In this essay, we discuss a perspective remote from German academics on the examination of Heidegger’s interpretation of Kant, which was developed by Mou Zongsan (牟宗三). Mou focuses his interpretation of Kant on the infinite aspect of human morality and he praises Heidegger’s interpretation of the essence of human existence as “being-able-to-be”. Although, like Heidegger, he emphasizes the recognition of human finiteness as the basic premise of Kant’s philosophy, he refuses to apply this premise to Kant’s entire philosophy. He addresses (...) the fact that for Kant man is “finite but can be infinite”. Furthermore, he criticises Heidegger, on the one hand, for withdrawing the dimension of independence, infinity, supersensibility and timelessness from morality, and Kant, on the other hand, for rejecting the possibility of a positive use of intellectual intuition. By making use of a general insight from the schools of Chinese philosophy that positively recognise the intellectual intuition, one can, Mou believes, change the downsides of Kantian philosophy and organically connect Western and Asian philosophy. (shrink)

In this essay, we discuss a perspective remote from German academics on the examination of Heidegger’s interpretation of Kant, which was developed by Mou Zongsan (牟宗三). Mou focuses his interpretation of Kant on the infinite aspect of human morality and he praises Heidegger’s interpretation of the essence of human existence as “being-able-to-be”. Although, like Heidegger, he emphasizes the recognition of human finiteness as the basic premise of Kant’s philosophy, he refuses to apply this premise to Kant’s entire philosophy. He addresses (...) the fact that for Kant man is “finite but can be infinite”. Furthermore, he criticises Heidegger, on the one hand, for withdrawing the dimension of independence, infinity, supersensibility and timelessness from morality, and Kant, on the other hand, for rejecting the possibility of a positive use of intellectual intuition. By making use of a general insight from the schools of Chinese philosophy that positively recognise the intellectual intuition, one can, Mou believes, change the downsides of Kantian philosophy and organically connect Western and Asian philosophy. (shrink)

In this paper, I argue that the different understandings of “harmony”, which are rooted in ancient Greek and Chinese thought, can be recapitulated in the name of “dialectic harmony” and “ambiguous harmony” regarding the representation of the beautiful. The different understandings of the concept of harmony lead to at least two kinds of aesthetic value as well as ideality – harmony in conciliation and harmony in diversity. Through an explication of the original meaning and relation between the concept of harmony (...) and beauty, we can learn more about the cosmo-metaphysical origins in Western and Eastern aesthetics, with which we may gain insights for future aesthetics discourse. (shrink)