Repetitions (takrārs), which in the dictionary means ‘the repetition of something one after the other and its renewal in terms of wording and meaning’, are one of the most basic stylistic, address and textual structure features of the Qur’ān and at the same time one of the structural problems that have troubled the commentators. Repetitive nouns, verbs and letters in many verses, as well as sentences and phrases that sound like rhymes are of this kind. Although some of the benefits (...) of repetitions in the Qur’ān have been described in our tradition, it has also been stated by some that this is tiresome for a good and faṣīh word, far from any benefit, one of the disasters and defects of words that do not correspond to a mūciz word. At the same time, it has also been suggested that this is one of the things that indicate the corruption and weakness of the Qur’ānic naẓm and the existence of confusion in its naẓm. For this reason, literary scholars, linguists and commentators have considered the absence of repetition in phrases as one of the conditions of its feṣāhat (eloquence). In addition to all these, some in our tradition have treated these repetitive expressions not as a problem, but as a divine, transcendental style, and have sought a wisdom, a literary wit and a secret related to meaning. On the contrary, some have argued that the Qur’ān was revealed in the patterns of language use of the Arabs of that period, that the divine meaning and message was formed according to the speech patterns and styles of their words, advice and addresses, that the similarities of the patterns repeated in the Qur’ān were also found in their poetry, and for this reason, they associated the repetitions with the customs and habits of language use and literary tastes of the Arabs of the Hijāz region in daily speech and types of literature. Therefore, as some scholars in our tradition have argued, are these repetitions really a defect of expression, an artistic beauty? or structures that the Arabs of the nuzūl period did not know, were not familiar with, and did not hear, and that contain various subtleties of meaning? or on the contrary, are these expression patterns that were present and well-known in daily speech patterns and uses, in the literary genres of the Arabs of that day, and that were formed and manifested within the framework of their linguistic customs and traditions and literary tastes? İn this article, within the framework of these questions and problems, the relationship of the repetitions in the Qur’ān with the language usage customs, literary tastes, and linguistic cultural anthropological structures of the Arabs of the period of its revelation is examined. Therefore, as a result of this research, which is thought to be different from the existing academic studies, original and authentic, and the literature review method is used, ıt is clearly understood that the repetitions in the Qur’ān are ‘expressive structures related to the literary tastes, linguistic customs and traditions of the Arabs of the nuzūl period’ in terms of address/textual structure. (shrink)

One of the most basic stylistic characteristics of the Qur’ān is the agree-ment between syllables, sounds, lines and rhymes repeated at the end of the verses and give the same harmony. The question/problem “Are these words that have pleasant melodic structures and superior arts something that the Arabs of the 7th century Hejaz Region did not know, were not familiar with and did not hear, or are they expressions that existed in oral and literary types in their daily vocabulary formed (...) and embodied within the framework of well-known lexical customs and literary tastes?” is discussed in this article. For this purpose, the study examines the seciʿ and rhyming word structures in the verbal and literary discourses of the Jahiliya period Arabs. Then, based on the data in the ancient Islamic Literature, it examines the dialectical relationship of the melodic structures at the end of the verses of the Qur’ān with the characteristics of the seciʿ and rhyming literary products in the poems of the Arab poets of ignorance, and for the choice that the Arab society made it a custom and habit at that time to observe at the end of the words, and whether some rules of comparison of the language were abandoned or not. Of course, although the dialectical relationship between the seciʿ expression structures of the Qur’ān and the literary tastes of the Arabs of that period was addressed in the former literature with a weak and feeble voice between the lines, unfortunately, this has not been examined in modern studies yet. For this reason, we hope that the present study, which we think is original and authentic, will contribute to this field and as a result of the study, in which the literature review method was used, whether the harmonious, rhythmic, melodic sound and meter structures of the Qur’ān at the end of the verses are related to the literary tastes, lexical customs and traditions of the 7th century Arabs, or rather, these expressions were unknown to the Arabs of that day, will be uncovered along with the question whether it existed in a wonderful, transcendent and transcendent language and style that they were not familiar with, or in a local, regional, cultural anthropological nature that was compatible and agreeable with their tastes and expectations in that time. (shrink)