge.
    Since _Jung and Film_ was first published in 2001, Jungian writing on the moving image in film and television has accelerated. _Jung and Film II: The Return_ provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives. As well as chapters dealing with particular film makers such as Maya Derren and films such as _Birth, The Piano, The Wrestler _and (...)
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