In lieu of an abstract, here is a brief excerpt of the content:Playing the Dummy:Maugham, Smartphones, and the End of EleganceEric BronsonIOn the Russian Trans-Siberian train from Vladivostok to Petrograd (now St. Petersburg), an American businessman won't stop talking for the entire ten-day journey. In his story, "A Chance Acquaintance," W. Somerset Maugham describes this 1917 meeting between Ashenden, a British character loosely based on himself, and the chatty American, named Harrington. The two passengers are blissfully unmoved by the revolution (...) unfolding all around them. Ashenden casually suggests the two of them try and find another pair to pass the time playing bridge. Harrington refuses. "It beats me how an intelligent man can waste his time card-playing," Harrington asserts, "and of all the unintellectual pursuits I have ever seen it seems to me that solitaire is the worst. It kills conversation. Man is a social animal and he exercises the highest part of his nature when he takes part in social intercourse."1 Ashenden doesn't understand the American's distaste for playing cards, especially bridge. "'There is a certain elegance in wasting time,' said Ashenden. … 'Besides,' he added with bitterness, 'you can still talk.'" [End Page 477]Like many of his fictional characters, Maugham enjoyed eloquent, "time-wasting" games like bridge. Unlike solitaire, bridge encourages social interaction. Once, when his confounded bridge partner confronted Maugham with evidence that his high-class opponents were cheating, Maugham was nonplussed. "They gave us double Martinis to start with," he noted, "a slap-up lunch with a particularly good bottle of white Burgundy and old brandy with our coffee."2 The dishonesty was irrelevant. For Maugham, a good bridge game, like the attendant conversation, should help temper one's moral outrage and skim over the unruly passions that so often plague our public and private lives. Elegance, for Maugham, meant presenting the appearance of calm and respectability, especially when such presentations conflicted with one's more turbulent emotions.In Maugham's short story "The Three Fat Women of Antibes," the women around the bridge table desperately try to keep up appearances, both physically and emotionally. When passionate arguments inevitably threaten to undo the air of genteel conversation, Lena, the newest addition to the table, states, "I think it's such a pity to quarrel over bridge. … After all, it's only a game."3 But while it might be true that bridge is "only a game," Maugham took games seriously. Parlor games like bridge were spaces to practice and perfect the social mores on which colonial hierarchies were solidified. In Maugham's England, the game of life required an elegant performance of the many roles the genteel class was expected to play. That performance was predicated on a relentless effort to keep up ordinary appearances by regulating emotional displays. As Maugham wrote in a 1944 article for Good Housekeeping, a good bridge game rewards people who are "truthful, clearheaded, and considerate," characteristics essential "for playing the more important game of life."4More than any other card game, bridge is built on conventions. Etiquette dictates how cards are shuffled, passed, and played. While there is always some room for surprise and risk, everyone around the table needs to know the bidding and playing conventions to ensure the best possible game. In every hand a silent partner, known as the dummy, lays their cards face up, thereby taking themself out of the action.The persistence of such conventions is a holdover from the game of whist, the predecessor of bridge. In an early-nineteenth-century story, "Mrs. Battle's Opinions on Whist," essayist Charles Lamb describes an elderly whist player who enjoys the elegant waste of time that such long card games encourage. While dances and parties help build social skills around untrustworthy passions, card games like whist, and later bridge, [End Page 478] were more like "a long meal; not like quadrille, a feast of snatches. One or two rubbers might co-extend in duration with an evening. They gave time to form rooted friendships." This kind of congeniality mattered to serious people like Mrs. Battle, people who "despised superficiality, and looked deeper than the colours of things."5The game of bridge... (shrink)

Das Buch "Der kleine Hobbit" gilt als Vorläufer der wichtigsten Fantasy-Bücher aller Zeiten - den drei Bänden von "Der Herr der Ringe". Mit diesem Buch über die Abenteuer des Hobbits Bilbo Beutlin, zusammen mit 13 Zwergen und dem Zauberer Gandalf, schuf J.R.R. Tolkien schon jene Fantasiewelt, die uns alle später beim "Herrn der Ringe" nachhaltig beeindruckte. Elben, Trolle, Orks und ein Drache halten kleine und große Leser schon seit Jahren in Atem. Man stelle sich folgende Geschichte vor: Ein Mensch wohnt (...) in einer Höhle und lebt dort ein ruhiges, geordnetes und unaufgeregtes Leben, das schon seit Geburt an in den gleichen Bahnen verläuft. Eines Tages verlässt der Mensch seine Höhle und geht hinaus in die Welt. Dort sieht und erfährt er Dinge, die ihn nachhaltig verändern und reifen lassen. Er wird nach dieser Reise nie wieder derselbe sein wie vorher. Es ist nicht ungewöhnlich, wenn das bekannt klingt: Es handelt sich dabei um Platons Höhlengleichnis - eines der wichtigsten Gleichnisse bzw. Beispiele der Philosophie, genauer der Erkenntnistheorie. Die Handlung passt aber auch genau auf die Geschichte eines anderen Autors: J.R.R. Tolkien und sein Buch "Der kleine Hobbit". Auch hier verlässt eine Person die sichere und geordnete Umgebung des Auenlandes und zieht in die Welt hinaus. Diese abenteuerliche Reise wird ihn verändern und - wie wir alle wissen - mit dem Fund des EINEN Ringes für Mittelerde weitere große Folgen nach sich ziehen. Es ergibt also Sinn, den "kleinen Hobbit" mit seinen Inhalten unter der philosophischen Linse zu betrachten. Es ist nicht nur eine Kindergeschichte, sondern eine Auseinandersetzung mit Werten wie Mut, Freundschaft, Demut, Gnade und Weisheit - um nur einige zu nennen. (shrink)

Contains over fifteen essays that discuss philosophical topics in J.R.R. Tolkien's "The Hobbit" providing new insights into the characters and plot.

Culls dozens of life lessons from the pages of J.R.R. Tolkien's epic tale, examining the author's treatment of such issues as happiness, morality, and the search for ultimate truth.

[The war for a ring through the eyes of philosophers].

Das Buch "Der kleine Hobbit" gilt als Vorläufer der wichtigsten Fantasy-Bücher aller Zeiten - den drei Bänden von "Der Herr der Ringe". Mit diesem Buch über die Abenteuer des Hobbits Bilbo Beutlin, zusammen mit 13 Zwergen und dem Zauberer Gandalf, schuf J.R.R. Tolkien schon jene Fantasiewelt, die uns alle später beim "Herrn der Ringe" nachhaltig beeindruckte. Elben, Trolle, Orks und ein Drache halten kleine und große Leser schon seit Jahren in Atem. Man stelle sich folgende Geschichte vor: Ein Mensch wohnt (...) in einer Höhle und lebt dort ein ruhiges, geordnetes und unaufgeregtes Leben, das schon seit Geburt an in den gleichen Bahnen verläuft. Eines Tages verlässt der Mensch seine Höhle und geht hinaus in die Welt. Dort sieht und erfährt er Dinge, die ihn nachhaltig verändern und reifen lassen. Er wird nach dieser Reise nie wieder derselbe sein wie vorher. Es ist nicht ungewöhnlich, wenn das bekannt klingt: Es handelt sich dabei um Platons Höhlengleichnis - eines der wichtigsten Gleichnisse bzw. Beispiele der Philosophie, genauer der Erkenntnistheorie. Die Handlung passt aber auch genau auf die Geschichte eines anderen Autors: J.R.R. Tolkien und sein Buch "Der kleine Hobbit". Auch hier verlässt eine Person (der Hobbit Bilbo Beutlin) die sichere und geordnete Umgebung des Auenlandes und zieht in die Welt hinaus. Diese abenteuerliche Reise wird ihn verändern und - wie wir alle wissen - mit dem Fund des EINEN Ringes für Mittelerde weitere große Folgen nach sich ziehen. Es ergibt also Sinn, den "kleinen Hobbit" mit seinen Inhalten unter der philosophischen Linse zu betrachten. Es ist nicht nur eine Kindergeschichte, sondern eine Auseinandersetzung mit Werten wie Mut, Freundschaft, Demut, Gnade und Weisheit - um nur einige zu nennen. (shrink)

Before becoming an internationally renowned sadhu espousing words of wisdom in an Indian forest, Sampath Chawla pulls down his pants. The wedding guests are horrified. His supervisor at the small-town post office fires him on the spot—it is, after all, his daughter's wedding.In Kiran Desai's novel Hullabaloo in the Guava Orchard, the oafish Sampath probably shouldn't have been invited to the wedding in the first place. At the post office he has been sulking for some time. "The post office. The (...) post office. The post office. It made him want to throw up."1 More troubling, he routinely opens other people's mail and reads their private letters throughout the workday. The letters give Sampath insights into the lives of... (shrink)

The essential companion to Stieg Larsson's bestselling trilogyand director David Fincher's 2011 film adaptation Stieg Larsson's bestselling Millennium Trilogy—The Girlwith the Dragon Tattoo, The Girl Who Played with Fire, andThe Girl Who Kicked the Hornet's Nest—is aninternational phenomenon. These books express Larsson's lifelongwar against injustice, his ethical beliefs, and his deep concernfor women's rights. The Girl with the Dragon Tattoo andPhilosophy probes the compelling philosophical issues behindthe entire trilogy. What philosophies do Lisbeth Salander and Kanthave in common? To catch a (...) criminal, can Lisbeth and Mikael becriminals themselves? Can revenge be ethical? Drawing on some ofhistory's greatest philosophical minds, this book gives freshinsights into Larsson's ingeniously plotted tale of crime andcorruption. Looks at compelling philosophical issues such as a feministreading of Lisbeth Salander, Aristotelian arguments for why we loverevenge, how Kant can explain why so many women sleep with MikaelBlomkvist, and many more Includes a chapter from a colleague of Larsson's—whoworked with him in anti-Nazi activities—that exploresLarsson's philosophical views on skepticism and quotes fromnever-before-seen correspondence with Larsson Offers new insights into the novels' key characters, includingLisbeth Salander and Mikael Blomkvist, and investigates the author,Stieg Larsson As engrossing as the quest to free Lisbeth Salander from herpast, The Girl with the Dragon Tattoo and Philosophy isideal reading for anyone interested in unraveling the subtext andexploring the greater issues at work in the story. (shrink)