Organization emerges as reality only through language. Transformation is such an emergence and it must get over the present context. A descriptive or implicative language fails to transcend the context. Linguistic suggestion of imageries and linguistic communion through imagination take departure from the present context and emerge as the new pleasurable transformed reality of organization. Linguistic holds the key to organizational transformation.

This article questions the reading of Vivekananda. By drawing several fine lines of separations between a text and an utterance, we argue that Vivekananda spoke. Such separations have been drawn on three major aspects of locating a text as consciousness, as intention or as transmitted. Indeed, Vivekananda spoke as performance, and as knowledge has intimate relation with performance, this article draws major conclusions relating to science as from speaking. Much of science could be otherwise considered as myth and apprehending Vivekananda (...) as speaker would demythify knowledge and science. Vivekananda as we understood situated a dialogue in and about knowledge and about its epistemic. Such an analysis did not require an ‘other’ to be there. This suggests that India embraced knowledge as its weapon. Vivekananda rejected the putatively ‘spiritual’. Science and technology, insofar as this was mythic, did not appear to him attractive beyond what was called for by the necessity of pragmatism. Vivekananda talked about a state and about nationalism as a stepping stone only. He spoke on personal knowledge and freedom from ignorance and from poverty. (shrink)

A hypertext learner navigates with a instinctive feeling for a knowledge. The learner does not know her queries, although she has a feeling for them. A learner’s navigation appears as complete upon the emergence of an aesthetic pleasure, called rasa. The order of arrival or the associational logic and even the temporal order are not relevant to this emergence. The completeness of aesthetics is important. The learner does not look for the intention of the writer, neither does she look for (...) significance. Lexia has a suggestive power and she is suggested in the arrival of aesthetics. Hypertext learning does not depend on communication. The learner in her pleasure transgresses the bounds of space-time to be in communion with several writers/learners. Hypertext learning does not appear to be fundamentally different from the analog learning; however, in performance, as in navigation, the learner assumes a mental state that helps her in her emergence into aesthetic bliss, of an arrival to the completed lexial navigation. This completeness is owing to aesthetics and is not owing to either the semantics or the query-fulfilling qualities. (shrink)

Contemporary democracy has given primacy to thought. Building up institutions on thought and reasoned discourse excludes out human actions derived not from thought that one thinks. Ordinary life is visited by emotion and passion. Such actions of unknown origin are captured best in the drama. Indian theory and practice of drama and the poetics offer communion between the performer and the viewer. Blissful relish of the actions and the dialogues lift up the banal actions from the ordinary to a state (...) beyond simple event. Relishing thus resides in cognition. Drama in theory and in its practice thus offers foundation to institutions that could embrace independent actions as well. In relish there is cognition and reasoning alone cannot lay claim. Folk life and folk actions thus could be emancipatory. (shrink)

Artificial intelligence (AI) impacts society and an individual in many subtler and deeper ways than machines based upon the physics and mechanics of descriptive objects. The AI project involves thus culture and provides scope to liberational undertakings. Most importantly AI implicates human ethical and attitudinal bearings. This essay explores how previous authors in this journal have explored related issues and how such discourses have provided to the present world a roadmap that can be followed to engage in discourses with ethical (...) and aesthetic implications of contemporary cognitive sciences. (shrink)