(2013). The Starry Night Sky. World Futures: Vol. 69, The Complexity of Life and Lives of Complexity, pp. 231-247.

Sometimes in the third-person and sometimes in the first of creativity itself, this transdisciplinary and intercultural essay performs the premise that creativity everywhere is the creatio continua of a cosmopoiesis fully reducible neither to any sum of supposed parts, nor to any terminate, finished totum of viewpoint, event, or objectifiable what. It suggests that in experiencing an ethic of releasement from fixed ego-perspectives in this holism of self-organizingly creative creatio, the contemplative temperament sustainingly embodies the paradoxical ecology of contrasting orientations (...) and their integrated mutual coevolution. (shrink)

The implicate or quantum connectivity of the coevolving phenomena of the cosmos, the ontohermeneutic complementarity relations between ourselves and the vast and minute systems we coconstitutingly participate, observe, prolong, and contextualize, and the eco-reciprocities among all forms of life afford us an understanding of ourselves as fractal or microcosmic embodiments and performances of what is irreducibly nondual anthropo-cosmogenesis. And if cosmogenesis is a self-referential process having nothing external to itself from which to obtain gain or satisfaction, we may analogously interpret (...) our noninstrumentalizing contemplative experiences in complete attentiveness without regard to external payoffs as the fractal play of its creatively emergent self-delighting anthropocosmic self-awareness in the human dimensionality. Our attentive, noninstrumentalizing, and nonobjectifying contemplativity aconceptually presences connectivity and reciprocity in an aperspectivally transparent enactment of anthropocos.. (shrink)

(1991). It happens by itself: The Tao of cooperation, systems theory, and constitutive hermeneutics. World Futures: Vol. 31, Cooperation: Toward a Post-Modern Ethic, pp. 139-160.