Esports competitions have become a world-wide phenomenon with millions of viewers and fans. Learn about how esports competitions deal with things from gambling to cheating software. Aligned with curriculum standards, these books also highlight key 21st Century content including information, media, and technology skills. Engaging content and hands-on activities encourage creative and design thinking. Book includes table of contents, glossary, index, author biography, and sidebars.

Ben Jonson, writing before 1641 in Discoveries, observed that nature intends us no courtesies. The rivers carry our boats, the winds favour our sails, and the sunlight warms our bodies, by necessary motions that contain no kindliness. This represented, or expressed, though perhaps unwittingly and certainly without scientific precision, the mechanical version of physical nature that steadily prevailed during the seventeenth century.

Ralph Cudworth, Doctor of Divinity, Master of Christ’s College at Cambridge, and philosophical chieftain of the Cambridge Platonists, published The True Intellectual System of the Universe in 1678 to disprove “the fatal necessity of all actions and events.” This disproof would destroy the various atheisms founded upon such “fatal necessity”; it would also correct those Christians who mistakenly honoured God by subjecting men to a divinely administered fate. Cudworth, with a constant eye on Hobbes, whom he did not name, struck (...) at atheism by establishing a “true intellectual system” and by arguing away its principle of fate. His design swelled as he worked to meet the various versions of “fatal necessity” with the various atheisms founded upon them, to establish the true doctrine, and to accommodate his own copious learning, and it swelled too much for the published work to be more than a first instalment of his whole design. (shrink)

A young boy found one of Beck's best stereoscopes, but he did not understand its use. When he looked through the two eye-pieces at the two adjacent duplicates of each picture on each card he got a single flat picture, and he expected nothing more. Then the moment of revelation came. As he fumbled the focus onto a flat picture of Hamlet, the grave-diggers and Hamlet himself bulged out, the skull on Hamlet's palm looked like a museum piece, and the (...) grave yawned like a real pit. The stereoscopic world of the Beck instrument had been suddenly established in the boy's experience. (shrink)

When a rainbow spans the sky the eye may rest with simple rapture on the arch of colours, or the mind may interpret it as an interplay between raindrops and light. This perceptibly separates the aesthetic relish of the colours from the scientific understanding of the bow. Archbishop Temple distinguished the restfulness of art from the restlessness of science. This applies to the wider aesthetic which includes natural products, such as snow-scenes or daffodils or rainbows, with the pictures, statues, buildings, (...) poems, and other products of man-made art. The rainbow clearly separates the understanding sought by science from the immediate contemplative aesthetic satisfaction with the colours. (shrink)