A combination of uncritical interpretations of Greek art maintained since antiquity, together with Heidegger’s failed attempt to connect Being with Dasein through the Greeks, has misled the feminist agenda into dismissing both Heidegger and the Greeks. The bad blood left by Irigaray has revitalized scholarship which wants to know why the world-disclosive nullity of Being cannot be primordially transgenderous in essence prior to its worldly dispersal into the two sexes. It takes a radical, phenomenological reduction which applies suprasegmental theory to (...) re-chisel and strip the Greek statue from multiple layers of calcified presumptions deposited by millennia of realism, historicism, naturalism, and psychologism, until the inherently absent primordiality which Heidegger searched in vain in order to ground Dasein, the same which feminism would dismiss as phallocracy if it was not transgender, becomes literally visible. Two fifth century monumental works, the female Euthydikos Kore and the male Blonde Youth, are re-discovered in the reduction, and the prosody that is their faces lets the two genders reunite into something like a dark song. (shrink)

If there is one pivotal epistemological issue the Eastern and the Western Christian churches have agreed upon, this must be the understanding that God’s essence is inherently and conclusively unavailable to humans. This settlement is based on the shared assumption that there is no possible mode of accessing this or any essence, other than either from objective or subjective knowl­edge. Neo-Orthodoxy has preserved the heritage of Pateric apophaticism and has built upon the shared assumption its own, ecclesial accessibility instead to (...) God’s existence. In this exclusivist orientation Neo-Orthodoxy has further proclaimed itself the only true heir to ancient Greece, cutting off the West and criticizing it as a bastion of rational alienation. A phenomenological investigation of Greek statuary art, however, addresses prosody as a third, hitherto unexplored mode of epistemological intelligibility for an access to the essence of “God.” Through the implementation of suprasegmental theory in the phenomenological reduction of a certain statue, we revisit certain key concepts in the discussion between Christos Yannaras, whose works comprise the Neo-Orthodox manifesto, and Martin Heidegger, who claimed that the Greek statue “is the god himself.” Amongst the conclusions emerging from this comparative hermeneutics is the idea that in fact the West may have remained all along more ready than the East to move into the next historical step of man’s self-elucidation in the light of what is Holy. (shrink)

A possible escape from the neoliberal appreciation of “education” and the selling from faculty providers to student consumers of a commodity, such as a credential or a set of workplace skills serving efficiency and productivity, may come perhaps from an alternative understanding of the concept, one that now hearkens to the ringing of a truth preserved in its Latin etymology. Ex-duco can be seen as an allusion pointing to the didactic of Plato’s cave metaphor, where understanding unchains people from the (...) shadows of the ephemeral, the irrelevant, and the false and leads them out into the lasting light of alētheia that defines and informs the human condition. Such a shift in understanding of what... (shrink)