The progressive language of growth and development that informs our shared ideal of the educated subject also informs the curricular structure of schooling, in which new learning builds upon established knowledge and students' development depends upon their desire to take on those identities associated with various achievements of knowledge. Each re-creation of the student's identity requires a new production of the student's former identity as an uneducated self — a negative statement of the self-overcome, fashioned in the language of the (...) curriculum. But what of those objects of attachment or aspects of the child's identity that can neither be integrated in the student's educated identity nor accounted for as a recognizable lost object of childhood? In this essay James Stillwaggon argues that considering the student subject in terms of its melancholic attachments offers some alternatives to thinking of student identity primarily in terms of its progressive learning function. Julia Kristeva's treatment of melancholia as “asymbolia,” or against the representational function of language, is especially significant to this discussion, as it highlights the melancholic's resistance to the most basic educational purpose, namely the further engagement of the subject in language. (shrink)

Teacher identity is defined in its relations, on the one hand, to curriculum and, on the other, to students: to be identified as a teacher is to be taken by the latter as a bearer of the former. In this essay I consider some variations on theorising teacher identity within these relational terms. Beginning with the educational task of cultivating student subjects within the often impersonal aims of curriculum, I reject a correspondingly personalised production of teacher identity that would humanise (...) education through the teacher's personality. Turning instead to the idea of a teaching role defined by institutional authority, I look at two perspectives from which the teacher's identity can be theorised as a matter of performing that role. Jane Gallop's performative definition of teaching highlights the teacher as a pre-existing role but is fundamentally concerned with the teacher's self-understanding, this fails, however the relational requirements of teaching. Ultimately, bringing performativity into the context of the transferential relation between teacher and student provided by Plato's Symposium , I argue that student desire produces teacher identity in response to the teacher's performed relation to truth. (shrink)

From Socrates to Jean Brodie, we have become accustomed to teachers serving as placeholders for transgressive and powerful desires in our cultural imaginary. Evidenced by recent scholarship on teachers in film, however, as well as by the 2006 film Notes on a Scandal, the way we ought to feel about teachers acting on their transgressive motivations, realizing the cultural fantasies that shadow desire and break from social norms, is less clear. In this article James Stillwaggon and David Jelinek frame the (...) problematic erotics of school films in terms of the fantasy of the subject presumed to know and the transgressive bliss of jouissance. Stillwaggon and Jelinek analyze Notes on a Scandal as a breakdown and reversal of the tradition of school films to which it is indebted and work from it toward an understanding of the unrecognized and often conflicted cultural commitments that shape teaching. (shrink)

This paper deals with some issues underlying the role of education in the preparation of students for democratic participation. Throughout, I maintain two basic ideas: first, that a political action undertaken to obtain practical ends reflects a set of privately held values whose recognition is therefore essential to any idea of the political; second, that the continued viability of liberal democracy is dependent upon its openness to alteration through its recognition of private values. In order to bring these ideas to (...) light more clearly, I will develop my position in the form of a critique of some contemporary liberal theories of civic education, most notably Amy Gutmann's, as expressed in her influential work Democratic Education. Maintaining Gutmann's requirement of educational relativism, I intend to show how her emphasis on individual deliberation as a goal of education fits within a system of deliberative democracy, and that the two serve to minimize, on the individual level, the ability of individuals to seek recognition within the public sphere, and on the political level, the ability of democratic institutions to be renewed through participation. (shrink)

__Filmed School__ examines the place that teaching holds in the public imaginary through its portrayal in cinema. From early films such as _Madchen in Uniform_ and _La Maternelle_ to contemporary images of teaching in _Notes on a Scandal_ and _History Boys_, teachers’ roles in film have been consistently contradictory, portraying teachers as both seducers and selfless heroes, social outcasts and moral models, contributing to a similarly divided popular understanding of teachers as both salvific and sinister. In this book, Stillwaggon and (...) Jelinek present these contradictory images of teaching through the concept of _transference_ – the fantastical belief in another’s knowing that founds a teacher’s authority in relation to her students and, to some degree, the public at large. Tracing the place of transference across a century of school films, each chapter demonstrates the persistence of this fantasy in one of the dreams or nightmares of teaching that recurs thematically in school films: the teacher-as-savior, seducer, signifier in a moribund discourse, and sacrificial object. Through these analyses, the authors suggest that something might be missing in our attempts to theorize education when we leave our unthought fantasies of teaching out of the picture. This book will be of key interest to academics, researchers and postgraduate students in the fields of educational theory, teacher education, philosophy of education, film and media studies, psychoanalysis, sociology of education, curriculum studies and cultural studies. (shrink)

Films depicting educational relationships typically emphasize personal connections between students and teachers over the educational goals that such relations facilitate. In doing so, these films raise the question of how teachers stand in relation to their institutional roles in such a way as to inspire students’ desires for knowledge. In this paper, in order to examine the influence of institutional roles in defining teacher–student relationships, we analyze “The Paper Chase,” a film in which teacher and student have no personal connection (...) but in which the drama of student desire is nonetheless clearly featured. Drawing from Plato’s erotics, in which the soul is shaped by desire for that which it lacks, and from Jacques Lacan’s theories of desire and transference, we argue that “The Paper Chase” portrays educational desire as rooted in the differential of authority between teacher and student. (shrink)

In Art as Experience, Dewey claims that “‘imagination’ shares with ‘beauty’ the doubtful honor of being the chief theme in esthetic writings of enthusiastic ignorance. More perhaps than any other phase of the human contribution, it has been treated as a special and self-contained faculty, differing from others in possession of mysterious potencies.”1 Despite this “doubtful honor,” or as some might claim, because of it, imagination seems to have become a matter of unquestionable value in educational rhetoric over the last (...) half-century.2 This value is doubtless due in part to the immeasurable influence of Maxine Greene’s understanding of aesthetic education on broad swaths of educational thought.3 Yet Greene’s... (shrink)

Scholars of childhood and child-centered education draw attention to the multiple accounts of the child that have attended its brief history. In this article I read George Orwell’s ‘Such, such were the joys’ as a demonstration of the contradictions inherent in our notions of childhood, but also as a possible model for understanding how conflicted definitions of childhood contribute to the modern subject’s sense of identity. Following Orwell’s claim that he can hold two contradictory accounts of his childhood because ‘these (...) happen to be my own memories’, I demonstrate his reliance on well-established ideas about childhood that are clearly not his own, but that nonetheless shape the way he understands his own childhood. Developing the inherent opposition between these two strands of thought on the child, I argue that holding both at once allows the modern subject to maintain a sense of self against the othering forces of formal education. (shrink)

Transmitting knowledge or skills from one person or group to another has traditionally been understood as a merely proximate goal of education, the ultimate end being the lives students spend in pursuit of those learned ideals that keep our societies’ traditions alive. It is only by the life lived by the educated person or the collective life shared by an educated society that any account of educational success could properly be taken.1 Beliefs, attitudes, and habits appropriate to the society for (...) which a child is educated take priority over the facts a student acquires as a result of her time in school, yet facts, skills, and methods dominate the curriculum that schools set about teaching. The simple fact that we... (shrink)

As Modernist doctrines emphasizing the unity and agency of the educated self are increasingly set up as the straw men of contemporary educational discourses, premodern and Medieval theories of selfhood tend to disappear from the horizon of educational thought altogether. In this essay, in order to subvert this overcoming of our intellectual past, I examine Thomas Aquinas’ reading of the doctrine of original sin. Relying on Graham McAleer’s claim that Aquinas’ metaphysical theory sanctifies the body, I argue that Aquinas’ understanding (...) of original sin relies on a discursive, pedagogical model to account for human finitude. (shrink)