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  1.  5
    The transcendence of the face.Ugo Volli - 2021 - Sign Systems Studies 49 (3-4):279-297.
    This paper starts with an examination of the terms use d to designate the face in different languages, in particular in Italian, comparing these with the definitions provided by some authoritative dictionaries as well as with their etymology. This exploration yields some remarkable results: firstly, it appears that the face is indeed a term that has a material meaning, but at the same time it is a social object; secondly, the importance of the communicative function emerges, which makes the face (...)
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  2.  12
    Taste and meaning.Ugo Volli - 2016 - Semiotica 2016 (211):231-246.
    Journal Name: Semiotica Issue: Ahead of print.
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  3.  18
    Crisis of representation, crisis of representational semiotics?Ugo Volli - 2003 - Semiotica 2003 (143).
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  4.  20
    Who is the Author of Halakhah?Ugo Volli - 2013 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 26 (1):191-210.
    The Jewish Law (Halakahh) is probably the older legal system working in our time. It is established on a hierarchy of different texts. The oldest and more authoritative is the Torah (the five books of Moshe), then come the Mishnah, the Talmud, the compilation as Maimonide’s Mishne Torah and Caro’s Shulchan Arukh, then the responsa of the rabbis. While the authorship of the later texts is more or less clear, the one of the Torah is highly problematic, also in the (...)
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  5.  7
    Introduction.Davide Dal Sasso, Maurizio Ferrari & Ugo Volli - 2021 - Rivista di Estetica 76:3-10.
    The investigation that can be carried out on a given problem often requires taking into account both its characteristics and the theoretical tools that make the investigation possible, as well as the resources that can contribute to feeding and developing it. The research work – or, to use an oxymoron, theoretical practice – is based both on the quality and rigour of the investigation that is conducted on the possibilities and limitations that it encounters while being as coherent and reliabl...
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  6. on Umberto Eco's The Prague Cemetery.Ugo Volli & Gloria Origgi - 2011 - Iris. European Journal of Philosophy and Public Debate 3 (5):173-180.
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  7.  17
    The Origins Of Umberto Eco’s Semio-Philosophical Project.Ugo Volli - 2021 - Rivista di Estetica 76:81-95.
    Umberto Eco’s semiotics, unlike that of most of his colleagues, has always claimed to be a philosophical research. For Eco, general semiotics, that is, the research on the functioning of signs, was a fundamental part of philosophy, because the knowledge of objects and the formulation of the ideas that characterize them takes place by means of signs. This paper shows how Eco’s semiotic work derives from his philosophical training and how interest in the mass media and political commitment have not (...)
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