70 found
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  1. The role of theory in aesthetics.Morris Weitz - 1956 - Journal of Aesthetics and Art Criticism 15 (1):27-35.
  2.  14
    My Philosophical Development.Morris Weitz & Bertrand Russell - 1961 - Philosophical Review 70 (1):112.
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  3.  28
    The opening mind: a philosophical study of humanistic concepts.Morris Weitz - 1977 - Chicago: University of Chicago Press.
  4.  18
    The Opening Mind.Morris Weitz - 1980 - Journal of Philosophy 77 (1):54-56.
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  5. The role of theory in aesthetics.Morris Weitz - 1968 - In Francis Xavier Jerome Coleman (ed.), Contemporary studies in aesthetics. New York,: McGraw-Hill.
     
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  6.  13
    Philosophy of the Arts.Morris Weitz - 1950 - New York,: Harvard University Press.
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  7.  34
    Theories of Concepts: A History of the Major Philosophical Traditions.Morris Weitz - 1988 - New York: Routledge.
    First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
  8.  11
    The Beautiful in Music.Eduard Hanslick, Gustav Cohen & Morris Weitz - 1958 - Philosophy and Phenomenological Research 19 (1):117-118.
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  9.  21
    Contemporary British Philosophy.Morris Weitz & H. D. Lewis - 1958 - Philosophical Review 67 (2):252.
  10.  18
    Analysis and the Unity of Russell's Philosophy.Morris Weitz - 1944 - Journal of Symbolic Logic 9 (3):77-77.
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  11. Professor Ryle's "logical behaviourism".Morris Weitz - 1951 - Journal of Philosophy 48 (April):297-300.
  12.  26
    Problems in aesthetics.Morris Weitz - 1959 - [New York]: Macmillan.
  13. Philosophy in literature: Shakespeare, Voltaire, Tolstoy & Proust.Morris Weitz - 1963 - Detroit,: Wayne State University Press.
  14.  43
    Oxford philosophy.Morris Weitz - 1953 - Philosophical Review 62 (2):187-233.
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  15. Philosophical Analysis.Morris Weitz - 1967 - In Paul Edwards (ed.), The Encyclopedia of philosophy. New York,: Macmillan. pp. 97--105.
     
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  16.  28
    Philosophy and the abuse of language.Morris Weitz - 1947 - Journal of Philosophy 44 (20):533-546.
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  17.  14
    Philosophy and the Novel: Philosophical Aspects of Middlemarch.Morris Weitz - 1975 - Journal of Aesthetics and Art Criticism 34 (2):215-216.
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  18.  55
    Does art tell the truth?Morris Weitz - 1942 - Philosophy and Phenomenological Research 3 (3):338-348.
  19. "Hamlet" and the Philosophy of Literary Criticism.Morris Weitz - 1968 - Critica 2 (4):130-138.
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  20.  28
    O papel da teoria na estética.Morris Weitz - 2004 - Critica.
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  21. Tragedy.Morris Weitz - 1967 - In Paul Edwards (ed.), The Encyclopedia of philosophy. New York,: Macmillan. pp. 8--155.
     
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  22. Truth in literature.Morris Weitz - 1955 - Revue Internationale de Philosophie 9 (31):1-14.
     
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  23.  33
    Mind: An Essay on Human Feeling. [REVIEW]Morris Weitz - 1969 - Philosophical Review 78 (4):525-528.
  24. The logic of art: A rejoinder to dr. Hoekstra.Morris Weitz - 1944 - Philosophy and Phenomenological Research 5 (3):378-384.
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  25.  11
    The Concept of Style.Morris Weitz - 1981 - Journal of Aesthetics and Art Criticism 39 (3):321-325.
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  26.  37
    Descartes's Theory of Concepts.Morris Weitz - 1983 - Midwest Studies in Philosophy 8 (1):89-103.
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  27.  31
    Making Sense of the Tractatus.Morris Weitz - 1983 - Midwest Studies in Philosophy 8 (1):477-505.
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  28.  38
    Ryle's Theories of Concepts.Morris Weitz - 1981 - Midwest Studies in Philosophy 6 (1):321-334.
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  29.  4
    Aesthetics and Criticism.Morris Weitz - 1956 - Philosophical Review 65 (3):410.
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  30.  16
    Aesthetics and Language.Morris Weitz - 1955 - Philosophical Review 64 (4):637.
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  31.  81
    Analysis and real definition.Morris Weitz - 1950 - Philosophical Studies 1 (1):1 - 8.
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  32.  49
    Aesthetics and the Theory of Criticism: Selected Essays of Arnold Isenberg.Morris Weitz - 1975 - International Studies in Philosophy 7:227-229.
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  33. Analysis, philosophical.Morris Weitz - 1967 - In Paul Edwards (ed.), The Encyclopedia of philosophy. New York,: Macmillan. pp. 1--97.
     
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  34.  33
    Analytic statements.Morris Weitz - 1954 - Mind 63 (252):487-494.
  35.  3
    Analytic Statements.Morris Weitz - 1958 - Journal of Symbolic Logic 23 (1):69-70.
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  36.  10
    Art: Who needs it?Morris Weitz - 1976 - Journal of Aesthetic Education 10 (January):19-27.
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  37.  22
    Criticism without evaluation.Morris Weitz - 1952 - Philosophical Review 61 (1):59-65.
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  38. Genre and style.Morris Weitz - 1970 - In Howard Evans Kiefer & Milton Karl Munitz (eds.), Perspectives in Education, Religion, and the Arts. Albany, State University of New York Press. pp. 183--218.
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  39. Hamlet and the Philosophy of Literary Criticism.Morris Weitz - 1964 - Chicago: University of Chicago Press.
  40.  70
    Interpretation and the visual arts.Morris Weitz - 1973 - Theoria 39 (1-3):101-112.
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  41. Open concepts.Morris Weitz - 1972 - Revue Internationale de Philosophie 26 (99/100):86-110.
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  42.  58
    Professor Goodman on the aesthetic.Morris Weitz - 1971 - Journal of Aesthetics and Art Criticism 29 (4):485-487.
  43.  3
    Problems in Aesthetics: An Introductory Book of Readings.Morris Weitz - 1970 - [New York]: Macmillan.
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  44.  4
    Problems in Aesthetics.Morris Weitz - 1962 - Philosophical Quarterly 12 (46):92-92.
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  45.  19
    Philosophy in Literature.Morris Weitz - 1964 - Journal of Aesthetics and Art Criticism 23 (2):281-283.
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  46.  17
    Philosophy of the arts.Morris Weitz - 1950 - New York,: Russell & Russell.
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  47.  42
    Reasons in criticism.Morris Weitz - 1962 - Journal of Aesthetics and Art Criticism 20 (4):429-437.
  48.  10
    Research on the Arts and in Aesthetics: Some Pitfalls, Some Possibilities.Morris Weitz - 1977 - The Journal of Aesthetic Education 11 (2):9.
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  49.  16
    Santayana's Aesthetics.Morris Weitz - 1959 - Philosophical Review 68 (1):121.
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  50.  25
    Symbolism and Art.Feeling and Form: A Theory of Art Developed from Philosophy in a New Key.Morris Weitz - 1954 - Review of Metaphysics 7 (3):466 - 481.
    In her new book, Mrs. Langer has boldly chosen to orient aesthetics toward a reconsideration of artistic creation and the "making of the artistic symbol." Philosophy of art is impossible, she contends, until we return to the source of art, the artist at work in his studio; and deal patiently and realistically with his problems and achievements. Only then will we be able to understand, through clarifications of the concepts involved in art creation--"expression," "creation," "import," "vitality," "organic form," "symbol"--the nature (...)
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