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  1.  14
    From Kearton to Attenborough: Fashioning the Telenaturalist's Identity.Jean-Baptiste Gouyon - 2011 - History of Science 49 (1):25-60.
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  2.  27
    The BBC Natural History Unit: Instituting Natural History Film-making in Britain.Jean-Baptiste Gouyon - 2011 - History of Science 49 (4):425-451.
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  3.  8
    Marcel Chotkowski LaFollette. Science on American Television: A History. x + 306 pp., illus., bibl., index. Chicago/London: University of Chicago Press, 2013. $45. [REVIEW]Jean-Baptiste Gouyon - 2014 - Isis 105 (1):245-245.
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  4.  30
    David A. Kirby, Lab Coats in Hollywood: Science, Scientists, and Cinema. Cambridge, MA and London: MIT Press, 2011. Pp. xiv+265. ISBN 978-0-262-01478-6. £20.95. [REVIEW]Jean-Baptiste Gouyon - 2012 - British Journal for the History of Science 45 (1):146-148.
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  5.  33
    Kristian H. Nielsen, Michael Harbsmeier and Christopher J. Ries , Scientists and Scholars in the Field: Studies in the History of Fieldwork and Expeditions. Aarhus: Aarhus University Press, 2012. Pp. 476. ISBN 978-87-7124-014-6. £50.00. [REVIEW]Jean-Baptiste Gouyon - 2014 - British Journal for the History of Science 47 (1):188-189.
  6.  33
    Michael H. Graham, Joan Parker and Paul K. Dayton , The Essential Naturalist: Timeless Readings in Natural History. Chicago and London: The University of Chicago Press, 2011. Pp. xiii+534. ISBN 978-0226-30570-7. $39.00. [REVIEW]Jean-Baptiste Gouyon - 2012 - British Journal for the History of Science 45 (3):451-453.
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  7.  17
    Oliver Gaycken. Devices of Curiosity: Early Cinema and Popular Science. xii + 254 pp., figs., index. New York: Oxford University Press, 2015. $99. [REVIEW]Jean-Baptiste Gouyon - 2016 - Isis 107 (3):660-661.
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