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  1.  7
    Introduction. De la traversée : raconter des expériences, partager le sens.Jean-Godefroy Bidima - 2002 - Rue Descartes 36 (2):7-18.
  2.  34
    Introduction. De la traversée : raconter des expériences, partager le sens.Jean-Godefroy Bidima - 2002 - Rue Descartes 36 (2):7-18.
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  3.  89
    Some Issues around the Double Language of Philosophers' Courage in the face of Experience.Jean-Godefroy Bidima - 2000 - Diogenes 48 (192):86-96.
    We have never come face to face with ‘Philosophy’, that goddess who was courted, scorned, hated, and betrayed throughout history by those who claimed to represent her - we only come into contact with her officers: philosophers, that is, human beings who exist in an economic context, have religious ideas, support political opinions, find a way through their emotional history, are paid by institutions, fanstasize about a vision of hope, have appetites, can fight, are mad keen to be noticed and (...)
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  4. The Internet and the African Academic World.Jean-Godefroy Bidima - 2006 - Diogenes 53 (3):93 - 100.
    A practice, a technique, an expertise cannot be left unexplored by an account that can explain their basis and organization as well as their objectives. Whether the internet is understood as a practice, or seen as a journey through a space that knows no borders, or cursed as humanity overreaching itself yet again (hybris), nevertheless its reality raises questions about our experience of the world (experimentum mundi) and explores its nature, giving an exact measure, beyond assumptions, of the relationship between (...)
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  5. Anthropocenes and New African Discourses: "Dwelling in the World" With Poetry and Criticism.Jean-Godefroy Bidima - 2021 - In Jean Godefroy Bidima & Laura Hengehold (eds.), African Philosophy for the Twenty-First Century: Acts of Transition. Lanham: Rowman & Littlefield Publishers.
  6.  57
    African Cultural Diversity in the Media.Jean-Godefroy Bidima - 2008 - Diogenes 55 (4):122-133.
    With the disenchantment with independence in Africa, economic failure, the crimes of the elites from the independence years, the paralysis of symbolism, and finally the states' loss of dynamism, the 1990s ushered in a so-called phase of democratization. This was about rethinking citizenship and the relationship to politics. This democratization was a response to the notion of diversity. This paper claims that the answer to this diversity issue fell far short of expectations and proceeds different examples taken from social, cultural (...)
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  7.  17
    Aesthetic Perception and the Critique of Emblems: The Politics of the Visible in the Public Sphere in Africa.Jean-Godefroy Bidima - 2013 - Diogenes 60 (1):69-77.
  8.  12
    Beauté et critique des emblèmes : politiques du visible en Afrique.Jean-Godefroy Bidima - 2013 - Diogène 237 (1):96-108.
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  9.  2
    Beauté et critique des emblèmes : politiques du visible en Afrique.Jean-Godefroy Bidima - 2013 - Diogène 237 (1):96-108.
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  10. Conclusion.Jean-Godefroy Bidima - 2021 - In Jean Godefroy Bidima & Laura Hengehold (eds.), African Philosophy for the Twenty-First Century: Acts of Transition. Lanham: Rowman & Littlefield Publishers.
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  11.  8
    Internet et le monde académique africain.Jean-Godefroy Bidima - 2005 - Diogène 211 (3):117-125.
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  12.  12
    La diversité culturelle africaine vue sous l'angle des médias.Jean-Godefroy Bidima - 2008 - Diogène 220 (4):138-152.
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  13.  4
    La diversité culturelle africaine vue sous l'angle des médias.Jean-Godefroy Bidima - 2008 - Diogène 220 (4):138-152.
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  14.  16
    L'acte de juger et le magistrat : de la précompréhension à l'occasion.Jean-Godefroy Bidima - 2002 - Rue Descartes 36 (2):181-200.
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  15.  76
    Palabre.Jean-Godefroy Bidima & Beatrice McGeoch - 1998 - Diogenes 46 (184):141-144.
    What is palabre? Not only an exchange of words, but also a social drama, a procedure, and set of human interactions. Palabre is therefore a putting into scene, a putting into order, and a putting into words.
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  16.  18
    Rationalités et procédures juridiques en Afrique.Jean-Godefroy Bidima - 2003 - Diogène 202 (2):81-97.
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  17. Reviews : Louis-Vincent Thomas, Les Chairs de la mort, Collection 'Les empêcheurs de penser en rond', Paris: Institut d'Édition Sanofi-Synthélabo, 2000.Jean-Godefroy Bidima & Jean Burrell - 1999 - Diogenes 47 (188):95-97.
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  18.  16
    Rationalities and Legal Processes in Africa.Jean-Godefroy Bidima - 2004 - Diogenes 51 (2):69-82.
    Taking together place, time and manner, it would be possible to describe the encounter as comprising at least six modes: fragility, temporality, activity, integrity, causality and disparity. The author then explores what is meant by a rationality, and discusses the encounter between legal rationalities in Africa. The suggestion is that the law exists in Africa only in the tension between old and new, imposition and negotiation; the question at issue is the possibility of thinking ‘between-two-realities’, the ‘space-between’.
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  19. Ethnopsychiatry and its Reverses: Telling the Fragility of the Other.Jean-Godefroy Bidima - 2000 - Diogenes 48 (189):68-82.
    Reading the vast panorama of the history of Western medicine in general and psychiatry in particular sheds an interesting light not only on social constructions and representations but also on the perception of the Other by the medical institution. Colonial medicine in its struggle - praiseworthy, moreover - against epidemics, presents an interesting case here. We read in the Colonial Medical Archives at Berlin, that a certain Dr Roesener was sent to Kamerun (Cameroon), a German protectorate, to take charge of (...)
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  20. Philosophical Sketches on African Becomings.Jean-Godefroy Bidima & Beatrice McGeoch - 1998 - Diogenes 46 (184):169-196.
    When the “object” gazed at is called Africa and when the gazing subject is Africa, the observer cannot help but conclude that any gaze that is related to Africa is an intersection of gazes calling forth several questions: Who is looking at Africa? What is Africa looking at? Who looks at the one who is looking at Africa? Two problems emerge from this: the identification of the subject, and the discrimination among objects and themes produced by the limited scope of (...)
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