This paper seeks to examine the smuggling of tea during the long eighteenth century through several facets. In order to understand why smuggling occurred throughout the eighteenth century, one must take into consideration the laws which necessitated the need for smuggling, as well as the economic environment of Britain throughout the century. In addressing the widescale phenomena of ritualized tea drinking, one can comprehend why tea, specifically, was selected to be smuggled, admittedly among a myriad of other valuable commodities. It (...) is also critical to explore the materiality of tea ritual, as well as the smuggling process, as objects are a crucial element to the narrative and development of tea and its associated illicit activities. Bringing these components of examination together, one may begin to understand why tea was smuggled during the eighteenth century, and how the British government consequently worked to end smuggling altogether. (shrink)

This paper interacts specifically with two separate texts, that is Michel de Certeau’s The Possession at Loudun and Carlo Ginzburg’s The Cheese and the Worms: The Cosmos of a Sixteenth Century Miller. Both of these texts present a narrative of religious turmoil, demonic possessions and a heretical Inquisition, respectively, and the events which surround a single religious dissenter. Examining the two heretical men presented within these texts in comparison allows for an understanding of Catholic Church dogma during the age of (...) the Counter Reformation, and how such an institution managed threats, both external and internal. Moreover, this paper also examines the methodologies behind the historical discourse, in order to understand the validity of the narratives presented, and the scope of historical depth sought. Addressing methodology is crucial when one narrows focus to two singular case studies by two separate historians. Thus, this paper intends to illustrate the threats to normative religious discourse which Urbain Grandier and Menocchio possessed in the face of the Catholic Church, while also demonstrating the methodologies by which the two men are presented within their respective histories. (shrink)