Lacan fait régulièrement référence à Kierkegaard dans son enseignement et ce dernier occupe une place cruciale dans le retour à Freud. En analysant les écrits de Kierkegaard, l'auteur éclaire certains concepts fondamentaux de la psychanalyse, remet en question le rapport de Lacan à Hegel et établit une nouvelle perspective entre psychanalyse et existentialisme.

Nine essays written over a dozen years explore problems of engaging the ideas of the contemporary French philosopher and their reception in the US. Deconstruction as criticism, the eclipse of difference, structural infinity, and responding responsibly are among the perspectives. Several of the essays have been previously published. Annotation copyright by Book News, Inc., Portland, OR.

Deconstruction is no game of mirrors, revealing the text as a play of surface against surface. Its more radical philosophical effort is to get behind the mirror and question the very nature of reflection. The Tain of the Mirror explores that gritty surface without which no reflection would be possible.

Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the Critique of Judgment as of the two earlier Critiques. Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate “beautiful” indicates that something (...) has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation (Darstellung) in what Kant refers to as “mere form,” which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the Critique of Judgment—such as disinterestedness, free play, the sublime, genius, and beautiful arts—are examined by the author and shown in a new light. (shrink)

The Honor of Thinking investigates the limits of criticism, theory, and philosophy in light of what Martin Heidegger and French post-Heideggerian philosophers have established about the nature and tasks of thinking. In addition to in-depth analyses of Walter Benjamin's conception of critique—and in particular the relation of critique to ethics, as well as alternative models of criticism (such as Heidegger's notion of “Auseinandersetzung,” and Derridean deconstruction)—this book contains essays on the notion of theory from the Greeks and the early German (...) Romantics to the contemporary use of this notion in literary studies. The last part of the book investigates the different ways of understanding philosophical thinking that are found in contemporary French thought, examining works of Foucault, Deleuze, Lyotard, and Derrida. (shrink)

The foundation for a system of morals, this 1749 work is a landmark of moral and political thought. Its highly original theories of conscience, moral judgment, and virtue offer a reconstruction of the Enlightenment concept of social science, embracing both political economy and theories of law and government.

The Significance Argument (SA) for the irreducibility of consciousness is based on a series of new puzzle-cases that I call multiple candidate cases. In these cases, there is a multiplicity of physical-functional properties or relations that are candidates to be identified with the sensible qualities and our consciousness of them, where those candidates are not significantly different. I will argue that these cases show that reductive materialists cannot accommodate the various ways in which consciousness is significant and must allow massive (...) vagueness in conscious experience. I also will argue that a nonreductive theory of the conscious-of relation can easily provide a very satisfying, unified explanation of the ways in which this relation is significant. (shrink)

Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the _Critique of Judgment_ as of the two earlier _Critiques_. Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate "beautiful" indicates that something (...) has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation in what Kant refers to as "mere form," which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the _Critique of Judgment_—such as disinterestedness, free play, the sublime, genius, and beautiful arts—are examined by the author and shown in a new light. (shrink)

Ulrich Beck's best selling Risk Society established risk on the sociological agenda. It brought together a wide range of issues centering on environmental, health and personal risk, provided a rallying ground for researchers and activists in a variety of social movements and acted as a reference point for state and local policies in risk management. The Risk Society and Beyond charts the progress of Beck's ideas and traces their evolution. It demonstrates why the issues raised by Beck reverberate widely throughout (...) social theory and covers the new risks that Beck did not foresee, associated with the emergence of new technologies, genetic and cybernetic. The book is unique because it offers both an introduction to the main arguments in Risk Society and develops a range of critical discussions of aspects of this and other works of Beck. (shrink)

Though the vegetarian movement sparked by Peter Singer’s book Animal Liberation has achieved some success, there is more animal suffering caused today due to factory farming than there was when the book was originally written. In this paper, I argue that there may be a technological solution to the problem of animal suffering in intensive factory farming operations. In particular, I suggest that recent research indicates that we may be very close to, if not already at, the point where we (...) can genetically engineer factory-farmed livestock with a reduced or completely eliminated capacity to suffer. In as much as animal suffering is the principal concern that motivates the animal welfare movement, this development should be of central interest to its adherents. Moreover, I will argue that all people concerned with animal welfare should agree that we ought to replace the animals currently used in factory farming with animals whose ability to suffer is diminished if we are able to do so. (shrink)

This paper proposes a new theory of the nature of hypocritical blame and why it is objectionable, arguing that hypocritical blame is a form of dishonest signaling. Blaming provides very important benefits: through its ability to signal our commitments to norms and unwillingness to tolerate norm violations, it greatly contributes to valuable norm-following. Hypocritical blamers, however, are insufficiently committed to the norms or values they blame others for violating. As allowing their blame to pass unchecked threatens the signaling system, our (...) strong interest in maintaining valuable norm-following by tracking who has what commitments justifies objecting to hypocritical blame. This theory has a number of strengths over competing accounts: it delivers intuitive verdicts about when blame is objectionable across a range of cases, it is a naturalistic explanation, it is consistent with a leading theory of the nature of blame, it explains why hypocritical pronouncements that don’t feature blame are similiarly objectionable, it does not rely on contentious analyses of the nature of ‘standing’, and it preserves the common intuition that hypocrites are in some way dishonest. (shrink)

Many favor representationalism about color experience. To a first approximation, this view holds that experiencing is like believing. In particular, like believing, experiencing is a matter of representing the world to be a certain way. Once you view color experience along these lines, you face a big question: do our color experiences represent the world as it really is? For instance, suppose you see a tomato. Representationalists claim that having an experience with this sensory character is necessarily connected with representing (...) a distinctive quality as pervading a round area out there in external space. Let us call it “sensible redness” to highlight the fact that the representation of this property is necessarily connected with the sensory character of the experience. Is this property, sensible redness, really co-instantiated with roundness out there in the space before you? (shrink)

Le cannabis est envisagé ici comme un instrument de la politique d’aménagement des territoires, au sens où R. Neuburger évoque les territoires de l’intime. Ceci permet la création de nouvelles narrations qui permettent de sortir de l’impasse où le cannabis est le problème pour les parents alors que c’est la solution pour le jeune. Deux vignettes cliniques illustrent cette métaphore et les opportunités qu’elle offre pour la thérapie.

Reductive intellectualists hold that knowledge-how is a kind of knowledge-that. For this thesis to hold water, it is obviously important that knowledge-how and knowledge-that have the same epistemic properties. In particular, knowledge-how ought to be compatible with epistemic luck to the same extent as knowledge-that. It is argued, contra reductive intellectualism, that knowledge-how is compatible with a species of epistemic luck which is not compatible with knowledge-that, and thus it is claimed that knowledge-how and knowledge-that come apart.

This thoughtful new abridgment is enriched by the brilliant commentary which accompanies it. In it, Laurence Dickey argues that the _Wealth of Nations_ contains--and conceals--a great deal of how Smith actually thought a commercial society works. Guided by his conviction that the so-called Adam Smith Problem--the relationship between ethics and economics in Smith's thinking--is a core element in the argument of the work itself, Dickey's commentary focuses on the devices Smith uses to ground his economics in broadly ethical and (...) social categories. An unparalleled guide to an often difficult and perplexing work. (shrink)

Robert Merrihew Adams has been a leader in renewing philosophical respect for the idea that moral obligation may be founded on the commands of God. This collection of Adams' essays, two of which are previously unpublished, draws from his extensive writings on philosophical theology that discuss metaphysical, epistemological, and ethical issues surrounding the concept of God--whether God exists or not, what God is or would be like, and how we ought to relate ourselves to such a being. Adams studies the (...) relation between religion and ethics, delving into an analysis of moral arguments for theistic belief. In several essays, he applies contemporary studies in the metaphysics of individuality, possibility and necessity, and counterfactual conditionals to issues surrounding the existence of God and problems of evil. (shrink)

What makes your life go well for you? In this paper, we give an account of welfare. Our core idea is simple. There are impersonally good and bad things out there: things that are good or bad period, not (or not only) good or bad for someone. The life that is good for you is the life in contact with the good. We’ll understand the relevant notion of ‘contact’ here in terms of manifestation: you’re in contact with a value when (...) it is manifest in parts of your life or parts of your life are manifest in it. So, the more the good is manifest in your life, or your life manifest in the good, the better for you. The more the bad is manifest in your life, or your life manifest in the bad, the worse for you. We’ll argue that this account is extensionally adequate: it explains the welfare value of achievements, friendships, knowledge, pleasures and virtues. Moreover, it has a number of explanatory virtues: it’s unified, elegant and explanatorily powerful. So, we’ll suggest, it’s an excellent account of welfare, and in many ways superior to its main competitors. (shrink)

The difficulty of explaining the outputs of artificial intelligence (AI) models and what has led to them is a notorious ethical problem wherever these technologies are applied, including in the medical domain, and one that has no obvious solution. This paper examines the proposal, made by Luciano Floridi and colleagues, to include a new ‘principle of explicability’ alongside the traditional four principles of bioethics that make up the theory of ‘principlism’. It specifically responds to a recent set of criticisms that (...) challenge the supposed need for such a principle to perform an enabling role in relation to the traditional four principles and therefore suggest that these four are sufficient without the addition of explicability. The paper challenges the critics’ premise that explicability cannot be an ethical principle like the classic four because it is explicitly subordinate to them. It argues instead that principlism in its original formulation locates the justification for ethical principles in a midlevel position such that they mediate between the most general moral norms and the contextual requirements of medicine. This conception of an ethical principle then provides a mold for an approach to explicability on which it functions as an enabling principle that unifies technical/epistemic demands on AI and the requirements of high-level ethical theories. The paper finishes by anticipating an objection that decision-making by clinicians and AI fall equally, but implausibly, under the principle of explicability’s scope, which it rejects on the grounds that human decisions, unlike AI’s, can be explained by their social environments. (shrink)

I discuss a large number of emotions that are relevant to performance at epistemic tasks. My central concern is the possibility that it is not the emotions that are most relevant to success of these tasks but associated virtues. I present cases in which it does seem to be the emotions rather than the virtues that are doing the work. I end of the paper by mentioning the connections between desirable and undesirable epistemic emotions.

Fieldwork in Familiar Places challenges the misconceptions about morality, culture, and objectivity that support these skepticisms, to show that we can take ...

Against all expectations. The phenomenon of attention in aesthetic experienceThis paper aims to show how aesthetic experience, by the type of attention it requires, can lead us to consider sensitivity as a way to take care of the visible. Based on a reflection about the concept of repetition developed by Sören Kierkegaard, it is shown how attention is at the same time a manner to concern for oneself and to concern for the sensitive environment. The main thesis of this article (...) is that artistic creation can be considered as a privileged path to experiment in how far the expectation influences our perception of the sensitive. By inviting us to embrace a certain kind of presence, art works can as well be considered as an outstanding way of access to reality. (shrink)

This text articulates the concept of subjective truth developed by Søren Kierkegaard in Concluding Unscientific Postscript to Philosophical Fragments, in connection to a conception of testimony which both exceeds and reveals the possibilities of thinking and acting of the witness. This imbalance between the testimony and the witness finds an important extension in the distinction between the Saying and the Said made by Emmanuel Lévinas in Otherwise than Being, or Beyond Essence. This distinction opens up an understanding of thought as (...) affectivity and allows witnessing to be viewed in the light of responsibility to the other. By being part of this philosophical heritage, Jean-Louis Chrétien shows how the testimony of the infinite is also phenomenalized in the experience of a chant that discovers its own modalities in this excess of beauty on the voice that tries to say it. (shrink)

À partir de l’examen d’un ensemble de films amateurs conservé à la Cinémathèque de Saint-Étienne, identifié sous le titre de « dépôt Gourbeyre », ce texte se propose d’établir quelques caractéristiques de ce qu’a pu être le film de famille pratiqué au moyen de caméras argentiques. Outre la disponibilité à l’acte de filmer que demandent les outils de prise de vue pellicule, la pratique du 8 mm relève d’une exposition à l’imprévu et à l’accident. Quelques exemples d’incidents sont examinés ici, (...) qui relèvent soit de l’usage, soit du fonctionnement de la caméra, mais qui élaborent ensemble les contours d’une poétique de l’accident. (shrink)

In this article, I consider the gesture confronted with its own impossibility, in situations that open the gesture to a dimension of transcendence. Focusing first on the event of beauty, as it is discussed by Jean‑Louis Chrétien, and on the encountering of the face, as it is considered by Emmanuel Lévinas, this paper envisions a “below” and a “beyond” of the gesture, in exceptional situations where the gesture is faced with an excess, acquiring a dimension of a theopathy. Subsequently, I (...) emphasize that the transcendence that takes gesture beyond itself can inhabit and nourish the daily gestures, and this can be an occasion of pain and difficulties. In this perspective, Simone Weil shows how the repeated gestures of manual labour can become the mirror of supernatural beauty. (shrink)

Rodolphe Calin | : Comment rendre compte de l’articulation entre l’image et le langage, plus précisément, de la double dimension, langagière et figurative, que présente le langage dans les figures de rhétorique? L’article essaie de montrer que, pour répondre à cette question, Ricoeur n’aura pas seulement eu besoin, dans la sixième étude de La métaphore vive, de développer une sémantique de l’image consistant à penser l’image comme une dimension du procès de la prédication métaphorique, mais également, comme en témoigne (...) son article « Image et langage dans la psychanalyse », une sémiotique de l’image, une sémiotique non linguistique permettant de faire droit à la dimension « pictoriale » qu’acquiert le langage en devenant figuré. Et dans la mesure où la sémantique et la sémiotique de l’image mettent en jeu deux modèles distincts, l’un prédicatif, l’autre substitutif, qui tour à tour permettent de décrire le schématisme de l’imagination, ce sont ici deux approches de l’imagination créatrice qui sont requises pour rendre compte du langage figuré. | : How to explain the connection between images and language? More precisely, how to give an account of the double dimension, both linguistic and figurative, that language presents in rhetorical figures? The present article attempts to show that in order to answer this question, Ricoeur had to develop not only a semantics of the image in La métaphore vive, where the image is conceived as a part of the process of metaphorical predication, but also, as evidenced by his article “Image and language in psychoanalysis,” a semiotics of the image — i.e., a non-linguistic semiotics making it possible to grant the “pictorial” dimension that language acquires in becoming figurative. And to the extent that the semantics and semiotics of the image deploy two distinct models — one predicative, the other substitutive — which alternately describe the schematism of the imagination, it becomes clear that two approaches of the creative imagination are required to account for figurative language. (shrink)

Thus Plotinus (what is his status in the history of metaphysics and in the "Platonic" era, if one follows Heidegger's reading?), who speaks of presence, that is, also of morphē, as the trace of nonpresence, as the amorphous (to gar ikhnos tou amorphous morphē). A trace which is neither absence nor presence, nor, in whatever modality, a secondary modality.In his reading of Heidegger in his 2003 seminar, published as The Beast and the Sovereign, Derrida is particularly troubled by one particular (...) aspect of Heidegger: Heidegger's "superabundant use" of the language of Walten.1 "As you see," Derrida writes of Heidegger's use of Walten, "late in my life of reading Heidegger, I have just discovered a word that seems to .. (shrink)

« Des beautés spécifiques naissent dans le langage, par le langage, pour le langage », écrit Bachelard dans Fragments d’une poétique du feu. Telle est la formule, véritable leitmotiv de cette ultime œuvre inachevée, par laquelle Bachelard énonce ce qu’il appelle un « Règne du langage », transformant ainsi en une thèse sur l’autonomie du langage et sur l’imaginaire qui en serait le phénomène, le privilège qu’il n’a cessé d’accorder, dans tous ses ouvrages sur l’imagination, à l’image littérair...

Pour Lévinas, la subjectivité – aussi bien dans sa relation avec l’être que dans sa relation avec autrui – est originairement responsable. Comment une telle responsabilité, qui n’est pas la simple conséquence de la liberté du sujet, est-elle possible ? C’est seulement à partir de l’incarnation, à partir de la pesanteur même du corps, que le sujet apparaît comme responsable en ce sens et que par conséquent prend sens chez Levinas la notion même de responsabilité.For Levinas, subjectivity – as well (...) in his relationship with the being, as with his relationship with the other – is from the beginning responsible. How is such a responsibility, which is not the mere consequence of the freedom of the subject possible ? It is only from the embodiment, from the very gravity of the body, that the subject appears as responsible in that sense and that consequently the very notion of responsibility assumes a meaning for Levinas. (shrink)