La literatura griega registra antecedentes de los recursos propios del slapstick en diversos géneros como la épica, la poesía yámbica, la fábula y la comedia. La comedia de Menandro, en particular El Misántropo, hace uso profuso de esta serie de tópicos del humor físico para caracterizar al anciano Cnemón, su personaje central. En varias de sus obras, el slapstick se asocia específicamente al personajetipo del anciano gruñón. El Misántropo retoma claramente el uso punitivo tradicional del recurso, que resulta dominante en (...) la comedia de Aristófanes, en cuanto el slapstick apunta a castigar y transformar la conducta antisocial de Cnemón. No se trata de un recurso asociado al mero entretenimiento, sino que condena a su víctima mediante el escarnio de la agresión y la risa, o bien a su victimario cuando ejerce una violencia descontextualizada, como lo hace el misántropo. (shrink)

Este trabajo se propone demostrar que el personaje de Demóstenes cumple un papel central dentro de la estrategia persuasiva de la pieza, que intenta degradar la imagen pública de Cleón. En las obras tempranas, el héroe cómico suele ser el principal portavoz de la postura defendida en la obra; sin embargo, en Caballeros la imagen del héroe, el Morcillero, resulta al principio tan devaluada que debilita la fuerza argumentativa del ataque; en este sentido, Demóstenes actúa como un héroe provisorio y (...) un portavoz autorizado del enunciador-autor hasta que el Morcillero alcanza legitimidad y verdadera estatura heroica. This paper aims to demonstrate that the character of Demosthenes plays a central role in the persuasive strategy of the piece, which attempts to degrade the public image of Cleon. In the early works, the comic hero is usually the main spokesperson who defends the position maintained in the work; however, the image of the hero in Knights, the Sausage-Seller, is so devaluated at first that the argumentative force of the attack becomes weak; in this sense, Demosthenes acts as a provisional hero and authorized spokesman for the enunciatorauthor until the Sausage-Seller reaches more legitimacy and true heroic stature. (shrink)

El trabajo se propone analizar la representación de la ira en la comedia de Menandro y, en particular, la operación de ‘tipificación’ de la cólera en su obra, que se vincula con la construcción de personajes-tipo. Adoptamos como marco teórico algunos lineamientos de la concepción aristotélica de las pasiones y del constructivismo social. En este marco, sostenemos que la ira en la comedia de Menandro se encuentra atravesada por determinaciones de edad, género y condición libre o esclava y se presenta, (...) sobre todo, como un rasgo negativo dominante del ciudadano varón anciano y cabeza del hogar. (shrink)

Resumen: La noción de tópos, concebido como un principio compartido por una comunidad, desempeña una función central en los tratados de retórica desde la Antigüedad grecolatina. Este concepto también resulta relevante, creemos, en el discurso literario y permite trazar relaciones entre literatura y retórica. Si bien la literatura comparada le asigna autonomía al término y tiende a disociarlo de su función persuasiva, entendemos que los tópicos desempeñan en la comedia antigua una función compleja: operan como motivos literarios, pero también adoptan (...) a la vez una finalidad argumentativa. La comedia de Aristófanes, en particular, propugna ciertas ideas políticas, empleando varios tópicos, ya sea bajo la forma de enunciados o de personajes-tipo. Los tópicos se utilizan, entonces, tanto en la oratoria como en la comedia con fines persuasivos.: The notion of tópos, conceived as a principle shared by a community, has a central place in the treatises of rhetoric from Greco-Roman antiquity. This concept is also relevant, we believe, in literary discourse and it allows to establish a connections between literature and rhetoric. While comparative literature tends to disassociate this notion from its persuasive function, we understand that the tópoi have a complex function in ancient comedy: the tópoi are literary motifs, but also adopt an argumentative purpose. Aristophanes' comedy, in particular, advocates certain political ideas, using a series of tópoi, either in the form of statements or character types. The tópoi are then used in both oratory and comedy with persuasive purposes. (shrink)

El campo de las ciencias de la salud se encuentra actualmente en constante cambio y esta condición ha sido más acentuada en la última década ya que nuevas enfermedades, como el SARS-CoV-2, forzaron a la ciencia a evolucionar y pusieron a prueba el componente ético del personal de la salud, despertando un interés especial en la bioética y la ética médica.

Elizabeth Anker y Bernardette Meyler, profesoras de literatura y de derecho respectivamente, involucradas ambas en los últimos años con el movimiento “derecho y literatura”, editan en 2017 New Directions in Law and Literature.

The purpose of this essay is to advocate for including jurilinguistics in legal education. It presents jurilinguistics as a tool for understanding law and therefore supports continuing efforts to teach it. Knowing it is not unique, this essay proposes a jurilinguistic approach that focuses on the in-between of legal translation and comparative law. The proposal outlines the importance of educating in the capabilities of teaching a particular subject in a language other than their official one. The idea is to let (...) the Other help to understand the Self. Particularly pertinent in transnational law programs, it is a multicultural approach that not only recognizes the other, but also embraces it. (shrink)

ArgumentIn 1895 when the Lumière brothers unveiled their cinematographic camera, many scientists were elated. Scientists hoped that the machine would fulfill a desire that had driven research for nearly half a century: that of capturing the world in its own image. But their elation was surprisingly short-lived, and many researchers quickly distanced themselves from the new medium. The cinematographic camera was soon split into two machines, one for recording and one for projecting, enabling it to further escape from the laboratory. (...) The philosopher Henri Bergson joined scientists, such as Etienne-Jules Marey, who found problems with the new cinematographic order. Those who had worked to make the dream come true found that their efforts had been subverted. This essay focuses on the desire to build a cinematographic camera, with the purpose of elucidating how dreams and reality mix in the development of science and technology. It is about desired machines and their often unexpected results. The interplay between what “is” (the technical), what “ought” (the ethical), and what “could” be (the fantastical) drives scientific research. (shrink)

A 50 años del golpe de Estado: reflexiones sobre la revolución y la historia reciente desde la militancia.

It has been pointed out that Sensorimotor Enactivism, a theory that claims that perception is enacted and brought about by movement, says very little about the neural mechanisms that enable perception. For the proponents of the predictive approach to Sensorimotor Enactivism, this is a challenge that can be met by introducing predictive processing into the picture. However, the compatibility between these theories is not straightforward. Firstly, because they seem to differ in their stand towards representations: while Sensorimotor Enactivism is said (...) to belong to the non-representational wing of cognitive science, predictive processing has a representational profile. And secondly, because they exhibit different explanatory strategies: while Sensorimotor Enactivism prioritizes the interactions of the embodied agent, predictive processing has internalist commitments. The aim of this paper is to address these concerns and show that a predictive approach to Sensorimotor Enactivism is viable. More specifically, I focus on the Free-Energy approach, a theory that falls within the ballpark of predictive processing. In this paper I argue for the following claims. I argue that both Sensorimotor Enactivism and the Free-Energy approach may be understood for some systems in representational terms. The non-representational reading of Sensorimotor Enactivism is not mandatory and neither is the representational reading of the Free-Energy approach. Sensorimotor Enactivism is, in this respect, compatible with both representational and non-representational interpretations of the FEA. So, the position towards representations of these frameworks should not stand in the way of a predictive approach to Sensorimotor Enactivism. I also show that the Free-Energy approach allows for an account that prioritizes the interaction of the embodied agent with the environment. This is the explanatory strategy followed by Sensorimotor Enactivism. To justify this strategy and following other proponents of Sensorimotor Enactivism, I argue that by referring to the interactions of the embodied agent a better account of the phenomena in question is provided. On this basis, I claim that Sensorimotor Enactivism and the Free-Energy approach are compatible in what concerns their explanatory strategy as well. Thus, making the case for the viability of the predictive approach to Sensorimotor Enactivism. (shrink)

RESUMEN Al reconstruir el cambio en la figura del otro entre la escuela del sentido moral y el sistema de la simpatía, es posible establecer una diferencia importante entre A. Smith y sus antecesores en la Ilustración escocesa, y explorar desde un nuevo ángulo el lugar que ocupa la política en la obra de Smith. Al pasar de una figura universal y abstracta, a una concreta y real, el sistema de la simpatía permite pensar en la continuidad que hay entre (...) la comunidad moral y la comunidad política y también en su ruptura, cuando la segunda se convierte en el espacio que permite manejar la exclusión que puede generar la primera. La invisibilidad de algunos miembros de la comunidad moral exige la creación de un espacio de tolerancia para evitar la violencia simbólica que implica la negación de participar en la comunicación afectiva de la simpatía. ABSTRACT The system of sympathy introduces a change in the figure of the other with respect to the school of moral sense. The reconstruction of this change reveals an important difference between A. Smith and his Scottish Enlightenment predecessors, which allows for the examination of the role of politics in Smith's work from a new angle. By replacing an abstract, universal figure with a concrete, actual one, the system of sympathy makes it possible to think the continuity between the moral community and the political community, but also its disruption, whenever the latter becomes a space to handle the exclusion that might be generated by the former. The invisibility of some of the members of the moral community requires the creation of a space of tolerance in order to avoid the symbolic violence entailed by the refusal to participate in the affective communication of sympathy. RESUMO Ao reconstruir a mudança na figura do outro entre a escola do sentido moral e o sistema da simpatia, é possível estabelecer uma diferença importante entre A. Smith e seus antecessores na Ilustração escocesa e explorar, sob um novo ângulo, o lugar que a política ocupa na obra de Smith. Ao passar de uma figura universal e abstrata para uma concreta e real, o sistema da simpatia permite pensar na continuidade que há entre a comunidade moral e a comunidade política e também em sua ruptura, quando a segunda se converte no espaço que permite manejar a exclusão que pode gerar a primeira. A invisibilidade de alguns membros da comunidade moral exige a criação de um espaço de tolerância para evitar a violência simbólica que implica a negação de participar na comunicação afetiva da simpatia. (shrink)

En este artículo, nos preguntamos si es pertinente un análisis del personaje de Medea de Eurípides, y más concretamente, de su filicidio, a la luz de la doctrina aristotélica de la acción. Resulta dudoso, y quizás equívoco, hablar de "responsabilidad" (en sentido aristotélico) en el caso de la heroína, ya que sus motivaciones, como las de todo héroe trágico, tienen un doble signo: enfrentado a una ἀνάγκη superior, también desea lo que está forzado a hacer. Además, Medea no es una (...) mujer común: es un personaje ontológicamente complejo que participa, más de lo que frecuentemente se ha enfatizado, del plano divino. In this article we wonder if it is pertinent to analyse the character of Euripides' Medea and, more precisely, her filicide, in the light of Aristotle's doctrine of action. With regard to the heroine, it is doubtful and perhaps confusing to talk about "responsibility" (in Aristotelian terms) because her motivations, as all tragic heroes', are two-sided: faced to a superior ἀνάγκη he wants what he is forced to do as well. In addition, Medea is not an ordinary woman: she is an ontologically complex character that has a share in the divine level, a share which is more crucial than what has usually been emphasized. (shrink)

This paper situates Einstein's theory of relativity within broader networks of communication. The speed of light, explained Einstein, was an unsurpassable velocity if , and only if , it was considered in terms of »arbitrary« and »voluntary« signals. Light signals in physics belong within a broader set of signs and symbols that include communication and military signals, understood by reference to Helmholtz, Saussure, media philosophies from WWII to '68 (Lavelle, Ong, McLuhan) and Derrida. Once light signals in physics are considered (...) in relation to semaphore, print, telegraph, radio, computers and tape recorders, Kittler and Habermas provide us with conflicting ways for understanding science and technology, rationality and consensus. We conclude with a study of »flash and bang« in popular accounts of relativity theory to understand the role of theoretical science in the transmission of information and violence. (shrink)

Alberto Magno designa una división tripartita para la filosofía, en la cual la “filosofía real” se encuentra compuesta por la física, la matemática y la metafísica, dispuestas de este modo secundum ordinem doctrinae. El saber metafísico constituye el saber más excelso y es denominado scientia divina, que se articula con la teología a modo de una gradación de distintos estadios de inteligibilidad, y pone de manifiesto el problema dialéctico fe-razón.

En este artículo teórico se presenta el modelo metodológico de los Mapas Corporales como una estrategia para la producción de conocimientos sobre el cuerpo en investigaciones biográficas. Este modelo aborda la corporeidad como un lugar por el que fluye el trazado de construcciones intersubjetivas que regulan al sujeto, permitiendo textualizar procesos subjetivos que, con las estrategias tradicionales del método biográfico, quedan invisibles, en tanto, lenguajes semiótico-materiales encarnados. A nivel interpretativo se busca la comprensión del orden normativo inscrito en el cuerpo (...) donde se articulan aspectos relativos a procesos psicosexuales y modelos de género anclados en la cultura, como así también, la expresión de transgresiones o disidencias a las ideologías de género vigentes. This theoretical paper refers to a methodological model of Body Maps as a strategy to create knowledge on corporeity in bibliographic research. This model approaches the body as a place through which the intersubjective construction path regulating the subject flows, allowing the textualization of subjective processes which, together with the traditional strategies of the bibliographic method, remain invisible as embodied semiotic-material languages. At an interpretational level, the paper deals with understanding the normative order of the body where aspects relative to psychosexual processes and gender models rooted in the culture articulate, along with the expression of transgression to current gender ideologies. (shrink)

This paper situates Einstein’s theory of relativity within broader networks of communication.The speed of light, explained Einstein, was an unsurpassable velocity if, and only if, it was considered in terms of »arbitrary« and »voluntary« signals. Light signals in physics belong within a broader set of signs and symbols that include communication and military signals, understood by reference to Helmholtz, Saussure, media philosophies from WWII to ‘68 (Lavelle, Ong, McLuhan) and Derrida. Once light signals in physics are considered in relation to (...) semaphore, print, telegraph, radio, computers and tape recorders, Kittler and Habermas provide us with conflicting ways for understanding science and technology, rationality and consensus.We conclude with a study of »flash and bang« in popular accounts of relativity theory to understand the role of theoretical science in the transmission of information and violence. (shrink)

The milestone category that is frequently used to refer to the COVID 19 pandemic is called into question to propose that the use of this category is rather what generates a distinction between a past time or a before and a future time or an after. It is proposed that the possibility that this has been erected as a milestone is given by processes that are maintained both globally and locally, even though what allows the appearance of unprecedented events for (...) the Chilean health system is precisely the need to articulate its actions and markedly neoliberal rationalities with global logics. It is specified in the penetration of technological and biopolitical frameworks in the ways of life of the population worldwide and in the notions regarding how to live, and in the colonial matrix of knowledge / power that is at the base of the historical conception of the world system. (shrink)

El objetivo es la creación de una metodología de acercamiento a los estudiantes de canto, a través de la facilitación del aprendizaje de la didáctica vocal desde la perspectiva de la Cantoterapia y el Counseling, para que los profesores de canto trabajen con sus alumnos en tiempos de crisis personal o colectiva. Se analizarán los resultados de un cuestionario que involucra a 10 alumnos del curso desde el 2020 al 2022. Los Siete Momentos Básicos de la Clase de Canto han (...) sido vinculados con los Cinco Elementos Esenciales de la Intervención Inmediata y Masiva de Trauma a Medio Plazo de Hobfoll y colegas. (shrink)

Los cuidados paliativos son una forma de atención integral del paciente, considerando su carácter antropológico y ontológico, como un ser biopsicosocioespiritual, en donde la muerte y el sufrimiento son características que lo definen y lo separan de otra especie. Los principios bioéticos nos dan una aproximación para entender el porqué es importante atender al paciente desde todos los ámbitos, más allá de la intención curativa. Nos permite visualizar la verdadera meta de los cuidados paliativos.

Experiential imagination consists in an imaginative projection that aims at simulating the experiences one would undergo in different circumstances. It has been traditionally thought to play a role in how we build our lives, engage with other agents, and appreciate art. Although some philosophers have recently expressed doubts over the capacity of experiential imagination to offer insight into the perspective of someone other than our present-selves, experiential imagination remains a much sought-after tool. This paper substantiates pessimism about the epistemological value (...) of these uses of experiential imagination by developing an embodied approach. Our thesis is that experiential imagination is _robustly embodied_ because the _sociohistorically situated_ body makes an irreducible contribution to the imaginative project, and that, as such, it is constrained by who we are as _concrete_ agents. We argue that experiential imagination is an embodied, virtual exploration of imagined scenarios that depends on our situated history of sensorimotor and affective interactions. We conclude that experiential imagination is much more limited than commonly acknowledged, as it can hardly be divorced from who we are and where we have been. (shrink)

El trabajo doméstico y las labores domésticas se asocian, incluso hoy, con “lo femenino”, desde una perspectiva esencialista del género. Gracias a la obra de Beauvoir podemos indagar el género como una construcción social que asigna los roles y papeles que cada quien debe cumplir en una sociedad, para comenzar a señalar que la idea del “ama de casa de tiempo completo”, no es en absoluto una categoría que ha existido siempre, sino que está situada dentro de un contexto histórico (...) que sirvió para impulsar el desarrollo capitalista, como señala Silvia Federici. La perspectiva del feminismo materialista de Christine Delphy ofrece una crítica al marxismo clásico que ignora las condiciones de opresión y explotación de las mujeres. Presentamos un análisis sobre la manera en que el desarrollo del capitalismo y, al mismo tiempo, del patriarcado, ha atado a las mujeres a situaciones de violencia a partir de la dependencia económica. (shrink)

It has been pointed out that Sensorimotor Enactivism, a theory that claims that perception is enacted and brought about by movement, says very little about the neural mechanisms that enable perception. For the proponents of the predictive approach to Sensorimotor Enactivism, this is a challenge that can be met by introducing predictive processing into the picture. However, the compatibility between these theories is not straightforward. Firstly, because they seem to differ in their stand towards representations: while Sensorimotor Enactivism is said (...) to belong to the non-representational wing of cognitive science, predictive processing has a representational profile. And secondly, because they exhibit different explanatory strategies: while Sensorimotor Enactivism prioritizes the interactions of the embodied agent, predictive processing has internalist commitments. The aim of this paper is to address these concerns and show that a predictive approach to Sensorimotor Enactivism is viable. More specifically, I focus on the Free-Energy approach, a theory that falls within the ballpark of predictive processing. In this paper I argue for the following claims. I argue that both Sensorimotor Enactivism and the Free-Energy approach may be understood for some systems in representational terms. The non-representational reading of Sensorimotor Enactivism is not mandatory and neither is the representational reading of the Free-Energy approach. Sensorimotor Enactivism is, in this respect, compatible with both representational and non-representational interpretations of the FEA. So, the position towards representations of these frameworks should not stand in the way of a predictive approach to Sensorimotor Enactivism. I also show that the Free-Energy approach allows for an account that prioritizes the interaction of the embodied agent with the environment. This is the explanatory strategy followed by Sensorimotor Enactivism. To justify this strategy and following other proponents of Sensorimotor Enactivism, I argue that by referring to the interactions of the embodied agent a better account of the phenomena in question is provided. On this basis, I claim that Sensorimotor Enactivism and the Free-Energy approach are compatible in what concerns their explanatory strategy as well. Thus, making the case for the viability of the predictive approach to Sensorimotor Enactivism. (shrink)

La digitalización del mundo del trabajo es una arista ineludible a la hora de acercarnos a los modos de trabajar en la actualidad. Este artículo se propone indagar las percepciones sobre trabajo digital en la ciudad de Rafaela (Santa Fe) en el siglo XXI. Desde una sociología de los cuerpos/emociones, entendemos que las percepciones son el trasfondo de las prácticas sociales y que, en los trabajos digitales, estas se reconfiguran junto a los cambios estructurales en la lógica temporal y espacial. (...) Para ello, implementamos una estrategia metodológica cualitativa con muestreo intencional y bola de nieve, a través de la técnica de entrevistas en línea semiestructuradas. Pudimos dar cuenta de que, con respecto a las características del trabajo digital, la relación de los/as trabajadores/as con sus clientes se ve intensificada, a veces más directamente (como jefe) y otras más indirectamente según la modalidad de ocupación. Además, valoran positivamente el trabajo como lugar de formación profesional y personal: la experiencia se mide por la diversidad de trabajos/clientes y no por la cantidad de años de actividad. Con respecto a las percepciones temporales, pudimos identificar que el tiempo productivo se prioriza sobre otros tiempos y su control se vuelve una fantasía difícil de lograr. Las variables de tiempo y espacio están íntimamente relacionadas: los/las trabajadores/as realizan su actividad en cualquier tiempo y lugar mientras haya siempre cuerpos disponibles y accesibles como una mercancía. Las percepciones de estos/as trabajadores/as digitales configuran sensibilidades sociales de adaptación y autodisciplina, que intensifican la expropiación de energías corporales/sociales. (shrink)

La física de Alberto Magno se centra sobre la base de una materialidad que no puede ser definida como pura potencialidad pues no podría explicarse la continuidad y teleología propias de todo cambio sustancial. Por esto, en la materia primera existen ciertas dimensiones cuantitativas indeterminadas que la hacen divisible y le permiten sustentar a la forma sustancial en el cambio. Estas dimensiones suponen la presencia de una primera formalidad en la materia, llamada forma corporeitatis, que hacen de la materia primera (...) una realidad actualizada e independiente de la forma sustancial. (shrink)